Italian orthography is very regular and has an almost one-to-one correspondence between letters or sequences of letters and sounds, that is, it is almost a phonemic orthography
. The main exceptions are that stress placement
and vowel quality
(for ⟨e⟩ and ⟨o⟩) are not notated, ⟨s⟩ and ⟨z⟩ may be voiced or not, ⟨i⟩ and ⟨u⟩ may represent vowels or semivowels, and a silent
⟨h⟩ is used in a very few cases.
The base alphabet consists of 21 letters: five vowels (A, E, I, O, U) and 16 consonants. The letters J, K, W, X and Y are not part of the proper alphabet, and appear only in loanwords (e.g. 'jeans', 'weekend'),
foreign names, and in a handful of native words—such as the names Jesolo
, Bettino Craxi
, and Walter
, which all derive from regional languages
. In addition, grave
accents may modify vowel letters.
An Italian computer keyboard layout.
The Italian alphabet has five vowel
letters, ⟨a e i o u⟩. Of those, only ⟨a⟩ represents one sound
value, while all others have two. In addition, ⟨e⟩ and ⟨i⟩ indicate a different pronunciation of a preceding ⟨c⟩ or ⟨g⟩ (see below).
In stressed syllables
, ⟨e⟩ represents both open
/ɛ/ and close
/e/. Similarly, ⟨o⟩ represents both open /ɔ/ and close /o/ (see the Italian phonology
for further details on those sounds). There is typically no orthographic
distinction between the open and close sounds represented, though accent marks
are used in certain instances (see below
). There are some minimal pairs
, called heteronyms
, where the same spelling is used for distinct words with distinct vowel sounds. In unstressed syllables, only the close variants occur.
In addition to representing the respective vowels /i/ and /u/, ⟨i⟩ and ⟨u⟩ also typically represent the semivowels
/j/ and /w/, respectively, when unstressed and occurring before another vowel. Many exceptions exist (e.g. attuale
). An ⟨i⟩ may indicate that a preceding ⟨c⟩ or ⟨g⟩ is 'soft' (ciao
C and G
The letters ⟨c⟩ and ⟨g⟩ represent the plosives
/k/ and /ɡ/ before ⟨r⟩ and before the vowels ⟨a⟩, ⟨o⟩, ⟨u⟩. They represent the affricates
/tʃ/ and /dʒ/ respectively when they precede a front vowel (⟨i⟩ or ⟨e⟩).
The letter ⟨i⟩ can also function within digraphs
(two letters representing one sound) ⟨ci⟩ and ⟨gi⟩ to indicate "soft" (affricate) /tʃ/ or /dʒ/ before another vowel. In these instances, the vowel following the digraph is stressed, and ⟨i⟩ represents no vowel sound: ciò
(/dʒu/). An item such as CIA
', pronounced /ˈtʃia/ with /i/ stressed, contains no digraph.
For words of more than one syllable, stress position must be known in order to distinguish between digraph ⟨ci⟩ or ⟨gi⟩ containing no actual phonological vowel /i/ and sequences of affricate and stressed /i/. For example, the words camicia "shirt" and farmacia "pharmacy" share the spelling ⟨-cia⟩, but contrast in that only the first ⟨i⟩ is stressed in camicia, thus ⟨-cia⟩ represents /tʃa/ with no /i/ sound (likewise, grigio ends in /dʒo/ and the names Gianni and Gianna contain only two actual vowels: /ˈdʒanni/, /ˈdʒanna/). In farmacia /i/ is stressed, so that ⟨ci⟩ is not a digraph, but represents two of the three constituents of /ˈtʃia/.
When the "hard" (plosive) pronunciation /k/ or /ɡ/ occurs before a front vowel ⟨i⟩ or ⟨e⟩, digraphs ⟨ch⟩ and ⟨gh⟩ are used, so that ⟨che⟩ represents /ke/ or /kɛ/ and ⟨chi⟩ represents /ki/ or /kj/. The same principle applies to ⟨gh⟩: ⟨ghe⟩ and ⟨ghi⟩ represent /ɡe/ or /ɡɛ/ and /ɡi/ or /ɡj/.
In the evolution from Latin
to Italian, the postalveolar affricates /tʃ/ and /dʒ/ were contextual variants
of the velar consonants
/k/ and /ɡ/. They eventually came to be full phonemes
, and orthographic adjustments were introduced to distinguish them. The phonemicity of the affricates can be demonstrated with minimal pairs
The trigraphs ⟨cch⟩ and ⟨ggh⟩ are used to indicate geminate
/kk/ and /ɡɡ/, respectively, when they occur before ⟨i⟩ or ⟨e⟩; e.g. occhi
/ˈɔkki/ 'eyes', agghindare
/aɡɡinˈdare/ 'to dress up'.
⟨g⟩ joins with ⟨l⟩ to form a digraph representing palatal /ʎ/ before ⟨i⟩, and with ⟨n⟩ to represent /ɲ/ with any vowel following. Between vowels these are pronounced phonetically long, as in /ˈaʎʎo/aglio
'garlic', /ˈoɲɲi/ ogni
'each'. By way of exception, ⟨gl⟩ before ⟨i⟩ represents /ɡl/ in many words derived from Greek, such as glicine
'wisteria'. ⟨gl⟩ before vowels other than ⟨i⟩ represents straightforward /ɡl/.
⟨sc⟩ is used before ⟨e⟩ and ⟨i⟩ to represent /ʃ/; before other vowels, ⟨sci⟩ is used for /ʃ/. Otherwise, ⟨sc⟩ represents /sk/, the ⟨c⟩ of which follows the normal orthographic rules explained above.
C and Q
/kw/ is represented by ⟨qu⟩, but it is represented by ⟨cu⟩ for etymological reasons in some words, such as cuoco
. These words all contain a /kwɔ/ sequence derived from an original /kɔ/ which was subsequently diphthongized
S and Z
⟨s⟩ and ⟨z⟩ are ambiguous to voicing
- The voiceless /s/ occurs:
- The voiced /z/ occurs before voiced consonants (e.g. sbranare /zbraˈnare/).
- It can be either voiceless or voiced (/s/ or /z/) between vowels; in standard Tuscany-based pronunciation some words are pronounced with /s/ between vowels (e.g. casa, cosa, così, mese, naso, peso, cinese, piemontese, goloso); in Northern Italy (and also increasingly in Tuscany) ⟨s⟩ between vowels is always pronounced with /z/ whereas in Southern Italy ⟨s⟩ between vowels is always pronounced /s/.
- It is normally voiceless /ts/:
- At the start of a word in which the second syllable starts with a voiceless consonant (zampa /ˈtsampa/, zoccolo /ˈtsɔkkolo/, zufolo /ˈtsufolo/)
- When followed by an ⟨i⟩ which is followed, in turn, by another vowel (e.g. zio /ˈtsio/, agenzia /adʒenˈtsia/, grazie /ˈɡratsje/)
/aˈdzjɛnda/, all words derived from words obeying other rules (e.g. romanziere
/romanˈdzjɛre/, which is derived from romanzo
- After the letter ⟨l⟩ (e.g. alzare /alˈtsare/)
- In the suffixes -anza, -enza and -onzolo (e.g. usanza /uˈzantsa/, credenza /kreˈdɛntsa/, ballonzolo /balˈlontsolo/)
- It is normally voiced /dz/:
- At the start of a word in which the second syllable starts with a voiced consonant or ⟨z⟩ (or ⟨zz⟩) itself (e.g. zebra /ˈdzɛbra/, zuzzurellone /dzuddzurelˈlone/)
- At the start of a word when followed by two vowels (e.g. zaino /ˈdzaino/)
and its derived terms (see above)
- If it is single (not doubled) and between two single vowels (e.g. azalea /adzaˈlɛa/)
/naˈtsizmo/ (from the German pronunciation of ⟨z⟩)
Between vowels and/or semivowels (/j/ and /w/), ⟨z⟩ is pronounced as if doubled (/tts/ or /ddz/, e.g. vizio
⟨zz⟩ is generally voiceless /tts/: pazzo
/ɡranˈdettsa/, etc. (exceptions: razzo
/ˈbreddza/). A major exception is the verbal ending -izzare
(from Greek -ίζειν), in which it is always pronounced /ddz/ (e.g. organizzare
/orɡanidˈdzare/), and derived words (e.g. utilizzo
/utiˈliddzo/, a derivative of utilizzare
In addition to being used to indicate a hard ⟨c⟩ or ⟨g⟩ before front vowels (see above), ⟨h⟩ is used to distinguish ho
, 'to have') from o
('to the', m. pl.), a
('year'); since ⟨h⟩ is always silent, there is no difference in the pronunciation of such words. It is also used in han
, the apocopic form of hanno
. The letter ⟨h⟩ is also used in some interjections, where it always comes immediately after the first vowel in the word (e.g. eh
), as well as in some loanwords (e.g. hovercraft
The letters J (I lunga
'long I'), K (cappa
), W (V doppia
or doppia V
'double V'), X (ics
) and Y (ipsilon
or I greca
'Greek I') are used only in loanwords, proper names and archaisms, with few exceptions.
In modern standard Italian
spelling, only Latin
words, proper nouns (such as Jesi
etc.) or those borrowed from foreign languages have ⟨j⟩. Until the 19th century, ⟨j⟩ was used instead of ⟨i⟩ in diphthongs
, as a replacement for final -ii
, and in vowel groups (as in Savoja
); this rule was quite strict in official writing. ⟨j⟩ is also used to render /j
/ in dialectal spelling, e.g. Romanesco dialect ajo
/ˈajjo/ ("garlic"; cf. Italian aglio
/ˈaʎʎo/). The letter ⟨k⟩ is not in the standard alphabet and exists only in unassimilated loanwords, although it is often used informally among young people as a replacement for ⟨ch⟩, paralleling the use of ⟨k⟩ in English (for example, ke
instead of che
). Also ⟨w⟩ is only used in loanwords, mainly of Germanic origin. A capital W
is used as an abbreviation of viva
("long live"). In Italian, ⟨x⟩ is either pronounced /ks/, as in extra
, or /ɡz/, as exoterico
, when it is preceded by ⟨e⟩ and followed by a vowel.
In several related languages, notably Venetian
, it represents the voiced sibilant /z/. It is also used, mainly amongst the young people, as a short written form for per
, meaning "for" (for example x sempre
, meaning "forever"): this is because in Italian the multiplication sign
(similar to ⟨x⟩) is called per
. However, ⟨x⟩ is found only in loanwords
, as it is not part of the standard Italian alphabet; in most words with ⟨x⟩, this letter may be replaced with 's' or 'ss' (with different pronunciation: xilofono/silofono
) or, rarely, by 'cs' (with the same pronunciation: claxon/clacson
The acute accent
(´) may be used on ⟨é⟩ and ⟨ó⟩ to represent close-mid vowels
when they are stressed
in a position other than the default second-to-last syllable
. This use of accents is generally mandatory only to indicate stress on a word-final vowel; elsewhere, accents are generally found only in dictionaries. Since final ⟨o⟩ is hardly ever close-mid, ⟨ó⟩ is very rarely encountered in written Italian (e.g. metró
'subway', from the original French pronunciation of métro
with a final-stressed /o
The grave accent
(`) is found on ⟨à⟩, ⟨è⟩, ⟨ì⟩, ⟨ò⟩, ⟨ù⟩. It may be used on ⟨è⟩ and ⟨ò⟩ when they represent open-mid vowels
. The accents may also be used to differentiate minimal pairs
within Italian (for example pèsca
'peach' vs. pésca
'fishing'), but in practice this is limited to didactic texts. In the case of final ⟨ì⟩ and ⟨ù⟩, both possibilities are encountered. By far the most common option is the grave accent, ⟨ì⟩ and ⟨ù⟩, though this may be due to the rarity of the acute accent to represent stress; the alternative of employing the acute, ⟨í⟩ and ⟨ú⟩, is in practice limited to erudite texts, but can be justified as both vowels are high (as in Catalan
). However, since there are no corresponding low (or lax) vowels to contrast with in Italian, both choices are equally acceptable.
The circumflex accent
(^) can be used to mark the contraction
of two vowels, especially a double, final ⟨ii⟩ may become ⟨î⟩. For example, it can be used to differentiate words like geni
('genes', plural of gene
) and genî
('geniuses', plural of genio
). This is especially seen in older texts, since two homophones
are usually distinguished by the context. Current use prefers, with exceptions, a single ⟨i⟩ instead of a double ⟨ii⟩ or a ⟨î⟩ with circumflex.
Monosyllabic words generally lack an accent (e.g. ho
). The accent is written, however, if there is an ⟨i⟩ or a ⟨u⟩ preceding another vowel (più
). This applies even if the ⟨i⟩ is "silent", i.e. part of the digraphs ⟨ci⟩ or ⟨gi⟩ representing /tʃ/ and /dʒ/ (ciò
). It does not apply, however, if the word begins with ⟨qu⟩ (qua
). Many monosyllabic words are spelled with an accent in order to avoid ambiguity with other words (e.g. là
). This is known as accento distintivo
and also occurs in other Romance languages (e.g. the Spanish tilde diacrítica
- ^ "Italian Extraction Guide – Section A: Italian Handwriting" (PDF). Brigham Young University. 1981. Retrieved 2 March 2021. The letters J, K, W, X, and Y appear in the Italian alphabet, but are used mainly in foreign words adopted into the Italian vocabulary.
- ^ "x, X in Vocabolario - Treccani" [x, X in Vocabulary - Treccani]. Treccani (in Italian). Retrieved 26 January 2021.
Last edited on 26 May 2021, at 12:40
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