| Collation |
xx, 395 pages : illustrations, music ; 26 cm. |
|
text txt rdacontent |
|
unmediated n rdamedia |
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volume nc rdacarrier |
| Series |
Yale musical instrument series |
|
Yale musical instrument series.
|
| Bibliog. |
Includes bibliographical references (pages 335-386) and index. |
| Contents |
Basic clarinet -- Origins of the clarinet -- Earliest clarinets -- Chalumeau -- Classical clarinet -- Mozart and the clarinet -- 1800 to 1843: astounding innovation and breath-taking virtuosity -- 1844 to 1900: the clarinet joins the establishment -- Clarinet in the twentieth century and beyond -- Basset horn -- Bass clarinet -- Odd clarinets -- Bands, folk music and all that jazz -- Appendix 1: Instrument makers -- Appendix 2: Instruction material. |
| Summary |
From the Publisher: The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.--Publisher. |
| Subject |
Clarinet.
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Clarinet -- History.
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| ISBN |
9780300102826 (hbk.) |
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0300102828 (hbk.) |
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