This article is about the comic strip. For other uses, see Far side
The Far Side
is a single-panel comic
created by Gary Larson
by Chronicle Features
and then Universal Press Syndicate
, which ran from December 31, 1979, to January 1, 1995 (when Larson retired as a cartoonist). Its surrealistic
humor is often based on uncomfortable social situations, improbable events, an anthropomorphic
view of the world, logical fallacies, impending bizarre disasters, (often twisted) references to proverbs
, or the search for meaning in life. Larson's frequent use of animals and nature in the comic is popularly attributed to his background in biology
. The Far Side
was ultimately carried by more than 1,900 daily newspapers, translated into 17 languages, and collected into calendars, greeting cards, and 23 compilation books, and reruns are still carried in many newspapers.
After a 25-year hiatus, in July 2020 Larson began drawing new Far Side
strips offered through the comic's official website.
The Far Side
was created by Gary Larson
, a cartoonist based in Seattle
. Larson enjoyed drawing as a child but never thought he would become a cartoonist; thus, he never studied art in school outside of required classes.
Larson had been inspired to draw comics when he was younger from the strip Alley Oop
, and later drew further inspiration from MAD Magazine
and the work of Don Martin
He also enjoys comics from Gahan Wilson
, B. Kliban
and George Booth
where humor was derived more from the comics' composition than dialog, which Larson considered "something almost organic going on between the humor and the art that conveyed it".
In 1976, Larson was working as a cashier at a retail music store
when he realized how much he hated his job. Two days into this "career crisis", Larson sat down at his kitchen table and drew six cartoons.
The next day, he showed the cartoons to an editor at the local magazine Pacific Search
. The editor was impressed and paid him US$90, so Larson quit his job to start cartooning and created Nature's Way
, a single-panel comic strip that served as the basis for The Far Side
. Larson showed Nature's Way
to the editor of the weekly newspaper Summer News Review
, who began to publish it on a regular basis.
Although Larson was initially excited to be published, he was only paid US$3 a cartoon. Eventually, he stopped and became an investigator for the local humane society
. In 1979, a reporter for the Seattle Times
who had met Larson while investigating "pony abuse"
showed Nature's Way
to her editor. It was revived and began appearing in the Saturday edition of the paper.
Larson was paid US$15 a cartoon. After about a year, Larson took a vacation from his humane society work to drive to San Francisco
at the encouragement of his girlfriend. In what he called a "daring plan to expand this 'publication empire'", Larson left a portfolio with his work at the headquarters of the San Francisco Chronicle
After several days, Larson was informed that editor Stan Arnold wanted to speak with him. Arnold was impressed by his work and mentioned that, should the Chronicle
be interested in Larson's work, it could become syndicated
When Larson returned to Seattle, he received a letter informing him Nature's Way
had been canceled because it generated too many complaints; he attributes this to the fact it ran next to a crossword
puzzle aimed at children. Larson believes had this happened a week before, he would not have gone to San Francisco.
The next day, Arnold called Larson and told him the syndicate affiliate of the Chronicle
decided to syndicate his work. The affiliate, Chronicle Features, coined the name The Far Side
; Larson joked Chronicle "could have called it 'Revenge of the Zucchini People'
for all I cared."
Larson's initial contract for The Far Side
called for it to have a cast of recurring characters (like how Peanuts
had Charlie Brown
), because Chronicle believed newspaper comics needed familiar characters to be successful.
However, Larson disagreed, feeling it would be limiting and diminish the humor of the strip.
In his first month of syndication, Larson made about US$100.
The contract with Chronicle lasted four years. After it expired, Universal Press Syndicate
picked up the syndication rights.
The Far Side
made its debut in the January 1, 1980 edition of the Chronicle
, and a few months later, Chronicle Features began to offer it to other papers.
While it was only in four papers by 1982,
by 1983 that number had increased to eighty, and by 1985 two hundred.
Initially, Larson drew six cartoons a week,
which were sent to papers a few weeks in advance.
By 1987, he was drawing seven cartoons a week. From October 1988 to January 1990, Larson took a hiatus from The Far Side
to travel abroad and study jazz guitar
with Jim Hall
. When he resumed working on The Far Side
in 1990, he negotiated an agreement in which he would only have to draw five cartoons a week.
The final Far Side
comic was run in newspapers on January 1, 1995.
Larson wrote a letter to his followers in October 1994 that explained he was ending the series due to "simple fatigue" and avoid having The Far Side
fall into the "Graveyard of Mediocre Cartoons" if he continued.
Larson also later stated he wanted to pursue a career as a jazz guitarist.
During its 15-year run, Larson produced a total of 4,337 Far Side
By the time of its conclusion, the series was carried in more than 1,900 papers and translated into 17 languages.
Universal briefly re-syndicated The Far Side
for a three-month period in late 2003 to promote the release of the anthology The Complete Far Side: 1980–1994
and many newspapers still publish reprints.
Larson has expressed disapproval of the distribution of his cartoons on the internet and has requested that fans do not do so; he wrote in a letter that his work is too personal and important to him to have others "take control of it".
For this reason, Universal's online service GoComics
does not offer Far Side
In at least one case, he had sent out a cease and desist
letter to a comics-aggregation site for reproducing The Far Side
While an official Far Side
site existed, it only offered information related to the comic and published books, but did not offer any of the strips.
In 2003, Gary Larson drew a cover for the November 17 edition of The New Yorker
(the Cartoon Issue), a prestigious offer he said he could not refuse.
Online revival (2019–present)
On September 13, 2019, the official Far Side
site was updated with a major redesign, teasing that "[a] new online era of The Far Side
" will be forthcoming.
The full site was launched on December 17, 2019. It features a "daily dose" of several randomly selected Far Side
comics, a weekly themed collection, and additional material including art from Larson's sketchbooks. Larson wrote in an open letter announcing the site that he hoped that the official online presence of The Far Side
would encourage sites presently hosting his comics to take them down and direct readers to the official site.
Larson said that while he does not plan to draw regular Far Side
comics, he may include new material every once in a while when updating the site.
On July 7, 2020, Larson released new Far Side
strips for the first time in 25 years on the website. Unlike his previous work with pen and paper, Larson had since transitioned to using a graphics tablet
for the comic. In an accompanying post, Larson explained that frustration with having his pens clogged from disuse on the rare occasions when he drew after his retirement (primarily for his annual Christmas card) led him to try working on a digital tablet. The new freedom and possibilities offered by the digital medium meant that he soon found he "was having fun drawing again". Larson made it clear that he was not resuming production of a daily cartoon, but was "exploring, experimenting and trying stuff."
Design and themes
The Far Side
is primarily told through the use of a single, vertical, rectangular panel
occasionally split into small sections of four, six, or eight for storytelling purposes. A caption or dialogue usually appears under the panel as typed text, although speech balloons
are sometimes used for conversations. Certain strips, mostly those published on Sundays, are double-sized,
and have handwritten captions.
When Larson drew panels they were 6×7.5 inches; he penciled
until the image "closely approximate[d]" his vision, and then he would ink
it. The caption was handwritten in pencil underneath the cartoon. When Universal received a cartoon, it would set the caption to the usual typeface and add copyright and publication dates.
The series is characterized by its unconventional, often surrealistic
, style of humor. Brigham Young University
professor Kerry Soper described it as "an anomaly" among other newspaper cartoons
wrote it was "surreal, random, and occasionally very dark".
Larson was influenced by his family's "morbid" sense of humor.
His older brother Dan, who would often play pranks on him that took advantage of his fears, was a particular influence.
He also drew inspiration from personal experience, Mad
, and his favorite childhood book, Mr. Bear Squash-You-All-Flat
Larson sought to mock human condition
, often by placing animals in human positions. Fear is also recurring in the strip;The Far Side
was produced in a time when horror comedy
was becoming popular.
in The Far Side
include people stranded on desert islands, aliens
, the life of cavemen
, and medieval
dungeons. Animals—especially cows
—are also common. Larson focused on subjects he considered taboo
because he wanted his cartoons to be personal statements.
Larson's editors refused to publish strips they found indecent
, offensive, or hard to understand. Examples include cowboys roasting a horse over a fire because they are "hungry enough to eat one" and a bird eating scrambled babies. Generally, they also avoided publishing cartoons with scatological
humor; Larson recalled that during the strip's first few years he was not even allowed to draw an outhouse. Larson often disagreed with his editors' decisions and was sometimes successful in getting rejected cartoons published, although he does admit most of their decisions likely saved his career.
Larson also says he never tried to intentionally offend readers.
While Larson frequently used the same stereotypical characters such as a woman with a beehive hairdo
, he purposely did not name his characters nor imply they were the same characters from cartoon to cartoon. He did not want to have a character-based series, as the characters were there to help serve the humor of the comic.
"Cow Tools" is the name of one Far Side
cartoon first published in 1982. It shows a cow standing behind a table with strange objects, with the cartoon's caption "Cow tools". While most of the displayed tools had no apparent function, one was similar to a saw. The cartoon has become one of the most loathed cartoons in the series, with Reddit
posters calling it the series' "notoriously confusing cartoon".
Larson was frequently asked about the meaning of the cartoon by the media, and received numerous letters, some angry and questioning where the humor was in the comic.
Larson said in Prehistory of the Far Side
that he had so much mail from this strip he had to issue a press release to explain that there was nothing to explain about the "Cow Tools" comic.
Jane Goodall cartoon
One The Far Side
cartoon shows two chimpanzees
grooming. One finds a blonde human hair on the other and inquires, "Conducting a little more 'research' with that Jane Goodall
Goodall herself was in Africa at the time, and the Jane Goodall Institute
thought this was in bad taste, and had their lawyers draft a letter to Larson and his distribution syndicate, in which they described the cartoon as an "atrocity." They were stymied by Goodall herself when she returned and saw the cartoon, as she stated that she found the cartoon amusing,
stating "It all helps to put us humans in our place, and we desperately need putting in our place."
Since then, all profits from sales of a shirt featuring this cartoon go to the Jane Goodall Institute. Goodall wrote a preface to The Far Side Gallery 5
, detailing her version of the controversy, and the Institute's letter was included next to the cartoon in the complete Far Side
She praised Larson's creative ideas, which often compare and contrast the behavior of humans and animals.
In 1982, Larson published a comic in which a prehistoric lecturer refers to the then previously unnamed tail spikes of the Stegosaurus
as the "thagomizer
The arrangement of spikes originally had no distinct name, but Larson's neologism
was adopted gradually by paleontologists, albeit only in a casual context.
The Complete Far Side
and The Prehistory of The Far Side
include letters from angry readers alongside the comics. The letters were written to newspaper publishers and often demanded the removal of The Far Side
. Despite these protests, The Far Side
remained popular and continued to run in many newspapers. Larson often laughs at the controversies as evidenced in The Prehistory of The Far Side
, in which he writes that the people complaining have usually misunderstood the cartoon.
There are 23 collected editions of The Far Side
which combined have sold over 45 million copies and have generated US$70 million in revenue.
The books are published by Andrews McMeel Publishing
, an affiliate of Universal. Andrews McMeel acquired the rights to publish collected editions of the series in 1982, the year the first Far Side
book was released. It was surprisingly successful, which influenced Larson's decision to sign on with Universal after his contract with Chronicle expired.
In January 1985, the four Far Side
books out at the time—The Far Side
, The Far Side Gallery
, Beyond the Far Side
and In Search of the Far Side
—were simultaneous bestsellers; Jim Davis
was the only newspaper comic that had previously accomplished this feat.
New Far Side
books continued to be published after the series concluded and remain in print and popular today.
During his 14-month hiatus, Larson produced The PreHistory of The Far Side: A 10th Anniversary Exhibit
, a Far Side
anthology that commemorates the series' 10th anniversary. It contains commentary on individual strips, letters from angry readers, unpublished cartoons, and some of Larson's personal favorite Far Side
In 2003, Andrews McMeel released the two-volume, twenty-pound anthology The Complete Far Side: 1990—1994
. The Complete Far Side
contains every Far Side
cartoon syndicated and, when it was initially published, retailed for US$135. Larson spent three years working on it; the majority of work went into redrawing characters' eyeballs because he was unhappy how they looked when transferred digitally.
It sold 350,000 copies and at the time was the most expensive New York Times bestseller
A new, lighter edition of The Complete Far Side
was released in 2014.
Merchandise and other media
A large amount of Far Side
merchandise was produced, ranging from greeting cards
, and mugs
For many years, Larson produced a yearly calendar
that contained a Far Side
cartoon for each day of the year. He stopped making them annually in 2002, but created another edition in 2006; all proceeds from this edition went to Conservation International
In the years they were available, Far Side
greeting cards and calendars sold 110 million and 45 million copies, respectively.
Larson stated in 1987 he was personally embarrassed by how much money he made from Far Side
In 1994, Larson produced an animated special, Tales from the Far Side
, featuring his art style and gags from the strips. He produced a sequel in 1997.
In 1987, a special exhibit of 527 black and white Far Side
panels was shown in the Smithsonian Institution
's National Museum of Natural History
in Washington, D.C.
127 of the panels were originals, displayed in the rotunda on boards that held 50 panels each. Later the display became a traveling exhibit that was shown in San Francisco
, Washington, D.C., Orlando
, New York City
, and Los Angeles
There was a Far Side
gallery at the California Academy of Science
that featured some of Larson's panels. The exhibit included a giant microscope under which visitors could stand, based on one of Larson's cartoons. Looking up through the objective lens revealed a giant blinking eyeball. The building was torn down and replaced and the exhibit is no longer in the new facility.
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- ^ a b c d e f Collins, Joseph (August 20, 2016). "Gary Larson - Cartoonist With Compassion". Infinite Fire. Retrieved September 21, 2018.
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- ^ Hughes, Joseph (April 23, 2013). "New App Makes 'Calvin and Hobbes', 'Peanuts', and More Classic Strips Available for Free". Comics Alliance. Retrieved September 21, 2018.
- ^ a b Gustines, George Gene (September 16, 2019). "The Far Side Teases Its Return". The New York Times. Retrieved December 17, 2019.
- ^ "The New Yorker cover November 17, 2003". The New Yorker. November 17, 2003. Retrieved July 26, 2020.
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- ^ Burton, Bonnie (September 16, 2019). "The Far Side could be back from extinction, and the timing's so right". CNET. Retrieved September 21, 2019.
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- ^ Larson, Gary. "New Work by Gary Larson". The Far Side. Retrieved July 7, 2020.
- ^ Mann, Court (September 20, 2018). "'The Far Side' was a weird comic. This BYU professor helped us translate it". Deseret News. Retrieved September 21, 2018.
- ^ a b Sims, Chris (August 14, 2015). "The Strange Comics and Equally Strange Legacy of 'The Far Side' and Gary Larson". ComicsAlliance. Retrieved September 21, 2018.
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Gary Larson's The Far Side
Last edited on 3 May 2021, at 17:39
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