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Author Pheasant-Kelly, Frances, 1960-
Title Abject spaces in American cinema : institutional settings, identity and psychoanalysis in film / Frances Pheasant-Kelly
Publisher London ; New York : I.B. Tauris, 2013
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Book Cover
LOCATION CALL NO. STATUS
 Bookstacks  PN1995.9.A25 P49 2013    AVAILABLE

Details

Description vii, 279 p. : ill. ; 23 cm
Series International library of cultural studies ; 18
International library of cultural studies ; 18
Note Includes filmography (p. 259-260)
Bib Note Includes bibliographical references (p. 261-270) and index
Contents Introduction: Institutions, abjection and subjectivity. -- Part 1: Becoming a man/woman: Spaces of training. Schooling and the feminine body: Carrie ; Training the athletic body: Remember the Titans ; Ordering the military body: Full metal jacket. -- Part 2: Maintaining self: Spaces of discipline. Staying clean and proper: The Shawshank Redemption ; Performing masculinity: Lock up ; Resisting the gaze: The Last Castle. -- Part 3: Therapy as surveillance: Spaces of care. On the edge: Girl, Interrupted ; Maintaining life: Coma ; Confronting death: Bubba Ho-tep
Summary "American cinema abounds with films set in prisons, asylums, hospitals and other institutions. Rather than orderly places of recovery and rehabilitation, these institutional settings emerge as abject spaces of control and repression in which adult identity is threatened as a narrative impetus. Exploring the abject through issues as diverse as racism, mental illness or the preservation of bodies for organ donation, this book analyses a range of films including "The Shawshank Redemption" (1994), "Full Metal Jacket" (1987) and "Girl, Interrupted" (1999) through to cult films such as "Carrie" (1976) and "Bubba Ho-tep" (2002). By analysing scenes of horror and disgust within the context of abject space, Frances Pheasant-Kelly reveals how threats to identity manifest in scenes of torture, horror and psychosexual repression and are resolved either though death or through traumatic re-entry into the outside world. This readable and engaging tour of the abject in the institution film will be immensely valuable to students of Film Studies, Critical Theory and Cultural Studies."--Publisher's website
Subject Abjection in motion pictures
Personal space in motion pictures
Motion pictures -- United States -- History
ISBN 9781848855977 (hc.)
1848855974 (hc.)

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