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Casualties of War
For other uses, see Casualties of War (disambiguation).
Casualties of War is a 1989 American wardrama film directed by Brian De Palma and written by David Rabe, based primarily on an article written by Daniel Lang for The New Yorker in 1969, which was later published as a book.[3] The film stars Michael J. Fox and Sean Penn, and is based on the events of the 1966 incident on Hill 192 during the Vietnam War, in which a Vietnamese woman was kidnapped from her village by a squad of American soldiers, who raped and murdered her. For the film, all names and some details of the true story were altered.
Casualties of War

Theatrical release poster
Directed byBrian De Palma
Produced byArt Linson
Screenplay byDavid Rabe
Story byDaniel Lang
Starring
Music byEnnio Morricone
CinematographyStephen H. Burum
Edited byBill Pankow
Distributed byColumbia Pictures
Release date
August 18, 1989
Running time
113 minutes
CountryUnited States
LanguageEnglish
Budget$22.5 million[1]
Box office$18.7 million [2]
Plot
The story is presented as a flashback of Max Eriksson, a Vietnam veteran.
Lieutenant Reilly leads his platoon of American soldiers on a nighttime patrol. They are attacked by the Viet Cong (VC) after a panicked soldier exposes their position. While guarding the platoon's flank, Eriksson falls as the top of a VC tunnel gives way beneath him. Eriksson's squad leader, Sergeant Tony Meserve, pulls Eriksson out of the hole and eventually, the platoon retreats out of the jungle.
The platoon takes a break outside a river village in the Central Highlands. While relaxing and joking around, one of Meserve's friends, Specialist 4 "Brownie" Brown, is killed when the Viet Cong ambushes them. Brownie's death has a major impact on Meserve. The platoon is sent back to their base. Private First Class Antonio Dìaz arrives as the replacement radio operator.
Frustrated because his squad has been denied leave for an extended period, Meserve orders the squad to kidnap a Vietnamese girl. Eriksson strenuously objects, but Meserve, Corporal Thomas E. Clark and Private First Class Herbert Hatcher ignore Eriksson's objections. Before the five-man squad disembarks, Eriksson talks about his concerns to his closest friend, Rowan. At nightfall, the squad enters a village and kidnaps a Vietnamese girl, Tran Thi Oanh
As the squad treks through the mountains, Dìaz begins to reconsider raping Than and begs Eriksson to back him up. The squad and Than eventually take refuge in an abandoned hooch, where Eriksson is confronted and threatened by Meserve, Clark, and Hatcher. Dìaz suddenly gives in to the pressure, leaving Eriksson alone in opposing the act. Meserve forces Eriksson to stand guard outside while the other men take turns raping Oanh.
At daybreak, Eriksson is ordered to guard Than while the rest of the squad takes up a position near a railroad bridge overlooking a Viet Cong river supply depot. Through his acts of kindness, Eriksson manages to earn Oanh’s trust and prepares to go AWOL and return Oanh to her family. However, Meserve sends Clark to get Eriksson and Than to go to the bridge before Eriksson can carry out his plan.
Meserve has Dìaz order close air support for an assault on the depot and then orders Dìaz to kill Oahn with a knife. Before Dìaz can kill her, Eriksson fires his rifle into the air, exposing them to the nearby Viet Cong. In the midst of the firefight, Oanh tries to escape. Eriksson tries to save her but is stopped by Meserve, who knocks Eriksson down with the butt of his gun. Eriksson watches helplessly as the entire squad shoots Oanh numerous times until she falls off of the bridge to her death.
After the battle, Eriksson wakes up in a field hospital at the base. He eventually bumps into Rowan and tells him everything that happened. Rowan suggests that Eriksson see Reilly and company commander Captain Hill. Reilly and Hill both prefer to bury the matter but Hill, infuriated at Eriksson's determination to press the issue, resolves to get rid of Eriksson and orders him transferred to a tunnel rat unit. The other men in Meserve's squad will all be reassigned as well.
After narrowly escaping an attempt to kill him in the latrine with a grenade (made by Clark), Eriksson storms into a tent and smacks Clark in the face with a shovel. He bluntly tells Meserve that killing him is unnecessary because no one cares about what they did. Meserve makes a shaky attempt at a joke, and Eriksson leaves.
Eriksson then meets an Army chaplain at a bar and tells him the story of what happened during the patrol. The chaplain in turn reports it, launching an investigation. The four men who participated in the rape and murder are court martialed: Meserve receives 10 years hard labor and a dishonorable discharge, Clark is sentenced to life in prison, Hatcher receives 15 years hard labor, and Dìaz receives eight years hard labor.
At the end of the film, Eriksson wakens from a nightmare to find himself on a J-Church transit line in San Francisco, just a few seats from a Vietnamese-American student who resembles Oahn. She disembarks at Dolores Park and forgets her scarf, prompting Eriksson to run after her to return it. As she thanks him and turns away, he calls after her in Vietnamese. She surmises that she reminds him of someone, and adds that he has had a bad dream. They go their separate ways, and Eriksson is somewhat comforted.
Cast
Production
Development
The film was based on the real-life incident on Hill 192, and on Daniel Lang's lengthy New Yorker article, "Casualties of War," published in October 1969 and released as a book, with the same title, a month later. [4] Film rights were bought by David Susskind who was to produce the film for Warner Bros.[5] Pete Hamill wrote a script and Jack Clayton was to direct.[6] However the film was not made. In the meantime, Michael Verhoeven made his film based on the incident, titled, o.k.. Verhoeven's film was entered to the Berlin Film Festival in 1970, causing so much controversy among the judges, that the festival was shut down for that year with no awards given. De Palma was at that festival with his film Dionysus in '69. In the late 1970s Susskind announced he would make the film for ABC.[7] This did not happen.
In 1979 David Rabe mentioned the project to Brian De Palma, who was interested but was unable to raise the money to finance it. Some years later Rabe had written a script, and De Palma attached Michael J. Fox and Sean Penn as actors. They almost succeeded in getting the film financed at Paramount Pictures, but ultimately decided not to proceed when the budget went from $17 million to $20 million. De Palma then went on to make The Untouchables which was a big hit; Dawn Steel had liked the project at Paramount, and when she became head of production at Columbia Pictures, Casualties of War was the first film she green-lit.[1][8][9]
"Historically Vietnam War movies have been very profitable," said Steel. "All of them. Platoon, Full Metal Jacket, Apocalypse Now, The Deer Hunter. You're looking at movies that have never been not pretty successful, but very successful. The foreign numbers have been extraordinary."[1]
Shooting
The film was shot in April–May 1988, mostly on location in Thailand, with some filming in San Francisco.[10] The bridge location was filmed in Kanchanaburi, Thailand, which was the same as the famous Bridge on the River Kwai.
This film was Fox's third major dramatic role. He had previously starred in Light of Day and Bright Lights, Big City. John C. Reilly and John Leguizamo make their screen debuts in the film, with the former working with Penn again in We're No Angels and State of Grace. Leguizamo would again star with Penn in another picture by De Palma, 1993's Carlito's Way.
"Let's be honest," said Fox at the time. "If this movie makes a buck and a half it's going to be things like Bikini's Away for me. But to fail doing something unexpected is no disgrace. To fail doing the ordinary is a disaster. This movie is about how much you will risk if you have nothing to gain."[10]
Release
This section needs expansion. You can help by adding to it. (January 2014)
Casualties of War opened in 1,487 theatres, and ranked number 4 in box office for the first week of its release. It went on to gross $18.7 million.
The theatrical cut of the film was released on DVD in 2001. This version has the original 113 minute running time. An extended cut of the film was released on DVD in 2006, that contains two scenes cut from the original release. One has Eriksson being interrogated by the two investigators, and the other is the defense attorney (played by uncredited Gregg Henry) trying to discredit Eriksson during the trial. This extended version has a running time of 119 minutes.
Reception
Roger Ebert gave the film three stars out of four and wrote, "More than most films, it depends on the strength of its performances for its effect – and especially on Penn's performance. If he is not able to convince us of his power, his rage and his contempt for the life of the girl, the movie would not work. He does, in a performance of overwhelming, brutal power."[11] Vincent Canby of The New York Times stated, "'Casualties of War' moves toward its climax so inevitably and surely that the courts-martial, which are the film's penultimate sequence, are no less riveting for the theatrical way in which they have been compressed." He also called Penn's performance "extremely fine" and wrote of Fox that he "remains firmly in character" in a "difficult" role.[12]Todd McCarthy of Variety wrote, "A powerful metaphor of the national shame that was America's orgy of destruction in Vietnam, Brian DePalma's film is flawed by some punch-pulling but is sure to rouse strong audience interest, even if the Columbia release will be a bitter pill for many."[13] Gene Siskel of the Chicago Tribune gave the film three stars out of four and called it "a major effort in a minor key because of the limitations of the simple story."[14] Michael Wilmington of the Los Angeles Times wrote, "Casualties of War is DePalma's 19th movie and easily his best. His detractors saw his Hitchcock-pastiche thrillers as manipulative and sadistic, but here he's not dealing with stylish slashers or bloody set-pieces. He doesn't have to reach for a shock. He's dredging up a deeper horror: the hell that lies beneath every man's skin, waiting to erupt."[15] Hal Hinson of The Washington Post praised it as "a film of great emotional power" and "one of the most punishing, morally complex movies about men at war ever made."[16]
De Palma invited Steven Spielberg to a private screening of the film, and after the screening ended, Spielberg said to Columbia Pictures executive Dawn Steel, "You'll be thinking about this for a week."[1] David Rabe disassociated himself from the film, saying that De Palma had not been faithful to his script.[12] It was also criticized by Vietnam veterans' groups.[17]Quentin Tarantino has hailed the film as "the greatest film about the Vietnam War."[18] The film holds an 83% rating on Rotten Tomatoes based on 46 reviews. The site's consensus states: "Casualties of War takes a harrowing plunge into the Vietnam War with a well-acted ensemble piece that ranks among director Brian De Palma's more mature efforts."[19]
Awards
Wins
Political Film Society: PFS Award; Peace; 1990.
Nominations
See also
References
  1. ^ a b c d Weber, Bruce (21 May 1989). "Cool Head, Hot Images". New York Times Magazine.
  2. ^ "Casualties of War (1989)". Box Office Mojo. 26 September 1989. Retrieved 15 January 2014.
  3. ^ Canby, Vincent (18 August 1989). "Review/Film; In 'Casualties Of War,' Group Loyalty Vs. Individual Conscience". The New York Times.
  4. ^ Lehmann-Haupt, Christopher (14 November 1969). "Incident on Hill 192". New York Times. p. 45.
  5. ^ "Second Phase Will Begin in Warners Revamping". Los Angeles Times. 21 January 1970. p. d10.
  6. ^ Sloane, Leonard (18 February 1970). "Kinney Defends Warner Actions: Holders Are Told of Major Filming Activities". New York Times. p. 69.
  7. ^ Broder, Mitch (19 February 1978). "David Susskind: Growing Up in TV". New York Times. p. D31.
  8. ^ Van Gelder, Lawrence (26 February 1988). "At the Movies: A Linson-De Palma Vietnam film The man who makes Merchant-Ivory music The woman who made Day-Lewis sound like a Czechoslovak". New York Times. p. C8.
  9. ^ Rosenfield, Paul (13 August 1989). "It's Back to Vietnam for Hollywood: Columbia's Dawn Steel has a lot riding on a brutal Brian DePalma war movie. The tale behind her commitment to 'Casualties of War.'". Los Angeles Times. p. R1.
  10. ^ a b Harmetz, Aljean (10 August 1989). "An Actor Who Insists on Being Serious". New York Times. p. C13.
  11. ^ Ebert, Roger (18 August 1989). "Casualties of War". RogerEbert.com. Retrieved 1 August 2019.
  12. ^ a b Canby, Vincent (August 18, 1989). "In 'Casualties of War,' Group Loyalty vs. Individual Conscience". The New York Times. C10.
  13. ^ McCarthy, Todd (August 16, 1989). "Film Reviews: Casualties of War". Variety. 20.
  14. ^ Siskel, Gene (August 18, 1989). "'Casualties of War' story worthy of contemplating". Chicago Tribune. 7A.
  15. ^ Wilmington, Michael (August 18, 1989). "DePalma's Dark Victory". Los Angeles Times. Part VI, p. 1, 21.
  16. ^ Hinson, Hal (August 18, 1989). "The Explosive Power of 'Casualties of War'". The Washington Post. D1.
  17. ^ Kastor, Elizabeth (24 August 1989). "Vets Join List of 'Casualties' Critics: De Palma's Film Draws Protest of Soldier's Image De Palma Assailed". The Washington Post. p. C1.
  18. ^ "Tarantino on Casualties of War". De Palma a la Mod. 29 August 2009.
  19. ^ "Casualties of War". Rotten Tomatoes. Retrieved 20 March 2020.
External links
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Last edited on 6 May 2021, at 14:04
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