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AuthorBell, Melanie
TitleFemininity in the frame : women and 1950s British popular cinema / Melanie Bell
ImprintLondon : I.B. Tauris, 2010
Permalinkhttp://maurice.bgsu.edu/record=b3052601~S9
LocationCall NumberVolumeStatus
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Main Lib-1st Floor
PN1995.9.W6 B39 2010Available
Summary
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Bibliog.Includes bibliographical references and index
Includes filmography
OCLC #436265554Find in WorldCat
Phys. Descriptionxii, 226 pages : illustrations ; 24 cm
SERIESCinema and society series
Cinema and society
ISBN9781848851597 (pbk.)
1848851596 (pbk.)
SubjectsWomen in motion pictures
Motion pictures -- Great Britain -- History -- 20th century
Summary
It's widely assumed that Britain in the 1950s experienced a return to traditional gender roles. Popular cinema has typically been seen to represent this era through the dominant image of the 'happy housewife'. "Femininity in the Frame" is a sharply observant account of how British cinema engaged with femininity and women's roles during this important period. Written in a lively and accessible(More)
About The Author
Melanie Bell
Melanie Bell is Lecturer in Film at Newcastle University. She has published widely in the areas of British film culture, gender and genre, and British women's writing on film. She has contributed to the 'Oxford Dictionary of National Biography' and co-edited 'British Women's Cinema' (2009).
More by Melanie Bell
Look Inside
Introduction: Women and 1950s British Popular Cinema
 
 
Man-Made Women
 
 
The British femme fatale
 
 
See Full Table of ContentsCover
Professional Reviews
Choice
In this intriguing, adventurous book, Bell (Newcastle Univ., UK) looks at various cinematic constructions of femininity in 1950s British cinema, starting with science fiction films such as Four Sided Triangle (in which two brothers attempt to duplicate one woman, since both men wish to possess her) and Stolen Face (a plastic surgeon gives a hideously scarred woman(More)
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PN1995.9.W6
PN1995.9.W6
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Referenced in 2 syllabi
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