Jim Henson
American puppeteer, animator, cartoonist, actor, investor, filmmaker, and screenwriter (1936-1990)
James Maury "Jim" Henson (September 24, 1936May 16, 1990) was an American puppeteer, artist, cartoonist, inventor, screenwriter, actor, film director, and producer.
When you trick people into laughing at themselves, that's wit. If you don't laugh at yourself, everything becomes heavy.
Henson's Muppet and other puppet characters populated children's educational television program Sesame Street, sketch comedy show Saturday Night Live, The Muppet Show, The Muppet Movie and The Great Muppet Caper. He created advanced puppets for projects like Fraggle Rock, The Dark Crystal, and Labyrinth.  During the later years of his life, he also founded The Jim Henson Foundation and Jim Henson's Creature Shop.  He won two Emmy Awards for his work on The Storyteller and The Jim Henson Hour.
Quotes
I suppose that he's an alter ego. But he's a little snarkier than I am - slightly wise. Kermit says things I hold myself back from saying.
Blau, Eleanor (May 17, 1990). "Jim Henson, Puppeteer, Dies; The Muppets' Creator Was 53". The New York Times. Retrieved on October 24, 2015.
As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.
Interview with Copley News Service (1976)
Freeman, Don (December 18, 1976). "Chief Muppet is shy". Beaver County Times. Copley News Service: p. 5.
There must be a lot of shy actor in puppeteering. His work is the puppeteer's statement. It's his outlet. If I had to face the audience myself, as Jim Henson, I'm sure I'd be just a bit shy. But when it's your puppets that face the audience, it's different. That I can do very easily.
In response to Don Freeman's question: "Is the puppeteer a shy actor?"
Personally, I prefer working in the background.
Frankly, I'm a lot more comfortable if I'm wearing a puppet.
I couldn't do ventriloquism. I don't have any interest in splitting myself in two, the way a ventriloquist does — half-himself, half the dummy on his knee.
Interview about The Dark Crystal (1982)
See also: w:The Dark Crystal
Interview with Jim Henson in 1982 about the film The Dark CrystalRosenthal, David N. (December 29, 1982). "Don't Look for the Muppets in 'Dark Crystal'". Lakeland Ledger. Knight News Service (Lakeland, Florida).
I've always thought that science fiction films set in our world have always rung false.
It's an adventure story. But it's definitely not in our world.
I've always thought that science fiction films set in our world have always rung false.
I wanted to do a film where the creatures didn't look like us.
It's a rather dark vision, actually.
People shouldn't come expecting to see the Muppets because they are not here. This is something else.
Interview with Judy Harris (1982)
1982 interview with Judy Harris, republished in 2005 book edited by Joel Eisenberg: — Harris, Judy (2005). "Legacy – Jim Henson". in Eisenberg, Joel. Aunt Bessie's How to Survive a Day Job While Pursuing the Creative Life. Topos Books. pp. 64–66. ISBN 978-0-9767575-0-4.
I was very interested in theatre—mostly in stage design but I did a little bit of acting.
Page 61.
I've never felt any sense of competition with anybody, and we're all friends.  We're all good friends.
Page 67.
I do remember doing shows strictly in black and white, too.
Page 68.
If any-thing, there's a difference in working with color in England and the color in the U.S.
Page 68.
It has always been difficult to get Big Bird to be very pretty.  Big Bird in England is much more gorgeous.
Page 68.
Interview with Associated Press (1984)
Jim Henson interviewed by AP about Fraggle Rock in 1984, cited in: — "'Fraggle Rock' Shown in 90 Countries - Henson's Puppets Known Worldwide". Toledo Blade. Associated Press: p. P-4. February 15, 1984.
The whole idea with the show from the start was to go international.
I really began to appreciate puppetry [while doing Sam and Friends].
There are so many forms of puppets. The ones on 'Sesame Street' are probably the most simple that we do.
With 'The Muppet Show' we used to play with a lot of different styles. That's what it was: a variety thing.
The puppets in 'Dark Crystal' were very complicated, and some quite unpleasant. In that movie, I think we got into areas a bit too realistic.
With puppets, I don't think you should try to duplicate what humans do. It can cause problems.
Puppetry's a lot harder than people realize, and it's particularly difficult doing a movie. You have this scene with all these puppets, and when something goes wrong, you've got to set the whole thing up to do it again. With people, you ask an actor to walk across the room a second or third time, and he does it. That's it.
Interview with Associated Press (1986)
Puppets have the same sort of graceful aging that cartoon characters have.
Mitgang, Lee (January 6, 1986). "The man inside the Muppets speaks". Chicago Sun-Times. Associated Press.
In actuality, Muppets was a word we just coined. It was merely to be the name of our act. ... I used to say to people that it was a combination of 'marionettes' and 'puppets.' ... But then I stopped telling this lie, and I'm back to the truth: It just came out of midair.
No, I don't believe we've ever designed a character around a person. Usually, we start out with a kind of personality.
With Big Bird we knew we wanted to do a large, a great big character. He should represent a child so he can make the kinds of mistakes that kids make, and talk about it and be out front about that.
Puppets have the same sort of graceful aging that cartoon characters have.
I'm sure Kermit will stay young a lot longer than I will.
Interview with Associated Press (1987)
Baker, Kathryn (July 29, 1987). "Muppet master tells the tale of 'Fraggles'". Chicago Sun-Times. Associated Press.
There are people who think that we should never reveal anything, never show puppeteers and all of that. It tends to be something that parents worry about more than kids, because kids work just at face value.
I know parents are often concerned: 'Oh, no, I wouldn't take my kids into the studio because it would destroy all their illusions.' It's a fairly adult concept.
We started off with this fairly grand concept of, if you were to tackle it at a children's level, eliminating war. What would you do?
Henson on the motivation behind Fraggle Rock
A lot of the shows relate to interrelationships and attitudes, again, always trying to do it within the context of a very entertaining show.
Henson on the motivation behind Fraggle Rock
Interview with The Boston Globe (1989)
Christy, Marian (July 14, 1989). "King of The Muppets". The Boston Globe.
Many creative people have a certain degree of dissatisfaction with the status quo, the established way. If you look at things differently, you are thought of as 'different.' In turn, 'different' people are thought to be 'mad.'
I think it's good to be your own person. But individuality is a mixed blessing. People who are 'different' are isolated.
I always felt that I was not a part of things in general. I've always been outside of things.
Even as a kid, I felt isolated. Isolation makes you sensitive. As a kid, I felt I was the only person who was like that. But there's a good side to isolation. It makes you sensitive, and sensitivity is part of the creative process.
There's great value in being able to step back and laugh at yourself, at life and at attitudes. Laughter helps you put everything into perspective.
When you trick people into laughing at themselves, that's wit. If you don't laugh at yourself, everything becomes heavy.
About
He thought it was fine to scare children. He didn’t think it was healthy for children to always feel safe.
Frank Oz
What do we want our children to get from Henson’s work? The same thing we learned from it. The philosophy of a gentle dreamer.
~ Elizabeth Hyde Stevens
While there's no doubt Henson was a master craftsman and puppeteer, his true artistry lied in the way he channeled his soul into his work.
Whitney Matheson
Jim Henson was a one-of-a-kind visionary whose works have entertained and sparked the imagination of millions of people across the globe for generations.
Tanya Lopez, senior vice president of original movies for A+E Networks — cited in: Karen Butler (July 9, 2015). "'Jim Henson's Turkey Hollow' to air on Lifetime this November". United Press International. Retrieved on October 17, 2015.
What Jim wanted to do, and it was totally his vision, was to get back to the darkness of the original Grimm’s fairy tales. He thought it was fine to scare children. He didn’t think it was healthy for children to always feel safe.
Frank Oz, as quoted in Q&A: Frank Oz on Henson, “Dark Crystal” and the Kwik Way, SFGate, (June 28, 2007).
What do we want our children to get from Henson’s work? The same thing we learned from it. The philosophy of a gentle dreamer. The message that was encapsulated in “The Rainbow Connection” – the one about the “The lovers, the dreamers, and me.” It’s the idea that life is about making a difference, a positive change. And we’ve all heard it, even the Howard Roarks among us, calling our names.
Elizabeth Hyde Stevens, "Millennials just don’t get it! How the Muppets created Generation X", Salon (April 6, 2014)
"The Gospel According to Jim Henson" by David Zahl
David Zahl (November 21, 2011). "The Gospel According to Jim Henson". Christianity Today. Retrieved on November 2, 2015.
"Flashback: Remembering Jim Henson, 25 Years After His Death" by Whitney Matheson
Whitney Matheson (May 15, 2015). "Flashback: Remembering Jim Henson, 25 Years After His Death". ET Online. Retrieved on October 17, 2015.
"Jim Henson's Muppets legacy lives on 25 years after his death" by Bill Prady
Bill Prady (May 15, 2015). "Jim Henson's Muppets legacy lives on 25 years after his death". Las Vegas Review-Journal. Retrieved on October 17, 2015.
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Last edited on 11 July 2021, at 21:20
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