Sitting on a man: Difference between revisions

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"'''Sitting on a man'''" refers to the practice of [[Igbo people|Igbo]] women shaming a person by convening upon his hut, dancing and singing songs detailing grievances. It is also referred to as "making war on" a man. Women will beat on the walls of the man's hut with yam pestles and, in rare cases, tear the roof off of his hut.<ref>{{cite book|last1=Van Allen|first1=Judith|title=Women in Africa: Studies in Social and Economic Change|date=1976|publisher=Stanford University Press|isbn=978-0-8047-6624-1|pages=61-62|url=http://books.google.com/books?id=pWffQVU85ccC&lpg=PA61&dq=%22sitting%20on%20a%20man%22&pg=PA61#v=onepage&q&f=false|chapter='Aba Riots' or Igbo 'Women's War'? Ideology, Stratification and the Invisibility of Women}}</ref>
"'''Sitting on a man'''" refers to one of the [[Igbo people|Igbo]] women's traditional methods of challenging male authority. "Sitting" consists of publicly shaming a man by convening upon his hut, dancing and singing songs detailing grievances. It is also referred to as "making war on" a man and can be employed against women as well. Women will beat on the walls of the man's hut with yam pestles and, in rare cases, tear the roof off of his hut.<ref>{{cite book|last1=Van Allen|first1=Judith|title=Women in Africa: Studies in Social and Economic Change|date=1976|publisher=Stanford University Press|isbn=978-0-8047-6624-1|pages=61-62|url=http://books.google.com/books?id=pWffQVU85ccC&lpg=PA61&dq=%22sitting%20on%20a%20man%22&pg=PA61#v=onepage&q&f=false|chapter='Aba Riots' or Igbo 'Women's War'? Ideology, Stratification and the Invisibility of Women}}</ref>


Alongside strikes and boycotts, sitting on a man was a key tool for women to maintain a balance of power in pre-colonial Igbo cultures.<ref name="CJAS">{{cite journal|last1=Van Allen|first1=Judith|title="Sitting on a Man": Colonialism and the Lost Political Institutions of Igbo Women|journal=Canadian Journal of African Studies / Revue Canadienne des Études Africaines|date=1972|volume=6|issue=2|pages=165-181|url=http://www.artsrn.ualberta.ca/amcdouga/Hist247/winter%202010/additional%20rdgs/sitting_on_man.pdf}}</ref> A man could be singled out for mistreating his wife, allowing his cows eat the women's crops, or breaking the rules of the market.<ref name="CJAS"/> The women would wear ferns on their heads and don loincloths. They would paint their faces with charcoal and carry sticks wreathed with palm fronds.<ref>{{cite book|last1=French|first1=Marilyn|title=From Eve to Dawn: Revolutions and the struggles for justice in the 20th century|date=2008|publisher=Feminist Press at CUNY|location=New York|isbn=978-1-55861-628-8|page=287|url=http://books.google.com/books?id=Hyr9pwbqeqoC&lpg=PA287&dq=%22sitting%20on%20a%20man%22&pg=PA287#v=onepage&q&f=false}}</ref>
Alongside strikes and boycotts, sitting on a man was a key tool for women to maintain a balance of power in pre-colonial Igbo cultures.<ref name="CJAS">{{cite journal|last1=Van Allen|first1=Judith|title="Sitting on a Man": Colonialism and the Lost Political Institutions of Igbo Women|journal=Canadian Journal of African Studies / Revue Canadienne des Études Africaines|date=1972|volume=6|issue=2|pages=165-181|url=http://www.artsrn.ualberta.ca/amcdouga/Hist247/winter%202010/additional%20rdgs/sitting_on_man.pdf}}</ref> A man could be singled out for mistreating his wife, allowing his cows eat the women's crops, or breaking the rules of the market.<ref name="CJAS"/> The women would wear ferns on their heads and don loincloths. They would paint their faces with charcoal and carry sticks wreathed with palm fronds.<ref>{{cite book|last1=French|first1=Marilyn|title=From Eve to Dawn: Revolutions and the struggles for justice in the 20th century|date=2008|publisher=Feminist Press at CUNY|location=New York|isbn=978-1-55861-628-8|page=287|url=http://books.google.com/books?id=Hyr9pwbqeqoC&lpg=PA287&dq=%22sitting%20on%20a%20man%22&pg=PA287#v=onepage&q&f=false}}</ref>

Revision as of 23:02, 5 November 2014

"Sitting on a man" refers to one of the Igbo women's traditional methods of challenging male authority. "Sitting" consists of publicly shaming a man by convening upon his hut, dancing and singing songs detailing grievances. It is also referred to as "making war on" a man and can be employed against women as well. Women will beat on the walls of the man's hut with yam pestles and, in rare cases, tear the roof off of his hut.[1]

Alongside strikes and boycotts, sitting on a man was a key tool for women to maintain a balance of power in pre-colonial Igbo cultures.[2] A man could be singled out for mistreating his wife, allowing his cows eat the women's crops, or breaking the rules of the market.[2] The women would wear ferns on their heads and don loincloths. They would paint their faces with charcoal and carry sticks wreathed with palm fronds.[3]

In 1929, women in British Nigeria organized an anti-colonial revolt to redress grievances that came to be known as the Women's War. "Sitting" on the Warrant Chiefs was a major tactic in the protests. Along with singing and dancing around the houses and offices of the Warrant Chiefs, the women would follow their every move, invading their space and forcing the men to pay attention. The wives of the Warrant Chiefs were often disturbed and they too put pressure on the Warrants to listen to the demands of the women. This tactic of "sitting on the Warrants," i.e. following them everywhere and anywhere, was very popular with the women in Nigeria, and used to great effect.

Notes

  1. ^ Van Allen, Judith (1976). "'Aba Riots' or Igbo 'Women's War'? Ideology, Stratification and the Invisibility of Women". Women in Africa: Studies in Social and Economic Change. Stanford University Press. pp. 61–62. ISBN 978-0-8047-6624-1.
  2. ^ a b Van Allen, Judith (1972). ""Sitting on a Man": Colonialism and the Lost Political Institutions of Igbo Women" (PDF). Canadian Journal of African Studies / Revue Canadienne des Études Africaines. 6 (2): 165–181.
  3. ^ French, Marilyn (2008). From Eve to Dawn: Revolutions and the struggles for justice in the 20th century. New York: Feminist Press at CUNY. p. 287. ISBN 978-1-55861-628-8.