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Title Documentary across disciplines / edited by Erika Balsom and Hila Peleg.

Imprint Cambridge, MA : The MIT Press ; Berlin : Haus der Kulturen der Welt, [2016]
©2016
LOCATION CALL # STATUS
 2nd FL Fine Arts Collection Books  NX180.D63 D632 2016    Available
Collation 322 pages : illustrations ; 23 cm
text txt rdacontent
unmediated n rdamedia
volume nc rdacarrier
Bibliog. Includes bibliographical references and index.
Note This book emerges from the Berlin Documentary Forum, a program for the production and presentation of contemporary and historical documentary practices in an interdisciplinary context.
Contents The documentary attitude / Erika Balsom, Hila Peleg -- Bruises and blushes: photography 'beyond' anthropology / Christopher Pinney -- 'The cruel radiance of what is' / Lucien Castaing-Taylor, Véréna Paravel, and Ben Rivers in conversation -- 'A cage of information, ' or, what is a biometric diagram? / Zach Blas -- Interview in perspective I: the man with a tape recorder / Sylvère Lotringer -- Photography is not served: 'The family of man' and the human condition / Ariella Azoulay -- 'Now that's Brecht at last!': Harun Farocki's observational films / Volker Pantenburg -- Didactic elegy / Ben Lerner -- Reading between the images / Christa Blümlinger -- Montage against all odds / Antonia Majaca and Eyal Sivan in conversation -- No man's land, every man's home: Clemens von Wedemeyer documentary aporia / Evgenia Giannouri -- Interviews in perspective 2: dying documented / Sylvère Lotringer -- Narrative, 'evidence vérité, ' and the different truths of the modern trial documentary / Stella Bruzzi -- The right to one's self-image / Sohrab Mohebbi -- Data visualization and documentary's (in)visible frontiers / Kris Fallon.
Summary Contemporary engagements with documentary are multifaceted and complex, reaching across disciplines to explore the intersections of politics and aesthetics, representation and reality, truth and illusion. Discarding the old notions of 'fly on the wall' immediacy or quasi-scientific aspirations to objectivity, critics now understand documentary not as the neutral picturing of reality but as a way of coming to terms with reality through images and narrative. This book collects writings by artists, filmmakers, art historians, poets, literary critics, anthropologists, theorists, and others, to investigate one of the most vital areas of cultural practice: documentary.
Note Gift of the Estate of Norman Wilkinson.
Subject Documentary mass media and the arts.
Documentary films.
Documentary photography.
Documentary films. fast (OCoLC)fst00896079
Documentary mass media and the arts. fast (OCoLC)fst01736377
Documentary photography. fast (OCoLC)fst00896093
Alt Author Balsom, Erika, editor.
Peleg, Hila, editor.
ISBN 0262529068
9780262529068