Wikipedia

List of large sensor interchangeable-lens video cameras

List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.

Digital video cameras edit

Brand Camera Sensor size Crop factor[1] Lens Mount[2] Recording media[3] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s−1)
Arri Alexa[4]
Alexa Plus 		23.76 x 13.37 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive) 		2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8)[7] Rolling None by default, 2x and 1.33x desqueeze with license[8] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9]
Arri Alexa Plus 4:3[10]
Alexa M 		23.76 x 17.82 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive) 		2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 2160 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] 		160 - 3200 (800 native) 13.8 stops[11] Rolling 2x and 1.33x desqueeze[8] Optical low pass, IR, UV 0.75 - 120[9]
Arri Alexa Studio 23.76 x 17.82 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive) 		2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] 		160 - 3200 (800 native) 13.8 stops[11] Mechanical 2x and 1.33x desqueeze[8] Optical low pass, IR, UV, ND 0.6-1.3[12] 0.75 - 120[9]
Arri Alexa HD
Alexa HD Plus[13]
 23.76 x 13.37 mm 1.52 Arri PL SxS card 12-bit 4444 ProRes, 10-bit DNxHD (with license) 1920 x 1080 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling None by default, 2x and 1.33x desqueeze with license[8] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9]
Arri Alexa Mini[12] 28.25 x 18.17 mm 1.28 Arri PL, EF, B4 (interchangeable) CFast 2.0 card, SDI-6G recorders 12-bit 4444 ProRes XQ, ARRIRAW 3424 x 2202 (ARRIRAW)
3164 x 1778 (ProRes)
3840 x 2160 (In-camera upscaled ProRes)[14] 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders)
Arri Alexa LF 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter SXR drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW)
 160 - 3200 (800 native) 13.5 stops[11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV 23.98-150
Arri Alexa Mini LF 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter Codex Compact Drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW)
 160 - 3200 (800 native) 13.5 stops[11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 23.98-90
Arri Alexa SXT[15]
Alexa SXT Plus 		28.17 x 18.13 mm[16] 1.28 Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa SXT Studio[15] 28.17 x 18.13 mm[16] 1.28 Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa XT[13]
Alexa XT Plus
Alexa XT M 		28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade, excluding Alexa XT M)[19] 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa XT Studio[13]
 28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade) 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, ND 0.6-1.3[12] 0,75 - 120
Arri Alexa XT B+W Monochrome[20] 28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade) ProRes XQ, DNxHD (XR drive only), ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) 		160 - 3200 (2000 native) 15 stops[20] Rolling 2x and 1.33x desqueeze[17] Omits bayer filters, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa 65[21] 54.12 x 25.58 mm 0.67 Arri XPL XR drive ARRIRAW 6560 x 3102 160 - 3200 (800 native) 14 stops Rolling 0,75 - 27 (60 fps upcoming)
Arri Alexa 35[22] 27.99 x 19.22 mm Arri PL, LPL, Canon EF (interchangeable) Codex Compact Drive ARRIRAW, Apple ProRes 4444 XQ 4608 × 3164 160 - 6400 16.3 stops (Log C,-8, +9)[23][24] Rolling 1x-2x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 0.75 - 120
Arri Amira[25]
 23.76 x 13.37 mm 1.52 Arri PL, B4, EF (interchangeable) CFast 2.0 card ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[26]ARRIRAW (with license) 1920 x 1080 (default)
2048 x 1152 (with 2K license)

2880 x 1620 (ARRIRAW)
3840 x 2160 (in-camera upscaling with license)[27]

160 - 3200 (800 native) 14.5 stops (Log C)[28]
13.1 stops (usable)[29] 		Rolling None Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 100 (default), 200 and 4K 60 with license
Arri D-20
D-21 		24.9 x 18.15 mm 1.45 Arri PL HD-SDI recorder, T-link recorder Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders) 1920 x 1080 (HD-SDI recorders)
2880 x 2160 (ARRIRAW recorders) 		50 - 320 (D-20)
100 - 800 (D-21, 200 native)[30] 		11 stops (Log C data mode, +6, -5)[31] Mechanical 2x desqueeze Optical low pass, IR 1 - 60
Blackmagic Cinema Camera[32] 15.81 x 8.88 mm CMOS 2.28 Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW 1920 x 1080 (ProRes/DNxHD)
2432 x 1366 (CinemaDNG RAW) 		200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[33][34] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Micro Cinema Camera 12.48 x 7.02 mm CMOS 2.88 MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60[35]
Blackmagic Pocket Cinema Camera[32]
 12.48 x 7.02 mm CMOS 2.88 MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[33][34] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Pocket Cinema Camera 4K[32] 18.96 x 10 mm CMOS 1.9 Active MFT CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] 4096 x 2160 (BRAW)
3840 x 2160 (ProRes) 		100-25,600

(400 & 3200 dual native ISO)[37]

13.1 stops (BMD Film ISO 400, +5.5, -7.6)
12.2 stops (BMD Film ISO 3200, +5.1, -7.2)[33] 		Rolling None None 23.98 - 60
Blackmagic Pocket Cinema Camera 6K 23.1 x 12.99 mm CMOS Canon EF CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] 6144 x 3456 (BRAW)
4096 x 2160 (ProRes) 		100-25,600

(400 & 3200 dual native ISO)[37]

13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.2 stops (BMD Film ISO 3200, +5.6, -6.5)[33] 		Rolling None None 23.98 - 60
Blackmagic Pocket Cinema Camera 6K (L-Mount) 36 x 24 mm CMOS 1 Leica L-Mount CFexpress card, USB-C drives 12-bit Blackmagic RAW, 8-bit 4:2:0 H.264 6048 x 4032

(BRAW)

1920 x 1080 (H.264)

100-25,600

(400 & 3200 dual native ISO)

13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5) 		Rolling 4.8K 6:5 sensor windowing Optical low pass 23.98 - 120
Blackmagic Pocket Cinema Camera 6K Pro 23.1 x 12.99 mm CMOS Canon EF CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] 6144 x 3456 (BRAW)
4096 x 2160 (ProRes) 		100-25,600

(400 & 3200 dual native ISO)[37]

13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5)[33] 		Rolling 3.7K 6:5 sensor windowing ND 0.3, 0.6, 0.9 23.98 - 120
Blackmagic Production Camera 4K[32] 21.12 x 11.88 mm CMOS 1.7 Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw) 		200 - 800 (400 native)[38] 12 stops (BMD Film, per manufacturer)[33]
8.2 stops (usable)[29] 		Global None None 23.98, 24, 25, 29.97, 30
Blackmagic Ursa 4K[39]
 21.12 x 11.88 mm CMOS 1.7 Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw) 		200 - 1600 (400 native)[40] 12 stops (BMD Film)[33] Global[41] None None 23.98, 24, 25, 29.97, 30, 50, 60
Blackmagic Ursa 4.6K 25.34 x 14.25 mm& CMOS 1.42 Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes) 		200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 120
Blackmagic Ursa Mini 4K[33] 21.12 x 11.88 mm 1.7 Canon EF, Arri PL CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw) 		200 - 1600 (400 native)[40] 12 stops (BMD Film)

8.5 stops (usable)[42]

Global[41] None None 23.98 - 60
Blackmagic Ursa Mini 4.6K 25.34 x 14.25 mm 1.42 Canon EF, Arri PL CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes) 		200 - 1600 (800 native) 15 stops

~12 stops (usable)[42]

Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 60
Blackmagic Ursa Mini Pro[33] 25.34 x 14.25 mm 1.42 Canon EF, Arri PL (interchangeable) CFast 2.0 card, SD card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes) 		200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze IR ND 0.6, 1.2, 1.8 23.98 - 60
Blackmagic Ursa Mini Pro G2[43] 25.34 x 14.25 mm 1.42 Canon EF, Arri PL, B4, F-Mount (interchangeable) CFast 2.0 card, SD card 12-bit 4444 ProRes XQ, 12-bit Blackmagic RAW[36] 4608 x 2592 (BRAW)

3840x2160 (Prores)

200 - 3200 (800 native)[44] 15 stops Rolling 3K 1.2:1 sensor windowing and 2x, 1.3x desqueeze IR ND 0.6, 1.2, 1.8 23.98 - 120
Blackmagic Ursa Mini Pro 12K[45] 27.03 x 14.25 mm 1.42 Canon EF, Arri PL, F-Mount (interchangeable) CFast 2.0 card, SD card, 2.5-inch SSD via URSA Mini Recorder 12-bit Blackmagic RAW[36] 12,288 x 6480 200 - 3200 (800 native)[44] 14 stops Rolling 1.2:1 sensor windowing and 2x, 1.3x desqueeze IR ND 0.6, 1.2, 1.8, optical low pass (OLPF model)[46] 23.98 - 160
Canon C70[47] 26.2 x 13.8 mm 1.46 Canon RF (RF to EF adapter included) SD card 10 bit 4:2:2 XF-AVC, HEVC, 12-bit Cinema RAW Light 4096 x 2160 100 - 102,400 (800 native) 12.8 stops[48] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) 23.98-120
Canon C100
 24.6 x 13.8 mm 1.46 Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[49] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C100 Mark II
 24.6 x 13.8 mm 1.46 Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 102,400 (850 native) 12 stops (Canon Log, -6.7, +5.3)[49] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-60
Canon C200 24.6 x 13.8 mm 1.46 Canon EF, Arri PL (interchangeable with mount kit) CFast 2.0 card, SD card 12-bit Cinema RAW Light (to CFast card), 8-bit 4:2:0 MPEG4 (to SD card, uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders) 4096 x 2160 (Cinema RAW Light)
3840 x 2160 (MPEG4) 		100 to 102,400 (800 native) 13 stops Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) 23.98-60 (4K) 23.98-120 (1080p)
Canon C300[50]
 24.6 x 13.8 mm 1.46 Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[51] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C300 Mark II[50]
 24.6 x 13.8 mm 1.46 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, HDMI/HD-SDI recorder 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders) 4096 x 2160 320 to 102,400 (800 native) 12.3 stops (Canon Log 2)[52] Rolling None Optical low pass, IR, ND 0.6 - 3 1-30 (4K)
1-120 (2K)
Canon C300 Mark III[53] 26.2 x 13.8 mm 1.37 Canon EF, Arri PL (interchangeable with mount kit) CFexpress card, SD card, HDMI/HD-SDI recorder 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HDMI/HD-SDI recorders) 4096 x 2160 100 to 102,400 (800 native)[54] 12.8 stops (Canon Log)[55] Rolling 2x and 1.33x desqueeze Optical low pass, IR, ND 0.6 - 3 1-120 (4K)
1-180 (2K)
Canon C500[50]
 26.2 x 13.8 mm 1.37 Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 (internal recording)
4096 x 2160 (HD-SDI recorders) 		320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[56] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C500 Mark II[50]
 38.1 x 20.1 mm 0.94 Canon EF, Arri PL (interchangeable) CFexpress card, SD card, HDMI/HD-SDI recorder 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HD-SDI recorders) 5952 x 3140 100 to 102,400 (800 native) 13.1 stops (Canon Log)[57] Rolling 2x and 1.33x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C700
C700 GS PL 		26.2 x 13.8 mm 1.37 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
4512 x 2376 (RAW to external recorder) 		100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[58]
14 stops (GS PL global shutter) 		Rolling
Global (GS PL version) 		1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (6K), 23.98-120 (2K)
Canon C700 FF 38.1 x 20.1 mm 0.94 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
5952 x 3140 (RAW to external recorder) 		100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[58]
14 stops (GS PL global shutter) 		Rolling
Global (GS PL version) 		1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW)
Canon ME20F-SH [59][60] Full frame 35 mm Canon EF 1920 x 1080 800 to 4,560,000 12 stops IR, ND 1/8, 1/64 23.98-59.94
Dalsa Origin II[50]
 34 x 17.2 mm 1.06 Arri PL 1920 x 1080 30
Digital Bolex D16 12.85 x 9.64 mm CCD 2.8 C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) 12-bit 4:4:4 CinemaDNG RAW 2048 x 1152 100 - 800 (200 native)[61] 12 stops[62] Global None Optical low pass 23.98-90
Digital Bolex D16 Monochrome 12.85 x 9.64 mm CCD 2.8 C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) CinemaDNG RAW 2048 x 1152 13 stops[63] Global None Omits bayer filters 23.98-90
Hitachi SK-UHD8000[64] Super 35 Arri PL 7680 X 4320 8K
Ikegami SHK-810[65] Super 35 Arri PL 7680 X 4320 8K
JVC GY-LS300 Super 35 1.5 Micro Four Thirds SD card (dual slot: mirror, relay, proxy, sequential) H.264 8 bit 4:2:0 / 4:2:2 up to 150 Mbit/s 4096 x 2160 4K

3840 x 2160 4K

400 - 25600

(400 native)

11.8 stops

(-6.3, + 5.5)[66]

Rolling None ND 0.6, 1.2, 1.8 23.976-120
Panasonic AG-AF100

AG-AF101 AG-AF102 AG-AF105[67]

17.8 x 10 mm 2.02 Micro Four Thirds SD card(dual slot, only sequential) AVCHD 4:2:0 8 bit 24 Mbit/s

RAW 4:2:2 8 bit (external)

1920 x 1080 200 - 3200

(400 native)

10.2 stops

(-5.9, +4.3) at ISO 800[68]

Rolling None ND 0.6, 1.2, 1.8 12-60
Panasonic AJ-HPX3700[69]
 2/3" CCD x 3 4.09 2/3 inch bayonet mount[70] H.264, AVC-Intra 100 1920 x 1080 24, 1-60
Panasonic AJ-HPX2000[71] 2/3" CCD x 3 4.09 2/3 inch bayonet mount DVCPRO HD 137 Mbit/s 1920 x 1080 60 (interlaced)
Panasonic AJ-HPX3100GJ[72] 2/3" CCD x 3 4.09 2/3 inch bayonet mount AVC-Intra 100, DVCPRO HD 68 Mbit/s 1920 x 1080 30 (60)
Panasonic AK-SHB800GJ [73][74] Full frame 35mm CMOS EF lens mount 8K
Panasonic AU-EVA1 Full frame 35mm MOS 1.5 EF lens mount SDHC, SDXC MOV: 4:2:2 10 bit/4:2:0 8 bit

AVCHD: 4:2:0 8 bit

4096 x 2160 NATIVE: 800, 2500

800 Base: 200 to 2000

2500 Base: 1000 to 25600

14 stops Rolling ND Filter: CLEAR, 0.6ND, 1.2ND, 1.8ND, Electrical driven

IR Cut Filter: USER assignable IR shooting (filter ON/OFF)

23.98p - 240p
Panasonic Varicam 35[75] 26.688 mm × 14.184 mm 1.35 35 mm, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 dual native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 120p
Panasonic Varicam LT 26.688 mm × 14.184 mm 1.35 EF, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 dual native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 59.94
Panavision Millennium DXL[76] 40.96 x 21.60mm 0.88 Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 800 native 14.8 stops[77] 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Millennium DXL 2[76] 40.96 x 21.60mm 0.88 Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 1600 native 14.9 stops[78] 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Genesis[79] 24.89 x 16.86mm 1.45 Panavision PV mount HD-SDI recorder, SSR-1 recorder, HDCAM recorder 10-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 400 - 1600 (400 native) 8 stops[80] Global None[81] 30 (1-60)
Panavision HD900F[82] 2/3" CCD 4.09 Panavision PV mount HDCAM 1920 x 1080 30 (24)
Red Epic Dragon[50]
 30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade)[83] 16-bit .r3d 6144 x 3160 80 – 12800 (250 native)[84] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red Epic Dragon Monochrome[90] 30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 6144 x 3160 Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red Epic Mysterium-X[50]
 27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 80 – 12800 (800 native) 12.5 stops (-7, +5.5)[86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
Red Epic Mysterium-X Monochrome[91] 27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 5120 x 2700 80 – 12800 (2000 native) Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
Red Epic-W Gemini[50]
 30.72 x 18 mm 1.25 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 5120 x 3000 (r3d)
4096 x 2160 (ProRes, DNxHR) 		800, 3200 dual native ISO rating with Standard OLPF)[92] 15.2 stops[93] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
Red Epic-W Helium[50]
 29.9 x 15.8 mm 1.28 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR) 		1280-2500 (Balanced ISO rating with Standard OLPF)[92] 15.2 stops[93] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
Red Komodo[94] 27.03 x 14.25 mm 1.416 Canon RF CFast 2.0 card 12-bit .r3d 6144 x 3240 12.5 stops (R3D HQ)

12.2 stops (ProRes 422 HQ)[95]

Global Yes No 23.98-40 (6K)

23.98-48 (5K)

23.98-60 (4K)

23.98-120 (2K)

Red One[96]
 24.4 x 13.7 mm 1.48 PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[97] 12-bit .r3d 4096 x 2304 100 - 2000 (320 native) 11.3 stops[98] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
Red One Mysterium-X[50]
 24.2 x 12.5 mm 1.59 PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[97] 12-bit .r3d 4480 x 2304 100 - 6400 (800 native) 11.9 stops (-7, +5)[68] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
Red Raven[99] 23.04 x 10.8 mm 1.56 Canon EF Mini RedMag SSD 16-bit .r3d, 10-bit 422 ProRes 4608 × 2160 (r3d)
2048 × 1080 (ProRes) 		250 native 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling None Combination optical low pass/IR 1-120 (4K)
1-160 (3K)
1-240 (2K)
Red Scarlet Mysterium-X 27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 (Maximum 12 fps)
4096 x 2160 		80 – 12800 (800 native) 11.9 stops (-7, +5)[68] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] None Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (5K)
1-30 (4K)
1-48 (3K)
1-60 (1080p)
1-120 (1K)
Red Scarlet Dragon 30.7 x 15.8 mm 1.17 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 6144 x 3160 (Maximum 12 fps)
5120 x 2700 		80 – 12800 (250 native)[84] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (6K)
1-48 (5K)
1-60 (4K)
1-80 (3K)
1-120 (2K)
Red Scarlet-W Dragon 25.6 x 13.5 mm 1.41 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 10-bit 4:2:2 ProRes HQ 5120 × 2700 (r3d)
2048 × 1080 (ProRes) 		250 native[84] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-60 (5K)
1-120 (4.5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red V-Raptor 40.96 x 21.60 mm 0.93 Canon RF (EF with adapter) CFexpress 16-bit .r3d, ProRes 4444 XQ 8192 × 4320 (r3d)
4096 x 2160 (ProRes) 		14.9 stops[100] Rolling 2x-1.25x desqueeze Combination optical low pass/IR 1-150 (8K)
1-200 (6K)
1-300 (4K)
1-600 (2K)
Red Weapon Dragon 6K 30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ 6144 x 3160 (r3d)
2048 x 1152 (ProRes) 		250 native[84] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red Weapon Dragon 8K 40.96mm x 21.6mm 0.93 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR) 		250 native[84] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 75 (8K)
Red Weapon Helium 29.9mm x 15.8mm 1.28 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR) 		1280-2500 (Balanced ISO rating with Standard OLPF)[92] 15.2 stops[93] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 60 (8K)
Red Weapon Monstro 8K VV 40.96 mm x 21.60 mm 0.93 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR) 		250-12,800, default 800 14.9 stops[78] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 60 fps (8K)

75 fps (8K 2.4:1)

100 fps (6K 2.4:1)

96 fps (5K)

120 fps (5K 2.4:1)

150 fps (4K 2.4:1)

200 fps (3K 2.4:1)

240 fps (2K)

300 fps (2K 2.4:1)

Sony F35[101]
 21.6 x 13.3 mm 1.67 Arri PL 1920 x 1080 400 native[102] 11.3 stops (-5, +6.3)[68] Global 1-60
Sony F65[103]
 24.7 x 13.1 mm 1.46 Arri PL SR Memory Recorder 8182 x 2160 800 native 14 stops (-7, +7)[103][104] Mechanical 2x and 1.3x desqueeze[105] Optical low pass, ND 0.9, 1.2, 1.5, 1.8 1-60
Sony F55[103]
 24 x 12.7 mm 1.46 Sony FZ, Arri PL SxS card, AXS-R5 Recorder 4096 x 2160 1250 native 14 stops[103] Global 1.3x and 2x desqueeze[106] Optical low pass (interchangeable), ND 0.9, 1.8 1-60
Sony NEX-FS100[107]
 21.6 x 13.3 mm 1.67 E-mount MPEG4 AVCHD 28 Mbit/s 1920 x 1080 800 native 11.5 stops (-6.5, +5)[108] Rolling None 1, 2, 4, 8, 15, 30, 60
Sony NEX-FS700[107]NEX-FS700E

NEX-FS700U NEX-FS700R

23.6 x 13.3 mm 1.53 E-mount SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder MPEG4 AVCHD 4096 x 2160 (updated FS700/E or FS700U/R native; available only when using an external recorder)

1920x1080 (all)

500 native[109] 12 stops (-7, +5)[110] Rolling ND 0.6, 1.2, 1.8 1-240
Sony NEX-EA50 23.5 x 15.6 mm 1.54 E-mount SD card, Memory Stick AVCHD 2.0 28Mbit/s 1920 x1080 160-5000 Rolling 60, 50, 30, 25, 24
Sony NEX-VG10[111] 23.4 x 15.6 mm 1.54 E-mount SD card, Memory Stick AVCHD 24 Mbit/s 1920 x 1080 Rolling 60i, 30
Sony NEX-VG20[112] 23.4 x 15.6 mm 1.54 E-mount SD card, Memory Stick AVCHD 2.0 24 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony NEX-VG30 23.4 x 15.6 mm 1.54 E-mount SD card, Memory Stick AVCHD 2.0 24 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony NEX-VG900[113] 35.8 x 23.9 mm 1.01 E-mount SD card, Memory Stick AVCHD 2.0 28 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony PMW-F3K, PMW-F3L[114]
 21.6 x 13.3 mm 1.67 FZ- mount, PL-mount SxS card MPEG2 35 Mbit/s 1440 x 1080 800 native[115] 11.2 stops (-7, +4.3)[68] Rolling ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony PMW-F5 24 x 12.7 mm 1.5 E-mount, PL-mount MPEG2 35 Mbit/s 1920 x 1080 (default)
4096 x 2160 (with 4K license[116] or altering internal preferences)[117] 		2000 native 14 stops[103] Rolling 1.3x and 2x desqueeze[106] Optical low pass (interchangeable), ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony Sony PXW-FS5 24 x 12.7 mm 1.5 E-mount SD card XAVC Long, AVCHD 3840 x 2160 3200 native 14 stops[103] Rolling ND 0.6, 1.2, 1.8, 2.1
Sony Sony PXW-FS7 24 x 12.7 mm 1.5 E-mount XQD card, HD-SDI and HDMI 2.0 recorder XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[118]) 4096 x 2160 2000 native 14 stops[103]12.5 stops (usable)[42] Rolling ND 0.6, 1.2, 1.8 23.98 - 60 (4K), 23.98 - 180 (1080p)
Sony VENICE[119] 36 x 24 mm with full frame license, 24.3 x 12.8 mm by default 1 E-mount, PL mount (add-on) SxS card, AXS-R7 recorder (add-on, optional, records onto AxS cards) 10-bit XAVC, 422 Apple ProRes (SxS card), 16-bit RAW (AXS-R7 recorder) 6048 x 4032 (with full frame license)
4096 x 2160 (default) 		500 and 2500 dual native 15 stops (-9, +6) Rolling 4:3 sensor-windowing and 2x desqueeze with license ND 0.3-2.4 23.98 - 120 (4K), 23.98 - 60 (6K)
Vision Research, Inc Phantom 65[120] 52.1 x 30.5 mm 0.69 Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 2341 Mbit/s 4096 x 2440 141, (1080p320)
Vision Research Phantom Flex[121] 52.1 x 30.5 mm 0.69 Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 3181 Mbit/s 2560 x 1600 9.9 stops (-5.4, +4.5)[68] 1455 (1080p2570)

Still cameras with video mode edit

Brand Camera Sensor size Lens Mount Recording media Maximum video resolution Native ISO Dynamic range (native/peak ISO) Shutter type Frame rate(s−1) Codec
Canon 1D Mark IV[122]
 27.9 x 18.6 mm Canon EF CF card, SD card 1920 x 1080 11.2 stops (-7, +4.3)[68] Rolling 23.976, 25, 29.97 (50, 59.94) H.264
Canon 1D X[122]
 36 x 24 mm Canon EF CF card 1920 x 1080 Rolling 24, 25, 30 (50, 60) MPEG4
Canon 1D C
 36 x 24 mm Canon EF CF card 4096 x 2160 11.7 stops[123] Rolling 24, 25, 30 (50, 60) MPEG4
Canon 5D Mark II[122]
 36 x 24 mm Canon EF CF card 1920 x 1080 160[124] 11.2 stops (-7, +4.2)[68] Rolling 24, 25, 30 H.264
Canon 5D Mark III[125] 36 x 24 mm Canon EF CF card, SD card, HDMI recorder 1920 x 1080 160[124] 11.2 stops
11.6 stops (sensor Raw)[126] 		Rolling 24, 25, 30 H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording)
Canon 6D[127]
 35.8 x 23.9mm Canon EF SD card 1920 x 1080 160[124] Rolling 24, 25, 30 (50,60) H.264 90 Mbit/s
Canon 7D[122]
 22.3 x 14.9 mm Canon EF/EF-S CF card 1920 x 1080 160[124] 11 stops (-5.5, +5.4)[68] Rolling 24, 25, 30 (50,60) H.264
Canon 7D Mark II[122]
 22.3 x 14.9 mm Canon EF/EF-S CF card, SD card 1920 x 1080 160[124] Rolling 24, 25, 30 (50,60) H.264
Canon 60D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 160[124] Rolling 24, 25, 30 H.264
Canon 550D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 600D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 650D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 700D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 750D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Nikon D3100[122][128] 23.1 x 15.4 mm Nikon F SD card 1920 x 1080 Rolling 24 (24, 25, 30) MPEG4
Nikon D3200[122][129] 23.2 x 15.4 mm Nikon F SD card 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D4[130]
 36.0 x 23.9 mm Nikon F CF card, XQD card 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Nikon D5100[122]
 23.6 x 15.7 mm Nikon F SD card 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D7000[122]
 23.6 x 15.7 mm Nikon F SD card 1920 x 1080 10.2 stops (-6.7, +3.6)[68] Rolling 24 (24, 25, 30) MPEG4
Nikon D750[131]
 35.9 x 24 mm Nikon F SD card, 8-bit uncompressed 4:2:2 via HDMI 1920 x 1080 Rolling 24, 25, 30, 50, 60 H.264/MPEG4, ~38 Mbit/s
Nikon D800[132]
 35.9 x 24 mm Nikon F CF card, SD card 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Panasonic DMC-G3[122]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF2[122]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF3[122]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GH1[122]
 18.89 x 14.48 mm Micro Four Thirds SD card 1920 x 1080 30 AVCHD
Panasonic DMC-GH2[122]
 18.89 x 14.48 mm Micro Four Thirds SD card 1920 x 1080 24, 60 (30) AVCHD 22 Mbit/s
Panasonic DMC-GH3[122]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s
Panasonic DMC-GH4[122]
 17.3 x 13 mm Micro Four Thirds SD card 4096 x 2160 11 stops[133] 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s
Panasonic DC-GH5[122] 19.2 x 13 mm Micro Four Thirds SD card 4096 x 2256 24, 25, 30, 50, 60 (up to 240 at 1920x1080) AVCHD / H.264 / H.265

(10bit color and 4:2:2 chroma subsampling)

Panasonic DC-GH5s[134] 17.3 x 13 mm Micro Four Thirds SD card 4096 x 2160 400 and 2500[135](800, 5000 in V-Log) 2-60 (4K) 2-180 (HD) AVCHD / H.264 / H.265

(10bit color and 4:2:2 chroma subsampling) max. 400 Mbps

Panasonic DC-S1H 35.6 x 23.8mm L-mount SD card 5952 x 3968 640 and 4000 12.7 stops (iso 640)

12.3 stops (iso 4000)

24, 25, 30, 48, 50, 60, 100, 120, 180 AVCHD / H.264 / H.265
Pentax K-01[136]
 23.4 x 15.6 mm Pentax K SD-Card 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Pentax K-3 III[137]
 23.3 x 15.5 mm Pentax K SD-Card 3840 x 2160 100 Rolling 30p, 24p (60p, 30p, 24p) H264
Pentax K-30[138]
 23.7 x 15.7 mm Pentax K SD-Card 1920 x 1080 30p (25p, 24p) H264
Pentax K-5[139]
 23.4 x 15.6 mm Pentax K SD-Card 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Samsung NX20 23.5 x 15.7 mm Samsung NX 1920 x 1080 30 H.264
Sony DSLR-A560[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony DSLR-A580[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony NEX-5[122]
 23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60 (30) AVCHD
Sony NEX-5N[122]
 23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60 (30) AVCHD
Sony NEX-7[122]
 23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60, 29.97 (30) NTSC
50, 25 PAL 		AVCHD/MPEG4
Sony SLT-A33[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A35[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A37[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) ?
Sony SLT-A55[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A57[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries) 		AVCHD/MPEG4
Sony SLT-A65[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A77[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries) 		AVCHD
Sony SLT-A99[122]
 35.8 x 23.8 mm Sony A-mount 1920 x 1080 60, 29.97 (30) AVCHD
Sony a7S 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick, 4K HDMI recorder 1920 x 1080 (internal recording)
3840 x 2160 (4K HDMI recorders) 		3200[140] 14.1 stops[123] Rolling 60, 29.97 (30) AVCHD
Sony a7S II 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick 3840 x 2160 50-409,600 (3200 native)[141] Rolling 23.98 - 30 (4K), 23.98 - 120 (1080p) XAVC S, AVCHD, MP4

See also edit

References edit

  1. ^ Compared to 36x24mm still camera sensor
  2. ^ Cameras with various lens mounts are available in such configurations but the lens mount is not interchangeable unless stated as such.
  3. ^ Most cameras are capable of HDMI and HD-SDI recording, but this is only noted as a recording option if they provide expanded capabilities not available with internal recording.
  4. ^ "Arri Makes a "Baby Alexa", Introducing the Alexa HD « Wide Open Camera". wideopencamera.com. Retrieved 2017-05-05.
  5. ^ a b c "ARRI Group: ALEXA XR MODULE FAQ". Archived from the original on 2014-05-13. Retrieved 2014-07-24.
  6. ^ a b c Bevir2015-02-18T11:32:00+00:00, George. "Arri adds UHD recording to Amira". Broadcast.{{cite web}}: CS1 maint: numeric names: authors list (link)
  7. ^ "ARRI Group: Camera Details". Archived from the original on 2015-04-15. Retrieved 2015-04-09.
  8. ^ a b c d "ALEXA's Anamorphic De-Squeeze Explained | AbelCine". www.abelcine.com.
  9. ^ a b c d "ARRI Media GMBH :: 404 Not Found".
  10. ^ "Go Anamorphic with the Arri ALEXA Plus 4:3 | AbelCine". www.abelcine.com.
  11. ^ a b c d "ARRI Alexa Classic & Mini LF Lab Test: Rolling Shutter, Dynamic Range and Latitude". CineD. 2021-04-21. Retrieved 2022-02-07.
  12. ^ a b c "ALEXA Mini". www.arri.com.
  13. ^ a b c "ARRI ALEXA Model comparison". ARRI. Retrieved 2011-11-03.
  14. ^ "New ARRI ALEXA Mini: Same Image Quality in a Much Smaller Package". No Film School. February 23, 2015.
  15. ^ a b "ARRI Group: Camera Details". Archived from the original on 2015-03-20. Retrieved 2015-03-19.
  16. ^ a b c d e f g h "ALEXA SXT W". www.arri.com.
  17. ^ a b c d e "ARRI Media GMBH :: 404 Not Found" (PDF).
  18. ^ a b c d "ARRI Alexa Internal Filter Module | Film and Digital Times". www.fdtimes.com. 4 April 2013.
  19. ^ "Codex working hand in hand with ARRI to deliver better workflow for the ALEXA SXT". March 18, 2015.
  20. ^ a b "ARRI Rental | ALEXA 65".
  21. ^ "ARRI Rental | ALEXA 65". www.arrirentalgroup.com. Archived from the original on 2019-06-19. Retrieved 2019-06-22.
  22. ^ "ALEXA 35 - 4.6K Super 35 digital camera | ARRI". www.arri.com. Retrieved 2022-06-03.
  23. ^ "ARRI ALEXA 35 Announced – In-depth Video Interview about the New Camera". CineD. 2022-05-31. Retrieved 2022-06-03.
  24. ^ Machu, Gunther (2022-08-17). "ARRI ALEXA 35 Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!". CineD. Retrieved 2024-02-12.
  25. ^ "ARRI Amira Model comparison". ARRI. Retrieved 2013-06-03.
  26. ^ "AMIRA". www.arri.com.
  27. ^ http://www.arri.com/about_arri/press/english/english_single/tx_ttnews%5Btt_news%5D=1664&tx_ttnews%5BbackPid%5D=7581&cHash=b5e1e534809b25789e921c2e46655a47
  28. ^ "You Might Be Surprised by the Dynamic Range of the New $550 Sony A5100". No Film School. August 23, 2014.
  29. ^ a b "Early Footage & Reviews of the 4K AJA CION Are In & They're... Interesting". No Film School. Retrieved 2017-05-05.
  30. ^ "ARRI Group: Camera Details". Archived from the original on 2015-04-27. Retrieved 2015-04-20.
  31. ^ http://www.arricsc.com/pdf/d21_manual.pdf [bare URL PDF]
  32. ^ a b c d "Blackmagic Production Camera 4K". Blackmagic. Retrieved 2013-04-13.
  33. ^ a b c d e f g h i "Blackmagic URSA Mini Pro | Blackmagic Design". www.blackmagicdesign.com.
  34. ^ a b "Cinematography | Blackmagic Cinema Camera: The Perfect Training Ground for Cinematographers | Hurlbut Visuals". Archived from the original on 2015-09-23. Retrieved 2015-09-22.
  35. ^ "Blackmagic Micro Cinema Camera – Tech Specs | Blackmagic Design". www.blackmagicdesign.com.
  36. ^ a b c d e "Blackmagic URSA Mini Pro – Tech Specs | Blackmagic Design". www.blackmagicdesign.com. Retrieved 2019-04-19.
  37. ^ a b c "Blackmagic Pocket Cinema Camera 4K - Dual ISO Explained and Lowlight Footage". cinema5D. 2018-09-11. Retrieved 2019-04-19.
  38. ^ "4K is here! Blackmagic Production Camera Review". March 5, 2014.
  39. ^ "Blackmagic Ursa". Blackmagic. Retrieved 2013-04-13.
  40. ^ a b "Archived copy" (PDF). Archived from the original (PDF) on 2014-10-25. Retrieved 2014-10-25.{{cite web}}: CS1 maint: archived copy as title (link)
  41. ^ a b "Blackmagic Design: View Press Release". Archived from the original on 2014-07-12. Retrieved 2014-07-08.
  42. ^ a b c Wöber, Sebastian (2016-10-19). "Blackmagic URSA Mini 4K vs 4.6K – How Good is the 4.6K?". CineD. Retrieved 2024-03-19.
  43. ^ "Blackmagic URSA Mini Pro | Blackmagic Design". www.blackmagicdesign.com. Retrieved 2019-04-19.
  44. ^ a b Coalition, ProVideo (2018-11-14). "URSA Mini Pro Gets 3200 ISO With Firmware 6.0 Update". ProVideo Coalition. Retrieved 2019-04-19.
  45. ^ "Blackmagic URSA Mini Pro | Blackmagic Design". www.blackmagicdesign.com. Retrieved 2022-06-16.
  46. ^ Tomkies, Pete (2023-04-19). "Blackmagic Design launches URSA Mini Pro 12K OLPF". Videomaker. Retrieved 2023-05-18.
  47. ^ "Canon EOS C70: Cinema Camera | Canon U.S.A., Inc". www.usa.canon.com. Retrieved 2023-06-05.
  48. ^ Machu, Gunther (2022-05-10). "Canon EOS C70 Lab Test with the RAW update: Rolling Shutter, Dynamic Range and Latitude". CineD. Retrieved 2023-06-05.
  49. ^ a b "Canon Expands Their EOS Line with the New EOS C100 Video Production Camera". B&H Explora.
  50. ^ a b c d e f g h i j "Canon digital learning center, Cinema EOS". canon.com. Retrieved 2011-11-04.
  51. ^ "We're updating our site | Canon U.S.A., Inc". www.usa.canon.com.
  52. ^ "Canon C300 Mark II Lab Test - Dynamic Range 2 Stops Less Than Expected". cinema5D. 2015-09-24. Retrieved 2020-04-26.
  53. ^ Canon C300 Mark III EF-Mount Specs. Canon.
  54. ^ "Canon EOS C300 Mark III hands-on & footage". Newsshooter. 2020-04-21. Retrieved 2020-04-25.
  55. ^ "Canon C300 Mark III Lab Test (Pre-Production): Dynamic Range, Rolling Shutter and Latitude". cinema5D. 2020-04-21. Retrieved 2020-04-26.
  56. ^ "Canon Goes 4K Two Ways : EOS-1D C and EOS C500 Cameras Introduced at NAB". B&H Explora.
  57. ^ "Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter". cinema5D. 2020-04-15. Retrieved 2020-04-26.
  58. ^ a b "Canon U.S.A., Inc. | EOS C700".
  59. ^ "CanonME20F-SH Multi-Purpose Camera". www.bhphotovideo.com.
  60. ^ "キヤノン：多目的カメラ ME20F-SH｜概要". cweb.canon.jp.
  61. ^ "Digital Bolex D16 Review - Part 1". March 31, 2014.
  62. ^ "Bolex goes digital with the D16 Cinema Camera". newatlas.com. 25 December 2013.
  63. ^ "Website is under construction". DigitalBolex.com -.
  64. ^ "SK-UHD8000 Series 8K (SHV) Studio, Field Production Camera | Hitachi Kokusai Electric America, Ltd". www.hitachikokusai.com. Archived from the original on 2020-05-02. Retrieved 2019-06-22.
  65. ^ "SHK-810 8K Super Hi-Vision Camera System |".
  66. ^ "3D-LUTs file for J-Log1 of GY-LS300CH Reference Manual" (PDF). 2015-11-13.{{cite web}}: CS1 maint: url-status (link)
  67. ^ "Panasonic Pro AG-AF100 specifications". panasonic. Retrieved 2011-11-03.
  68. ^ a b c d e f g h i j "The Great Camera Shootout 2011: Episode 1 ~ "The Tipping Point"". May 27, 2011 – via Vimeo.
  69. ^ Panasonic AJ-HPX3700 High Definition VariCam Camcorder - Professional Video Camera, P2HD VariCam Cinematography Camcorder - Panasonic Professional Video Cameras
  70. ^ Panasonic Canon 2/3" HD CAC Lens with 2x extender, Panasonic Camcorder Accessories - Panasonic Solutions Company
  71. ^ Panasonic AJ-HPX2000 P2 HD Solid-State Camcorder, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
  72. ^ Panasonic AJ-HPX3100GJ High Definition Camcorder - Professional Video Equipment, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
  73. ^ "Panasonic develops 8K ROI camera capable of providing up to four videos from an 8K image". NewscastStudio. 10 April 2019.
  74. ^ "Panasonic 8K ROI technology revealed at IBC 2018 - Professional Camera Solutions | Panasonic Business". business.panasonic.co.uk.
  75. ^ "The New VariCam Cameras from Panasonic". us.panasonic.com. Retrieved 2016-12-28.
  76. ^ a b "dxl.panavision.com". dxl.panavision.com.
  77. ^ a b c d e f g Esser, Felix (March 3, 2014). "DxOMark Confirms the Red Epic Dragon Sensor Outperforms the Nikon D800E". The Phoblographer.
  78. ^ a b Machu, Gunther (2022-11-03). "RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!". CineD. Retrieved 2024-02-12.
  79. ^ GENESIS, Panavision
  80. ^ "4:4:4 Genesis Workflow Made ... Easy?". Studio Daily. April 26, 2007.
  81. ^ http://www.cinematography.net/Files/Panavision/PV_digital_imaging/GenesisFAQs20070618.pdf [dead link]
  82. ^ HD900F, Panavision
  83. ^ "Category: Media". www.red.com.
  84. ^ a b c d e "In Depth Analysis - DxOMark". Archived from the original on 2016-07-09. Retrieved 2017-06-17.
  85. ^ a b c d e f "RED DRAGON Has Been Unleashed. Here is the First Footage from the 6K Camera". No Film School. August 4, 2013.
  86. ^ a b c d e f g Academy, Indie Cinema (June 26, 2014). "Red Dragon vs Red MX: Is The Hype Real? (Part 01: Dynamic Range & Latitude)" – via Vimeo.
  87. ^ a b c d e f g h i j k l m "RED Goes Global Shutter with New Motion Mount for EPIC/SCARLET (Plus New DRAGON Footage)". No Film School. September 15, 2013.
  88. ^ a b c d e f g h i j k l http://s3.amazonaws.com/red_3/downloads/manuals/955-0002_v4.0_EPIC_Operation_%20Guide_REV-C.pdf [bare URL PDF]
  89. ^ a b c d e f g h i "DSMC2 S35 Low Light Optimized OLPF". www.red.com.
  90. ^ "EPIC-M DRAGON MONOCHROME w/ Side SSD Module and Ti Nikon Mount | RED Digital Cinema store (US)". Archived from the original on 2014-06-28. Retrieved 2014-06-15.
  91. ^ "EPIC-X MONOCHROME [BRAIN ONLY] | RED Digital Cinema store (US)". Archived from the original on 2014-06-15. Retrieved 2014-06-15.
  92. ^ a b c "RED 8K Sensor Test 2017". www.reduser.net. Retrieved 2017-06-17.
  93. ^ a b c Cardinal, David (January 10, 2017). "RED Helium 8K DxOMark Sensor Score: 108 — A new all-time-high score!".
  94. ^ "RED Releases Komodo Price Before Its Final Specs". No Film School. 2020-05-20. Retrieved 2020-05-21.
  95. ^ Machu, Gunther (2021-01-18). "RED KOMODO 6K Lab Test – Dynamic Range and Latitude Test – UPDATED". CineD. Retrieved 2024-02-12.
  96. ^ "RED Digital Cinema". red.com. Retrieved 2011-11-03.
  97. ^ a b "RED ONE 1.8" SSD MODULE | RED Digital Cinema store (US)". Archived from the original on 2014-07-15. Retrieved 2014-07-08.
  98. ^ "The Red Digital Camera Company". www.digital-intermediate.co.uk.
  99. ^ RED RAVEN Camera is Official. 25 September 2015.
  100. ^ Machu, Gunther (2022-11-03). "RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!". CineD. Retrieved 2024-02-12.
  101. ^ "Pro Sony pdf product information" (PDF). sony.co.uk. Retrieved 2011-11-03.
  102. ^ "Bones, Lightmeters, Lonsdale, Sony F35 | Film and Digital Times". www.fdtimes.com. 3 December 2009.
  103. ^ a b c d e f g "Sony Professional - Products and Solutions to Redefine Your Business".
  104. ^ "SONY F65 CineAlta 4K | Los Angeles".
  105. ^ "Sony Professional - Products and Solutions to Redefine Your Business" (PDF).
  106. ^ a b "PMW-F5 and F55 Firmware V1.2 Now Available. Anamorphic, WiFi, Cam and Reel ID and HDCAM SR. | Alister Chapman's Personal Blog".
  107. ^ a b "Pro Sony product page". sony.com. Retrieved 2011-11-03.
  108. ^ "Sony NEX-FS100: Dynamic Range Test". November 11, 2013 – via YouTube.
  109. ^ "Sony Professional - Products and Solutions to Redefine Your Business" (PDF).
  110. ^ "Testing the FS700: Dynamic Range". May 15, 2012 – via YouTube.
  111. ^ "Sony store product page". sony.com. Retrieved 2011-11-03.
  112. ^ "Sony store product page". sony.com. Retrieved 2011-11-03.
  113. ^ "Sony NEX-VG900 Full Frame camera topic". Retrieved September 12, 2012.
  114. ^ "Pro Sony product page". sony.co.uk. Retrieved 2011-11-03.
  115. ^ "AbelCine Tests the Sony F3 ISO Rating | CineTechnica". Retrieved 2017-06-17.
  116. ^ "Sony Releases More Details About The F5 4K Internal Recording Option". December 20, 2014.
  117. ^ "A New Hack Proves the Sony F5 Is Fully Capable of Internal 4K, but Sony Disabled It". No Film School. August 27, 2014.
  118. ^ "Sony FS7 Getting ProRes & DCI 4K Support in Free March 2015 Update". No Film School. February 26, 2015.
  119. ^ Sony VENICE Shipments Begin. No Film School. 5 February 2018.
  120. ^ Phantom 65 Camera Archived 2012-11-08 at the Wayback Machine, Vision Research
  121. ^ The Phantom Flex Camera Digital High-Speed Camera Archived 2012-11-08 at the Wayback Machine, Vision Research
  122. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj "Digital Cameras: Digital Photography Reviews". dpreview. Retrieved 2011-11-03.
  123. ^ a b "Dynamic Range - Sony A7S vs. Arri, Canon, Panasonic & more". July 18, 2014.
  124. ^ a b c d e f "Subscribe". No Film School. May 28, 2014.
  125. ^ "Canon EOS 5D mark III — Specifications". Archived from the original on 3 November 2015. Retrieved 3 March 2012.
  126. ^ "Magic Lantern squeezes 1/2 stop of dynamic range from Canon 5D Mk. III". www.imaging-resource.com.
  127. ^ "Canon EOS 6D — Specifications". Retrieved 1 June 2014.
  128. ^ Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
  129. ^ "Nikon D3200: Tech Specs". Nikon Inc. Retrieved 2012-08-02.
  130. ^ "Digital SLR camera Nikon D4s". Nikon Corporation. Retrieved 2012-01-26.
  131. ^ "Nikon D750 specifications". dpreview.com. Retrieved 2015-03-08.
  132. ^ "Digital SLR camera Nikon D4s". Nikon. Retrieved 2012-02-27.
  133. ^ "Panasonic GH4 Specs Clarified, Including 10-bit 4K from Its On-Board HDMI Port". No Film School. March 21, 2014.
  134. ^ "Panasonic GH5S Review - Specifications".
  135. ^ "Panasonic LUMIX GH5S Revisited – Review and Sample BRAW Footage". 30 November 2021.
  136. ^ "PENTAX - K-01 Black". PENTAX RICOH IMAGING AMERICAS CORPORATION. 2012-02-02. Retrieved 2012-04-18.
  137. ^ "Ricoh's Pentax K-3 III 26MP DSLR is finally here". dpreview. 2021-04-30. Retrieved 2021-04-05.
  138. ^ "Pentax K-30 16MP weather-sealed mid-level DSLR previewed". dpreview. 2012-05-21. Retrieved 2012-06-05.
  139. ^ "Pentax K-5 In-Depth Review". dpreview. 2010-12-01. Retrieved 2012-06-05.
  140. ^ "Does the $2,500 Sony a7S Have Dynamic Range Similar to an ARRI ALEXA?". No Film School. July 21, 2014.
  141. ^ "Sony a7S II Camera Announced with Internal 4K & 5-Axis Image Stabilization". No Film School. September 11, 2015.
Retrieved from "https://en.wikipedia.org/w/index.php?title=List_of_large_sensor_interchangeable-lens_video_cameras&oldid=1220404679"