Four Gentlemen

In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. The term compares the four plants to Confucian junzi, or "gentlemen". They are commonly depicted in bird-and-flower paintings, a broad category of classical Chinese art, and they are particularly popular subjects for ink wash painting.

Four Gentlemen
Chinese	四君子
Transcriptions Standard Mandarin Hanyu Pinyin Sìjūnzi Wu Romanization sy去 ciuin平 tsy上 Hakka Romanization xi55 giun24 zii31 Yue: Cantonese Jyutping sei3 gwan1 zi2 Southern Min Hokkien POJ sì-kun-chú Tâi-lô sì-kun-tsú

The Four Gentlemen are a recurring theme in art because of their long history as symbols of traditional Chinese virtues, such as uprightness, purity, humility, and perseverance despite harsh conditions. Each of them represent a different season (the plum blossom for winter, the orchid for spring, the bamboo for summer, and the chrysanthemum for autumn), the four are used to depict the unfolding of the seasons through the year.

Together, the Four Gentlemen have been used in Chinese painting since the time of the Song dynasty (960–1279) and were later adopted elsewhere in East Asia by artists in Korea, Japan, and Vietnam. However, their individual meanings have been traced to far earlier times. For example, the first recorded description of bamboo as being a "gentleman" has been credited to the Duke Wu of Qin from the Zhou Dynasty (1046 BC to 256 BC).

Korean adaptation of the Four Gentlemen

The Four Gentlemen (Sagunja 사군자), also translated as the Four Gracious Plants, were depicted in celadon pottery from the Goryeo period (918-1392). As tastes changed within the Joseon period (1392-1897) and blue and white porcelains dominated the royal households, the level of the artistry of depictions in ceramics approached the level of refinement found in ink-wash paintings.

The Four Gentlemen were also frequently used in patterns on mother-of-pearl lacquerware, iron bowls, calligraphy boards, pencil cases, and stone crafts such as inkstones and braziers. Within Korean folk painting (Baekdongjado (百童子圖):

• plum blossoms have come to symbolize fertility, this is perhaps due to an ancient Chinese custom of throwing plums to seek love;
• an orchid has come to symbolize nobility, loyalty and fidelity;
• chrysanthemums, especially an elixir made from yellow chrysanthemums, is believed to lead to longevity; and
• bamboo is likened to a gentlemen's dignity and service to others.

In the early 20th century, when the process of making celadon pottery was rediscovered on the Korean peninsula, it was quite common for ceramists like Kim Jong-ho (b. 1937) to incorporate all Four Gentlemen on the same vase. The area between each depiction was typically filled in with other adornment like lines that depicting a gourd. Later ceramists like Kim Se-yong (b. 1946) adopted a different approach. He drew attention to only one of the four on his works at a time leaving the rest of the vase completely unadorned.

Gallery

• 
  Orchids and Bamboo by Zheng Xie, c. 1740
• 
  Bamboo at Qingbige Pavilion by Ke Jiusi, c. 1338
• 
  Chrysanthemums from the Xian'e Changchun Album by Giuseppe Castiglione (1688–1766)
• 
  Plum Blossoms by Sun Long and Chen Lu, early Ming dynasty (1368–1644)
• 
  Korean Joseon dynasty buncheong ware wine flask depicting bamboo on one side (1600s)
• 
  Korean Joseon dynasty buncheong ware wine flask depicting plum blossom (ume) on the other side
• 
  Chrysanthemum on early Goryeo Dynasty celadon vase (918-1392)

See also

• Three Friends of Winter
• Flowers of the Four Seasons

External links

• Paintings of the Four Gentlemen at China Online Museum