Mary Ann Vecchio

Mary Ann Vecchio (born December 4, 1955) is an Italian American respiratory therapist and one of two subjects in the Pulitzer Prize-winning photograph by photojournalism student John Filo during the immediate aftermath of the Kent State shootings on May 4, 1970.

Mary Ann Vecchio
Mary Ann Vecchio speaking at Kent State University in May 2009
Born	(1955-12-04) December 4, 1955 Palermo, Sicily, Italy
Nationality	Italian-American
Known for	Subject of 1970 Kent State shootings photograph

The photograph depicts the 14-year-old Vecchio kneeling over the body of Jeffrey Miller, who had been fatally shot by the Ohio National Guard moments earlier. Vecchio had joined the protest while visiting the campus, where she befriended two of the other students who would be hit by gunfire that day: Sandra Scheuer, who was killed, and Alan Canfora, who was wounded in the right wrist.

Biography

Vecchio was from an Italian immigrant family who lived in Opa-locka, Florida, where she attended Westview Junior High School at the beginning of 1970. She states that her home life was volatile, and that she and her siblings would leave the house for long periods when their parents fought. Vecchio soon got in trouble for smoking marijuana and skipping school. In February 1970, the police told Vecchio, then 14 years old, that they would send her to jail if she skipped school again. She then ran away from home. Vecchio says that she was not rebelling or intending to make a political statement: "I just wanted to be anywhere that wasn't Opa-locka." Vecchio began hitchhiking her way across the country, sleeping in fields and hippie crash pads with other transient youth, while occasionally working odd jobs for food.

Kent State

Vecchio, photographed by John Filo kneeling over the body of Jeffrey Miller. May 4, 1970

On May 4, 1970, Vecchio was at Kent State University in northern Ohio. On April 30, President Richard Nixon had announced a U.S. invasion of Cambodia and students were having an anti-war protest. As she walked towards a field on campus where protesters were gathering, Vecchio struck up a conversation with a male student. The two watched as a student waving a black flag taunted a line of the Ohio Army National Guard, who seemed to fall back and then fired more than 60 shots at the students.

Vecchio dropped to the ground during the firing. When she looked up, the student she had been talking to, Jeffrey Miller, lay beside her, shot through the mouth. She fell to her knees by his body, though nearby students appeared too stunned or confused to react. Vecchio recalls crying, "Doesn't anyone see what just happened here? Why is no one helping him?" Three other students lay dead or dying nearby (William Knox Schroeder died an hour later while undergoing surgery at Robinson Memorial Hospital). Vecchio remembers running from the scene until she saw National Guardsmen herding students onto a bus. Dazed and wanting to get away, she got on the bus, which drove two hours to Columbus, Ohio, where parents were waiting for their children who were attending Kent State. Vecchio, who had never heard of the city of Columbus before arriving, wandered the streets looking for food and shelter.

Student photographer John Filo, who was taking photos of the protest, had narrowly avoided being shot. After rising to his feet, he saw a girl drop to her knees by a body on the ground ten feet away. He said, "I knew the boy was dead, but I could tell she didn't know. I could see something building in her, and all of a sudden she lets out this scream and I shoot. I shoot one more picture, and I'm out of film." When he saw the National Guard cutting electric wires on campus, Filo ran to his car, hid the film inside his hubcap, and drove two hours to the offices of his hometown newspaper Valley Daily News in Tarentum, Pennsylvania to develop the film. He sent his photo by wire to the Associated Press and the next morning it appeared on the front pages of newspapers around the world. Filo identified the girl simply as "coed." Vecchio cannot recall the first time that she saw the photo, sometimes called the Kent State Pietà.

Decades later, Filo would state, "It was because she was 14, because of her youth, that she ran to help, that she ran to do something. There were other people, 18, 19, 20 years old, who didn't get close to the body. She did because she was a kid. She was a kid reacting to the horror in front of her. Had she not been 14, the picture wouldn't have had the impact it did."

Aftermath

Vecchio hitchhiked out of Columbus. She had heard that the Federal Bureau of Investigation was looking for the girl in the photo, so she didn't tell anyone who she was, imagining that she could disappear if she got to California. However, another child at a crash pad in Indianapolis recognized her and tipped off a reporter at The Indianapolis Star. Vecchio talked to the reporter, hoping he would give her bus fare to get to California. Instead, he reported her to local police, who detained her in juvenile detention as a runaway before sending her back to Opa-locka. She said, "I would have stayed anonymous forever. But that guy from the Indianapolis Star, he knocked out my future."

Following publication of the photograph through the Pittsburgh Tribune-Review satellite paper Valley Daily News and its subsequent pickup internationally, Florida governor Claude Kirk labelled Vecchio a dissident Communist, stating that she was "part of a nationally organized conspiracy of professional agitators" that was "responsible for the students’ death." Many people refused to believe that Vecchio, who was nearly six feet tall, was actually 14. She was followed whenever she left her house by reporters and hecklers, and the family received many death threats. Messages received included, "What you need is a good beating until you bleed red", "I hope you enjoyed sleeping with all those Negroes and dope fiends", and "The deaths of the Kent State four lies on the conscience of yourself." Some anti-war figures expressed resentment that she was receiving so much publicity but had not even been a protester.

Vecchio's father sold t-shirts with her image on them, which she signed, along with the occasional autograph. Her family reportedly later sued T-shirt companies for 40 percent of the profits from sales of apparel featuring Filo's photograph.

Later life

Mary Ann Vecchio meets John Filo at Kent State University in May 2009, 39 years after the shootings.

Vecchio ran away from home again, got caught and was sent to juvenile detention. She ran away from juvenile detention, but was caught again. When she eventually was released from juvenile detention, she was constantly followed by police, who arrested her for loitering and smoking marijuana. In 2017, she described herself as having been "a mess, like I was trying to punch my way out of a paper bag." She was profiled in a 1977 broadcast of 60 Minutes, where she was described as a "maladjusted kid" and interviewed by Morley Safer about her prostitution arrests in Miami.

At age 22, Vecchio moved to Las Vegas, Nevada, married Joe Gillum in 1979, and became a clerk at a casino coffee shop. She lived in Las Vegas for nearly 20 years, eventually being promoted to the casino floor. In 1995, Vecchio and John Filo met for the first time, when both were scheduled to appear at an Emerson College conference commemorating the 25th anniversary of the shootings. She also appeared at Kent State University in May of the same year for the 25th annual commemoration. She returned to Kent State University again for the 36th commemoration in May 2006 and for the 37th commemoration in May 2007.

In 2001, Vecchio earned her high school diploma at the age of 46. She ended her marriage and moved back to Florida to live in a camper trailer while she worked at the spa at Trump National Doral Miami and took classes at Miami Dade Community College to become a respiratory therapist. After graduating, she worked at the Veterans Affairs Center at Jackson Memorial Hospital in Miami, though she never disclosed that she was the girl in the famous Kent State photo. Vecchio states that she did not realize that she displayed behaviors characteristic of post-traumatic stress disorder until she worked with veterans.

Since retirement, she has been living near the Everglades, growing avocados and oranges on a small plot. Vecchio reported that she was greatly affected by watching the video of the murder of George Floyd in 2020.

In popular culture

Vecchio's image was ubiquitous on magazine covers and posters in the aftermath of the Kent State shootings. Humor magazine National Lampoon ran a fake ad for a "204 pc. Kent State Disturbance set" of play figures with "1 kneeling student" and, in 2006, satiric newspaper The Onion published a fake report under the title, "Kent State Basketball Team Massacred By Ohio National Guard In Repeat Of Classic 1970 Matchup," with Vecchio's face photoshopped over the body of a cheerleader.

Vecchio has been portrayed in several stage performances depicting the Kent State shootings. The character Vekeero in Halim El-Dabh's 1971 Opera Flies is based on Vecchio. Her role was played by Kelley Lepsik in the 2000 performance of Kent State: A Requiem. Janet Ruth Heller published a poem entitled "For Mary Vecchio, August, 1973," which portrays Vecchio as a modern Mary praying for the fallen Kent State students.

Before being published, the photograph was retouched to remove the distracting background fencepost that appeared over Vecchio's head in the original image. The unretouched original was stored in the archives of Life magazine.

A modification of the photograph was painted by Victor Kalin as cover art for a 12-inch vinyl phonograph record Murder at Kent State, released by Flying Dutchman Records in 1970. The painting makes a cultural statement by adding a National Guard unit in the background. Written commentary by Nat Hentoff places the incident in a context of national malaise.

External links

• Photo of Vecchio at 25th anniversary event
• "Runaway Back Home with Her Parents". Daytona Beach Morning Journal. 24 May 1970, page 2A
• "The Girl in the Kent State Photo". Washington Post Magazine. April 20, 2021.