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summary
Otto Ludwig, nineteenth-century German novelist and critic, originated the term "poetic realism". In this excellent study, Ludwig's prose is sympathetically and thoroughly examined and a clear account of the evolution of German fiction after Romanticism is presented. Taking Ludwig's narrative works together with his literary criticism, McClain shows how the author attempted to blend the real and the ideal to reach the goal of poetic realism as he envisioned it.

Table of Contents

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  1. Cover
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  1. Half-Title Page
  2. p. i
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  1. Series Page
  2. p. ii
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  1. Title Page
  2. p. iii
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  1. Copyright
  2. pp. iv-vi
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  1. Dedication
  2. pp. vii-viii
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  1. Contents
  2. p. ix
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  1. Introduction
  2. pp. 1-7
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  1. I. The Decision to Become a Writer. Das Hausgesinde
  2. pp. 8-12
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  1. II. A Parody. Die Emanzipation Der Domestiken
  2. pp. 13-20
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  1. III. A Fairy-Tale from Everyday Life. Die Wahrhaftige Geschichte Von Den Drei Wünschen
  2. pp. 21-29
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  1. IV. The Turning-Point. Maria
  2. pp. 30-37
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  1. V. Die Buschnovelle and the Prose Fragments
  2. pp. 38-43
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  1. VI. Two Scenes from Provincial Life. Die Heiteretei and Aus Dem Regen in Die Traufe
  2. pp. 44-56
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  1. VII. Zwischen Himmel und Erde
  2. pp. 57-68
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  1. VIII. From Practice to Theory. Die Romanstudien
  2. pp. 69-78
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  1. Conclusion
  2. pp. 79-87
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  1. Notes
  2. pp. 88-96
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  1. List of Works Consulted
  2. pp. 98-105
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  1. Index
  2. pp. 106-108
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