xix, 202 pages ; 22 cm

The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and black death, the cross symbolizes divine power and black life, God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holiday and Langston Hughes, Fannie Lou Hamer and Ida B. Wells, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice

Includes bibliographical references and index

"Nobody knows de trouble I've seen": the cross and the lynching tree in the Black experience -- "The terrible beauty of the cross" and the tragedy of the lynching tree: a reflection on Reinhold Niebuhr -- Bearing the cross and staring down the lynching tree: Martin Luther King, Jr.'s struggle to redeem the soul of America -- The re-crucified Christ in Black literary imagination -- Oh Mary, don't you weep -- Conclusion: legacies of the cross and the lynching tree

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