The End of Modernism: Elias Canetti's Auto-da-Fé

Donahue, William Collins

doi:10.1353/book.81015

The End of Modernism: Elias Canetti's Auto-da-Fé

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The University of North Carolina Press

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The End of Modernism: Elias Canetti's Auto-da-Fé
Book
By William Collins Donahue
2001
Published by: The University of North Carolina Press
Series: UNC Studies in Germanic Languages and Literatures
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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Nobel laureate Elias Canetti wrote his novel Auto-da-Fé (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fé first received critical acclaim abroad—in England, France, and the United States—where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject" anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fé as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.