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People also debate whether or not slash fiction need exclusively describe a relationship between two male partners ('M/M'), or if it can include lesbian ('F/F') relationships as well. This seems to stem partly from some gay males seeming not to want to see their type of relationships as similar to those of gay females. Moreover, more recently, some slash authors have begin to write slash fiction that contains transgendered themes and transsexual or hermaphroditic characters. As a result, the exact definition of the term within this respect has often been hotly debated within various slash fandoms. The strictest definition holds that only stories about relationships between two male partners ('M/M') are 'slash fiction', which has led to the evolution of the term femslash, or [[femmeslash]].
People also debate whether or not slash fiction need exclusively describe a relationship between two male partners ('M/M'), or if it can include lesbian ('F/F') relationships as well. This seems to stem partly from some gay males seeming not to want to see their type of relationships as similar to those of gay females. Moreover, more recently, some slash authors have begin to write slash fiction that contains transgendered themes and transsexual or hermaphroditic characters. As a result, the exact definition of the term within this respect has often been hotly debated within various slash fandoms. The strictest definition holds that only stories about relationships between two male partners ('M/M') are 'slash fiction', which has led to the evolution of the term femslash, or [[femmeslash]].



Due to increasing population and prevalence of slash on the internet in recent years, some have begun to use slash as a generic term for any erotic fan fiction, whether it describes heterosexual or homosexual relationships. This has sparked mild concern among writers of heterosexual fan fiction. This concern is sometimes based in bigotry and intolerance of homosexuality, and manifests itself as offense at the notion of being compared to homosexual subject matter. It has also caused concern for slash writers who believe, that while it can be erotic, slash is not by definition so, and believe that defining erotic fic alone as slash takes the word away from all ages suitable homoromantic fanfic, and may cause confusion, when the utterly unambigous words 'erotica', 'adult', and 'porn' already exist.
Due to increasing population and prevalence of slash on the internet in recent years, some have begun to use slash as a generic term for any erotic fan fiction, whether it describes heterosexual or homosexual relationships. This has sparked mild concern among writers of heterosexual fan fiction. This concern is sometimes based in bigotry and intolerance of homosexuality, and manifests itself as offense at the notion of being compared to homosexual subject matter. It has also caused concern for slash writers who believe, that while it can be erotic, slash is not by definition so, and believe that defining erotic fic alone as slash takes the word away from all ages suitable homoromantic fanfic, and may cause confusion, when the utterly unambigous words 'erotica', 'adult', and 'porn' already exist.

Revision as of 22:17, 21 December 2005

File:Theslashfiction.jpg
The symbolic slash, used to separate the two names in a romantic pairing, from which slash fiction takes its name.

Slash fiction is a type of fan fiction in which one or more media characters is involved in a homosexual relationship as a primary plot element. These gay pairings are often described in explicit detail, and largely occur outside the canon of the source. The name arises from the use of the slash character used in the description of the primary pairing involved in the story, as opposed to the ampersand that was conventionally used for 'friendship' fiction.

History

It is commonly believed that slash fiction originated within the Star Trek: The Original Series fan fiction fandom, with 'Kirk/Spock' stories first appearing in the late 1970s. This should not be surprising as fan fiction as a whole owes its start largely to the popularity of Star Trek. From there, increasing tolerance of homosexuality and frustration at portrayal of homosexual relationships in mainstream media fed a growing desire for authors to explore the subjects on their own terms with established media characters. Slash fiction followed the Star Trek franchise throughout the Star Trek spinoffs that were to follow the original series, and quickly branched out into other television shows, movies, and books as well.

Present-Day Slash

Slash fiction continues to follow popular media, and new stories are constantly produced. Slash fiction readers and writers, like regular fan fiction writers, tend to cluster around the canon source for their fiction and create a fandom for that particular source. Like heterosexual fan fiction, of the varied and often segregated slash fandoms, each fandom has different etiquette, rules, and styles, and each comes with its own history, including favorite stories and authors. Popularity and activity within each fandom comes and goes, often as the popularity of the source of the material varies.

Though the demographics vary from fandom to fandom, present-day slash fiction is often written by heterosexual women. Readership is less clearly defined, though studies have shown that this is heterosexual women and homosexual men. Speculation as to the cause of this is abundant, and the generally accepted theory is that heterosexual women find male/male relationships erotic, much as some men consider lesbian relationships appealing, and that while gay men do have just as large an interest in slash fiction, there are simply fewer of them in the world than there are women.

An Ambiguous Definition

File:RogueSection31.jpg
An officially licensed and published Star Trek novel that contains a homosexual relationship. Is it slash?

The term slash fiction has several noted ambiguities within it.

Though technically erroneous, some people assert that some published works constitute slash fiction, despite the fact that it is not fan-created. This is likely due to the relative void of canon homosexual relationships in source media. For example, while Star Trek has never portrayed gay men or women on screen, there have been two officially licensed Star Trek novels that have involved homosexual relationships: the 1985 novel Killing Time by Della van Hise, and the 2001 novel Section 31: Rogue by Andy Mangels. Other authors' works that deal with homosexual themes or characters are sometimes described as slash fiction as well.

Due to the lack of canon homosexual relationships in source media, some have come to see slash fiction as being exclusively outside of canon. These people hold that the term 'slash fiction' only applies when the relationship being written about is not part of the source's canon, and that fan fiction about canonical same-sex relationships is hence not slash. The recent appearance of openly gay characters on screen, such as Willow and Tara in the television series Buffy the Vampire Slayer and many of the characters in the Queer as Folk series, has added much to this discussion. However, abiding by this definition leaves such stories without a convenient label, so this distinction has not been widely adopted.

People also debate whether or not slash fiction need exclusively describe a relationship between two male partners ('M/M'), or if it can include lesbian ('F/F') relationships as well. This seems to stem partly from some gay males seeming not to want to see their type of relationships as similar to those of gay females. Moreover, more recently, some slash authors have begin to write slash fiction that contains transgendered themes and transsexual or hermaphroditic characters. As a result, the exact definition of the term within this respect has often been hotly debated within various slash fandoms. The strictest definition holds that only stories about relationships between two male partners ('M/M') are 'slash fiction', which has led to the evolution of the term femslash, or femmeslash.

Due to increasing population and prevalence of slash on the internet in recent years, some have begun to use slash as a generic term for any erotic fan fiction, whether it describes heterosexual or homosexual relationships. This has sparked mild concern among writers of heterosexual fan fiction. This concern is sometimes based in bigotry and intolerance of homosexuality, and manifests itself as offense at the notion of being compared to homosexual subject matter. It has also caused concern for slash writers who believe, that while it can be erotic, slash is not by definition so, and believe that defining erotic fic alone as slash takes the word away from all ages suitable homoromantic fanfic, and may cause confusion, when the utterly unambigous words 'erotica', 'adult', and 'porn' already exist.

Content Ratings and Warnings

Slash fiction can be of any rating: G, PG, PG13, R or NC17. Not all slash fiction has explicit sexual content: the interaction between two characters can be as innocent as holding hands or a chaste kiss. If a story contains themes which may offend or which some readers may find distasteful (e.g. non-consensual sex, incest, BDSM, or even simply heterosexual sex), it is considered polite to include warnings in the story header.

As the result of trademark issues over the usual MPAA film rating system, some fandoms have created their own rating system that applies exclusively to their characters. For example, a community pertaining to a particular band might use song lyrics to create rating indicators for the fiction.

Some fan fiction aficionados might find erotic pairings of characters, regardless of gender, unpleasant for one reason or another, and so it is considered impolite to publish slash fiction without giving readers fair warning of explicit content within (sometimes including detailed warnings to the level of adult activity undertaken by the characters). However the prevailing attitude is that once a warning has been given anything goes, and readers who complain that they found a story with clear warnings offensive, that they continued to read, are generally derided.

Some groups differentiate between explicit slash stories and stories in which the same-sex pairing just happens to be friends and/or adult activity is 'off-screen' as being 'no lemon', whereas tales in which said activity on some level does occur (anything heavier than kissing) are labeled 'lemon'. 'Lime' is supposedly when nothing more explicit than kissing occurs. (though this is not usually observed--lime tends to follow sexual activities and then do a 'fade-out') These terms ('lemon' and 'lime') most probably arose from the anime/yaoi fandoms.

Slash Controversy

For many people, slash is a controversial subject. In addition to the legal issues associated with traditional fan fiction, some people believe that it tarnishes established media characters to portray them in a way that was never illustrated canonically. Slash fiction writers, however, often believe that sexual orientation and romance aren't necessarily fixed entities, and that it is impossible to conclusively state that any character is straight, gay or bisexual. There is vociferous debate on the canonicity of any relationship, be it homosexual or heterosexual, on various fan fiction websites.

Occasionally some forms of erotic fiction can prove to be particularly controversial: of note is slash involving underage characters (often termed 'chanslash'; examples include some Harry Potter slash) or real person slash ('RPS', where people who actually exist, most often celebrities, are characters in slash stories) could be considered distasteful by those who otherwise find nothing objectionable about erotic fiction in general.

File:Mustbepop.JPG
A participant in a Real Person Slash role playing game impersonates a celebrity.

ChanSlash

Chanslash has obviously controversial aspects associated with it in that underaged characters are portrayed in sexual situations. The people owning the intellectual property rights to these characters are often unhappy with Chanslash because of the potential legal ramifications, and concern over negatively impacting the popularity of the character. Some studios owning the rights to slashed characters have issued cease and desist orders in the past as a result of this type of slash.

Real Person Slash

Real person slash is commonly believed to have started with members of boy bands, such as *NSYNC or The Backstreet Boys, whose images were more carefully constructed media creations than actual reflections of their members. Famed for the extent to which they were 'packaged', authors had few moral qualms with taking these images and creating slash stories with them, either pairing bandmates with each other, or with an outsider who was not a part of the band. From boybands, RPS began to encompass other musicians, sports figures, actors, and even prominent political figures. Moral issues aside, the legality of using a real person's name to tell a story was frequently questioned. As a result, authors often preface their stories with lengthy disclaimers that clearly identified the story as being entirely fictional. RPS took on a new dimension (and a new fine line of legality) when people began to use popular journaling and blogging services to create fictional journals that claimed to be owned by celebrities. Most often, these journals also include disclaimers that point to the true (fictional) nature of their existence, and are participants in Role-playing games where authors would take on the persona of a celebrity and interact with other fictional celebrities. Often, these celebrities, even when established as being heterosexual in mainstream media, were portrayed as homosexual in the online role playing games, and so the interactive fiction produced would often be of a slash nature.

Evolution of Slash

In recent years, slash fiction has moved beyond text-based literature. With the help of the internet to promote and distribute multi-media content, and growing prevalence of the slash phenomenon, new forms of slash and slash analysis have begun to appear.

Slash Artwork

In addition to fiction, fans also create artworks depicting their favorite characters. In recent years, the widespread availability of imaging software such as Adobe Photoshop has allowed slash artists to manipulate photographs of their subjects to produce romantic or erotic images that imply a homosexual relationship, either as static pictures or animated GIFs.

Prior to the widespread home adoption of computers, however, most fanart was done by hand, using such techniques as pencil and ink line drawings, pointillism, and painting. Charcoals, gouache, watercolors, and other media were less widely used.

Slash in Academia

Slash fiction was the subject of several notable academic studies in the early 1990s, as part of the cultural studies movement within the humanities:

  • Cicioni, Mirna (1998). "Male Pair Bonds and Female Desire in Fan Slash Writing." In C. Harris & A. Alexander (Eds.) Theorizing Fandom: Fans, Subculture and Identity. Cresskil, New Jersey: Hampton.
  • Penley, Constance (1997). NASA/Trek: Popular Science and Sex in America. New York: Verso. ISBN 0860916170.
  • Bacon-Smith, Camile (1991). Enterprising Women: Television Fandom and the Creation of Popular Myth. Philadelphia: University of Pennsylvania Press. ISBN 0812213793.
  • Jenkins, Henry (1992). Textual Poachers. London: Routledge. ISBN 0415905729.

Most of these, as is characteristic of cultural studies, approach slash fiction from an ethnographic perspective, and talk primarily about the writers of slash fiction, and the communities that form around slash fiction. They focus only minimally on textual analysis.

Slash Timeline

This timeline is incomplete, not necessarily balanced, and represents a work in progress. Please contribute as you see fit.

  • 1974: "A Fragment Out Of Time" is the first known Star Trek slash to be published in fanzine. The author was Diane Marchant. The vignette was published in Grup #3. The language was highly coded and didn't refer to Spock and Kirk by name but rather referred to them as he and him.
  • 1975: In "Grup" #4 Diane Marchant published a rather indirect essay about K/S. The first public discussion of this essay occurred in the Star Trek letterzine, "Halkan Council".
  • 1976: According to the National Library of Australia, the Star Trek Action Committee was formed as a Star Trek Club. This Star Trek Club held its first meeting in April. Members included Susan Clarke, Julie Townsend and Edwina Harvey. This fanclub would publish the Star Trek adult fanzine, containing both het and slash, Beyond Antares.
  • 1976: In June, "Alternative: Epilog to Orion" is written by G. Downes and published as a fanzine. It was the first K/S zine to appear.
  • 1980 to 1984: The Professionals community starts up and starts up as a primarily slash based community.
  • 1980s: Actors and American fans of Blake's 7 began interaction at conventions. This some times led to correspondences, personal phone calls, and general chit chat. In the midst of an unrelated fannish argument, some fans showed the actors slash fanzine based on Blake's 7 as a form of punishment for things in other parts of fandom. The actors were upset because they did not view their characters as homosexuals and they saw slash as a violation of trust with their fans. One of the actors tried to ban slash authors and slash from the Blake's 7 fandom. Eventually, this died down and the Blake 7's fandom went on.
  • 1992: The Nifty Erotic Stories Archive, or Nifty for short, is established. The 'Gay Male - Celebrity' sub-section of the archive proves to be a breeding ground for many different types of slash fiction, particularly RPS and boyband fiction. It is one of the largest collections of RPS in existence, with more than 1,500 boyband stories alone, some of which were several megabytes of plain-text in length.
  • 1993: First slash mailing list created, run from a private list-serv on the East Coast. It was called "Virgule" (a reference to the / symbol) and membership was limited to women. It remained active through the 1990s, until more fandom specific slash mailing lists on Egroups and Yahoogroups became popular.
  • 1995: Seven slash stories were posted to alt.tv.x-files.creative.
  • 1996: On April 16, Michael Demcio's "Rhyme and Reason," premieres as the first Rescue Ranger fan fiction on Usenet. It was the first novel-length Ranger story, and the first story to explore the possibilities of the Chip/Gadget relationship, the first to provide real character development for any of the characters.
  • 1997: In December, slash reaches a critical mass in the X-Files fan fiction community.
  • 1997: alt.fan.disney.afternoon discusses the merits of a Chip/Gadget relationship. This discussion leads to bitterness on both sides of the argument.
  • 1998: On Alt.Startrek.Creative.Erotica.Moderated, related dialogue involves the issue of if slash and het need to be rated differently.
  • 1998-1999: Hypertext fanfiction appears in Trekdom, including "The Learning Curve" by raku, archived at http://alternateuniverses.com/tlc/startup.html
  • 1999: Star Trek OS writer Karmen Ghia publishes interviews with many of the more prolific contributors to alt.startrek.creative.erotica.moderated, archived here: http://www.geocities.com/cc_ssd
  • 1999: On March 12, Sofie Werkers founded the Rareslash mailing list.
  • 1999: In September, Least Expected, the first ever Lord of the Rings slash archive, was founded.
  • 1999: On May 19, the Master and Apprentice archive was founded at http://www.sockiipress.org/ma/index.html . Currently, this archive is the largest archive of Obi-Wan/Qui-Gon on the Internet with over 2,400 stories archived. This archive was also important in that it seems to have set the trend of writing stories based on media BEFORE the media hits the public.
  • 2001: The Blink 182 slash fan fiction community based at FanFiction.Net was producing early and influential works in the community. Among these works are Advantages of Alcohol, Letters After Death, In my Room, Defying Gravity, and Deafening.
  • 2001: On July 28, the BibleSlash mailing list was created.
  • 2002: On January 1, The Library of Moria, the largest and oldest Lord of the Rings slash archive was opened, to this day it is still regularly updated long after many other archives have closed.
  • 2003: On the 26th of August, Oh, Darling! A Beatles Slash Resource was created. Though Beatles slash was being created many years before this website's existence, it quickly became the largest archive of such material and still is today.
  • 2003: Master and the Wolf: the Snape/Lupin Fuh-Q-Fest started at http://chance.slashcity.net/masterandthewolf/ . Along with the Snape/Lupin LJ communities was one of the main reasons for the increasing interest in snupin, [SPOILER] which was helped by the character death in the Order of the Phoenix.
  • 2003: Livejournal community albion_fic is created.
  • 2004: lpfiction.com opened after Linkin Park fanfiction filled the server of fanfictionlog.com and the website closed down.
  • 2004: Largely successful slash community slacken_ties, hosted by Livejournal, is created and dedicated to slash fiction featuring Scottish rock band Franz Ferdinand. The band itself has acknowledged the site, with Alex Kapranos [lead singer] personally saying, "Slackening ties for the girls at slacken_ties!" in a 2005 gig at the Scala, London. Alex Kapranos also reportedly "pimps" the site by talking about it with fangirls after concerts. In an unknown interview, Kapranos states that he indeed reads slash fiction while on tour.
  • 2004: On October, the NCIS fiction archive opened, becoming the main archive on the web for the show, specially for slash fiction.

See also

External links

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