: לחם הפנים
, literally: "Bread of the Faces"
), in the King James Version
, in a biblical
context, refers to the cakes or loaves of bread
which were always present, on a specially-dedicated table, in the Temple in Jerusalem
as an offering to God. An alternative, and more appropriate, translation would be presence bread
since the Bible requires that the bread be constantly in the presence of God (Exodus 25:30
Illustration of the temple priests replacing the showbread each week.
Within the Torah
, the showbread is mentioned exclusively by the Priestly Code
and Holiness Code
but certain sections of the Bible, including the Books of Chronicles
, Books of Samuel
, and Books of Kings
, also describe aspects of them. In the Holiness Code, the showbread is described as twelve cakes baked from fine flour, arranged in two rows on a table; each cake was to contain "two tenth parts of an ephah
" of flour (Leviticus 24:5–6
) (approx 4.9 pounds). The biblical regulations specify that cups of frankincense
were to be placed upon the rows of cakes, and the Septuagint
, but not the Masoretic Text
, states that salt was mixed with the frankincense; the frankincense, which the Septuagint refers to as an anamnesis
, (a hapax legomenon
), constituted a memorial (azkarah
), having been offered upon the altar
to God (Leviticus 24:7–9
According to Chronicles, the Kohathite
clan had charge of the baking and setting in order of the bread,
suggesting that there were secret extra requirements in preparing the bread, known only to the Kohathites.
Since leavened products were prohibited from the altar
and the cakes are not described as being offered upon it
, it is possible that the showbread was leavened;
however, as they were carried into the inner part of the sanctuary, it is highly probable that they were unleavened.
The cakes were to be left on the table for a week, and then be replaced with new ones on the Sabbath
, so that there were always fresh loaves on the table, and those that had started going stale were removed;
the biblical text states that the Jewish priests
were entitled to eat the cakes that had been removed, as long as they did so in a holy place
, as it considered the bread to be holy. The narrative of David's sojourn at Nob
mentions that Ahimelek
(the priest) gave David the holy bread
, at his request.
The table or shulchan for the showbread was, according to biblical regulations, to be placed in the northern part of the sanctuary, opposite the Menorah
with the altar of incense
The Septuagint describes the table as being of solid gold, but the Masoretic Text states that it was made from acacia
wood, and only covered
with pure gold, with a gold border around the top; the table's dimensions are given as 2 ells
long, 1 ell wide, and 1.5 ells high.
The feet of the table are described as having a ring-like enclosure to which four gold rings were fastened, so that rods (made from acacia wood, and covered with gold) could be passed through the rings, and used to make the table portable, in the same manner as the other features of the tabernacle. The biblical text indicates that, when being carried, the table would be covered with a purplish-blue cloth, the loaves and vessels would be placed on the cloth, and another cloth, in scarlet, would be placed over it, with a fine skin being added on top of that.
In each sanctuary there was only one table, except for the Temple in Jerusalem, which Chronicles describes as having ten tables within its Holy Place
Gold utensils ("'dishes, cups, bowls, and pitchers for pouring") were provided for the table,
suggesting that other food and drink was served on the table as well as the showbread. The King James Version
of the Bible states that the utensils are to be "set in order upon it".
Although, according to textual scholars
, the only source texts among those comprising the Torah
which mention the showbread are the Holiness Code
and later additions to the priestly source
the antiquity of the practice is shown by its mention in the Books of Samuel
which textual scholars generally view as predating the priestly source.
In the Books of Samuel, Ahimelek is described as asking for an assurance that David's men were in a ritually pure state, namely that they had not been involved in sexual activity with women, before handing over the old showbread; biblical scholars
view this as suggesting that the showbread was originally a sacrificial meal which was viewed as being shared with the deity,
hence the need to be ritually pure,
and the bread not being burnt but instead consumed.
The custom seems to have been widespread in the region,
an example being the Babylonian
practice of offering to their gods a number of different kinds of cakes/bread (akalu
the Hebrew term for showbread, Lehem haPanim
, is exactly translated by the Assyrian
phrase akal pגnu
, which refers to the Babylonian cake/bread offerings.
In the Israelite case, a number of biblical scholars connect the use of showbread directly to the ancient cult of the Ark of the Covenant
the Ark being seen as the home of the deity, and the bread being an offering of food, ready for consumption whenever the deity chose to make an appearance.
Like the biblical showbread, the Babylonians and Assyrians generally laid twelve cakes/loaves, or an integer multiple of twelve cakes/loaves, on tables in front of images of their deities;
the number twelve
, which is so prominent in the showbread rite, has always borne mysterious religious significance,
and with the Assyrian practice of laying out twelve cakes/loaves, was directly connected with the Zodiac
The Babylonian cakes/bread were also required to be sweet (i.e. unleavened), and like the biblical showbread were baked from wheat flour.
In classical Jewish literature
The somewhat scanty biblical details concerning the showbread are complemented by further information given by Josephus
(a contemporary of Herod's temple), and, over the several centuries after the Temple's destruction, by classical rabbinical literature
According to Josephus, the cakes were unleavened and were baked on the Friday before the Sabbath, since the biblical regulations forbade work of any kind during the Sabbath.
argues that the loaves were kneaded separately,
but baked in pairs; the Mishnah also states that the loaves were moulded into shape by three different moulds (made from gold, according to Maimonides
, who lived more than a thousand years after the burning of Jerusalem), with one being used while the loaves were just dough
, another while the bread was being baked in the oven, and a third after baking, to protect the shape.
The Mishnah describes the loaves as being 10 Etzba
long, and 5 Etzba wide, with rims/horns
that were 7 Etzba long;
Maimonides gives the same figures but with Tefah
as the unit rather than Etzba.
According to some Mishnaic contributors, the kneading of the dough was done outside the sanctuary, but the baking was done inside,
but others state that all the preparations were carried out in the Temple courtyard, and others in the house of Pagi, which according to Maimonides was very close to the Temple courtyard;
no reason is given for these geographic distinctions, but the Gemara
argues that the House of Garmu
were responsible for baking the showbread, and kept their methods and reasoning secret. The Mishnah states that to replace the bread, two priests would enter the sanctuary ahead of another four priests carrying the replacement bread; the two priests without the bread would go to the southern end of the table, while those with the new bread would go to the northern end, and while the priests at the south removed the old bread from the table, it would be replaced with the new bread by the priests at the northern side, so that the bread would always be present.
Josephus states that the cakes were placed in two equal piles (rather than rows),
as does the Mishnah, which describes the existence of hollow golden tubes to carry air between the bread, and two golden fork-shaped supports attached to the table, each one to hold up a pile
Josephus also states that the frankincense was placed in two golden cups – one on top of each pile;
the Mishnah states that a handful of incense was placed in each cup,
and the Tosefta
states that the cups, called bezikin
, had flat bottoms/rims, so that they could also be placed on the table.
According to the Mishnah, while the new bread was being carried in by the four priests, two other priests would carry in replacement cups of incense, and two further priests would go ahead of them to remove the old cups of incense.
The Mishnah argues that after being removed, the old bread was placed on a golden table in the Temple's hall, and then the old incense would be burnt; once this was done, the cakes would be divided,
with the Jewish High Priest
getting five of the twelve loaves, and the remainder being divided among the other priests on duty during the previous week.
On the occasion of certain Jewish Holidays
occurring during the Sabbath, there were adjustments made, for example, if Yom Kippur
occurred on the Sabbath, the old bread wouldn't be divided between the priests until the evening.
The majority of contributors to the Mishnah state that the table was of the same dimensions as the loaves – 10 Etzba long, and 5 Etzba wide,
but Rabbi Akiva
contributed a dissenting view, according to which there was a gap between the piles of showbread, with the table being 12 Etzba long, and 6 Etzba wide; Abba Saul
argued that the cups of incense were placed within the gap.
These dimensions clearly are too small for the loaves to rest on the table lengthways, and clearly some support would have been needed for them to be piled high upon the table in two distinct piles, which is difficult to reconcile with the apparent biblical implication that the loaves were free standing on the table.
The Mishnah states that there were 28 ventilation tubes, 14 for each pile, each of which was open at one end only.
extrapolates from this the conclusion that the fork-like supports were set into the floor, two at each end of the table, and the tubes went between the fork-like supports above the table. The Gemara essentially has the view that the supports and tubes formed a complex receptacle for the loaves, similar to a grate, with the lowest loaf in each pile resting directly on the table, but with the next loaf resting on the two lowest of the tubes, and so forth up the pile. Presumably a device as complex as this would have been mentioned at least briefly in the Bible had it been a biblical requirement, but it isn't.
The table is depicted on the Arch of Titus during the emperors Titus and Vespasian's triumphal procession in 71 CE, which celebrated their defeat of Judea.
As well as the golden cups for the incense, the Mishnah enumerates a number of other dishes (ke'arot
) and hand-like bowls (kappot
), including menakkiyyot
(which were probably for dipping) and kesawot
; the kesawot
are identified by the Mishnah as being for the wine-libations
, but the Targums
argue that they were for the purpose of covering the showbread.
The Mishnah also suggests that the Table could be dismantled into small portions, so that if any part of it ever became ritually impure
, it could be regain its ritual purity by washing the parts
in a Mikvah
The Mishnah also speaks of a tradition in which the table with the showbread would be elevated before the pilgrims in the Temple courtyard and the priests would say "See your affection before the Omnipresent."
Among ancient groups
There is evidence of Jewish groups around the turn of the common era, such as the Qumran
community at the Dead Sea
, and the Therapeutae
, which seem to have regarded themselves as part of the main Jewish body worshipping at the Jerusalem temple, despite being geographically isolated from it, and, in the eyes of later Jewish thought, theologically distinct from it.
Among the Dead Sea Scrolls
, a number of Aramaic fragments, found in cave 2, discuss eschatological
connections to the eating of showbread, which Matthew Black
links with the sacred community meal discussed in a scroll from cave 1 (1QSVI), and the Messianic
meal discussed in another scroll in the same cave (1QSall);
Professor Black suggests that the Qumran community may have considered their regular bread sharing to be an enactment of the Sabbath division of showbread at the Jerusalem Temple.
There is dispute among scholarly groups as to whether the Qumran community was identifiable with the Essenes
, but scholars do generally agree that there was an association between the Essenes and the Therapeutae
reported that the Therapeutae's central meal was intended to emulate
the holy table set forth in the sacred hall of the temple
but though the Qumran community are portrayed in the Dead Sea Scrolls as viewing the Jerusalem service as having failed to achieve priestly holiness, Philo describes the Therapeutae as deliberately introducing slight differences in their practices from those at the Temple, as a mark of respect for the Temple's showbread.
- ^ Commentary of Rashi on Exodus 25:30 – "Bread of the Faces: because it had faces," "לחם פנים - שהיה לו פנים", and commentary of Nachmanides on the same verse – "Bread of the Faces: because it had faces facing this way and that way," "לחם פנים - שיש לו פנים רואים לכאן ולכאן"
- ^ a b c d e f g h i j k l m n o p q r s t u v Jewish Encyclopedia
- ^ 1 Chronicles 9:32
- ^ Leviticus 2:11
- ^ 1 Samuel 21:4–6
- ^ Exodus 26:35
- ^ Exodus 25:23–30, 37:10–16
- ^ Numbers 4:7–8
- ^ 2 Chronicles 4:8
- ^ Exodus 25:29 and 37:16
- ^ Exodus 40:4 KJV
- ^ 1 Kings 7:48, cf. 2 Chronicles 4:19, 13:11
- ^ 1 Maccabees 1:23
- ^ 1 Maccabees 4:49
- ^ 1 Samuel 21:1 et sequentia
- ^ Jewish Encyclopedia, Books of Samuel
- ^ Jewish Encyclopedia, showbread
- ^ cf. Exodus 19:10–11, 19:15
- ^ cf. Isaiah 65:11, Jeremiah 7:18, 44:17 et sequentia, and Baruch 6:26
- ^ Stade, Biblical Theology of the Old Testament, (1905), 1:168
- ^ a b Peake's commentary on the Bible
- ^ Josephus, Antiquities of the Jews, volume 3, 10:7
- ^ a b Menahot 11:1
- ^ Sifra to Leviticus 24:5-9
- ^ Maimonides, Mishneh Torah, Tamid:5:8
- ^ Menahot, 11:4
- ^ Maimonides, Mishneh Torah, Tamid:5:9
- ^ Men. 11:2
- ^ Menahot 99b
- ^ Maimonides, Mishneh Torah, Tamid:5:4
- ^ a b Josephus, Antiquities of the Jews, volume 3, 10:7
- ^ Menahot 94b, 96a
- ^ a b Maimonides, Mishneh Torah, Tamid:5:2
- ^ Tosefta on Menahot 11
- ^ a b Yoma
- ^ Maimonides, Mishneh Torah, Tamid:5:5
- ^ Menahot 11:5
- ^ Josephus, The Jewish Wars, volume 5, 5:5
- ^ Josephus, Antiquities of the Jews, volume 3, 6:6
- ^ Michael Pfanner, Der Titusbogen, 1981, pgs. 50-54
- ^ Menahot 29a.9
- ^ a b Matthew Black Dead Sea Scrolls, p. 110.
- ^ a b Philo, The contemplative life, 81-82
- B. Baentsch, Exodus-Leviticus, p. 419, Göttingen, 1900;
- Riehm, Handwörterbuch, ii. 1405 et seq
- M. Black, The Scrolls and Christian Origins: Studies in the Jewish Background of the New Testament (London: Nelson, 1961)
- M. Barker, Temple Theology: An Introduction (London: SPCK, 2004)
- Singer, Isidore; et al., eds. (1901–1906). "Showbread". The Jewish Encyclopedia. New York: Funk & Wagnalls.
Last edited on 9 April 2021, at 14:41
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