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http://maurice.bgsu.edu/record=b3099320~S9 |
| Location | Call Number | Volume | Status |
|---|---|---|---|
| Main Lib-1st Floor | PN1995.9.F67 B35 2010 | Available |
| Table of Contents | ||||||
|---|---|---|---|---|---|---|
| Illustrations | ||||||
| Acknowledgments | ||||||
| Introduction | 3 | |||||
| Part One: Emergence | ||||||
| 1 | Antecedents | 25 | ||||
| 2 | Italian Neorealism | 40 | ||||
| 3 | British Film Renaissance | 62 | ||||
| Part Two: Import Trends | ||||||
| 4 | Market Dynamics | 79 | ||||
| 5 | French Films of the 1950's | 100 | ||||
| 6 | Japanese Films of the 1950's | 118 | ||||
| 7 | Ingniar Bergman: The Brand | 130 | ||||
| 8 | The French New Wave | 145 | ||||
| 9 | Angry Young Men: British New Cinema | 168 | ||||
| 10 | The Second Italian Renaissance | 182 | ||||
| 11 | Auteurs from Outside the Epicenter | 206 | ||||
| Part Three: Changing Dynamics | ||||||
| 12 | Enter Hollywood | 227 | ||||
| 13 | The Aura of the New York Film Festival | 250 | ||||
| 14 | Collapse | 279 | ||||
| Epilogue | 301 | |||||
| Appendix: Variety's All-Time Foreign Language Films to 2000 | 309 | |||||
| Notes | 313 | |||||
| Select Bibliography | 343 | |||||
| Index | 347 | |||||
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