A Portrait Fit for a Publisher
Arthur Ochs Sulzberger Jr. steered The Times during an era of great change. His likeness now hangs at the organization’s headquarters.
By David W. Dunlap
As curator of the Museum at The Times, I write In Times Past, a short column that appears every other week about artifacts and documents of interest from the newspaper’s history. Most objects have been donated by Times journalists, on their own initiative or in response to a request from me. Recent acquisitions include a Times reporter’s train ticket from Beijing to Wuhan in January 2020, at the outset of the pandemic; zip-tie handcuffs that were used by Minnesota State Patrol officers to detain a Times reporter covering a demonstration in April 2021; and a camera lens that was destroyed on Jan. 6, 2021, when Capitol rioters attacked a Times photographer.
History has always been my passion. As a reporter for The Times from 1981 to 2017, much of my coverage focused on the historical landmarks of New York City. Shortly before my retirement, I began organizing an in-house museum dedicated to passing on The Times’s long heritage and deeply held values to current and future employees.
Since Times journalists are committed to upholding the standards of integrity outlined in our Ethical Journalism Handbook, it was an easy choice to make ethics a main theme in the museum. Artifacts and documents illustrate the lengths to which Times journalists go to uncover the truth (including putting their lives on the line), how The Times has resisted efforts by powerful forces to distort the truth, and — as an object lesson — instances in which The Times has violated or overlooked its own ethical standards.
I’m sorry to say that the Museum at The Times is not open to the public, but I am happy to answer questions about my column.
Email: dunlap@nytimes.com
Arthur Ochs Sulzberger Jr. steered The Times during an era of great change. His likeness now hangs at the organization’s headquarters.
By David W. Dunlap
In 1914, an Easter section in The Times that showed paintings from the Metropolitan Museum was a sensation. But there was something off about Fra Angelico’s ‘The Crucifixion.’
By David W. Dunlap
In the old New York Times headquarters, stained-glass panels adorned the editorial offices — and colored the place in more ways than one.
By David W. Dunlap
Tom Bodkin ordered up NYTCheltenham to replace a mélange of typefaces and sharpen the design of the newspaper.
By David W. Dunlap
In 2010, the Apple iPad offered a new way to read the news. To prepare for its arrival, The Times needed a model.
By David W. Dunlap
Ever wary of the Eastern establishment, President Johnson needed advice before a formal luncheon at The New York Times in 1964.
By David W. Dunlap
The Rev. Dr. Martin Luther King Jr.’s obituary was written well before he was killed in Memphis.
By David W. Dunlap
A very old way of saying “impartially” lives on in Times history.
By David W. Dunlap
A reporter’s columns about city life were a good fit for the Armed Services Editions, which published books for the American soldiers, sailors, airmen and Marines fighting World War II.
By David W. Dunlap
In 1999, a news assistant’s number crunching revealed that The Times had gotten ahead of itself.
By David W. Dunlap