In this Book

summary
The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.

Table of Contents

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  1. Cover
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  1. Halftitle
  2. pp. i-ii
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  1. Title
  2. p. iii
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  1. Copyright
  2. p. iv
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  1. Contents
  2. pp. v-vi
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  1. List of Illustrations
  2. pp. vii-xviii
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  1. List of Contributors
  2. pp. xix-xxiv
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  1. Botticelli Past and Present: Introduction
  2. Ana Debenedetti
  3. pp. 1-6
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  1. Part 1: Botticelli in his own time
  2. pp. 7-9
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  1. 1. Sandro Botticelli and the birth of modern portraiture
  2. Patrizia Zambrano
  3. pp. 10-35
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  1. 2. Botticelli’s Portrait of a Lady known as Smeralda Bandinelli: a technical study
  2. Nicola Costaras and Clare Richardson
  3. pp. 36-52
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  1. 3. Classicism and invention: Botticelli’s mythologies in our time and their time
  2. Paul Holberton
  3. pp. 53-72
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  1. 4. Jacopo del Sellaio’s adaptation of the Primavera
  2. Jerzy Miziołek
  3. pp. 73-90
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  1. Part 2: The Botticelli Effect
  2. Julius Bryant
  3. pp. 91-93
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  1. 5. Whigs and primitives: Dante and Botticelli in England from Jonathan Richardson to John Flaxman
  2. pp. 94-115
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  1. 6. Befriending Botticelli: psychology and connoisseurship at the fin de siècle
  2. Francesco Ventrella
  3. pp. 116-147
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  1. 7. A woman’s touch: Michael Field, Botticelli and queer desire
  2. Anna Gruetzner Robins
  3. pp. 148-160
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  1. Part 3: Botticelli between art history and connoisseurship
  2. Caroline Elam
  3. pp. 161-165
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  1. 8. Crowe and Cavalcaselle on Botticelli: new results
  2. Donata Levi
  3. pp. 166-182
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  1. 9. Why Botticelli? Aby Warburg’s search for a new approach to Quattrocento Italian art
  2. Claudia Wedepohl
  3. pp. 183-202
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  1. 10. ’A Japanese Critic on Botticelli’: fragmentation and universality in Yashiro’s 1925 monograph
  2. Jonathan K. Nelson
  3. pp. 203-217
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  1. 11. Jacques Mesnil’s Botticelli
  2. Michel Hochmann
  3. pp. 218-232
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  1. Part 4: Botticelli now
  2. Stefan Weppelmann
  3. pp. 233-236
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  1. 12. Ninfa fluida (a post scriptum)
  2. Georges Didi-Huberman
  3. pp. 237-265
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  1. 13. Into the abyss. On Salvador Dalí’s Dream of Venus
  2. Riccardo Venturi
  3. pp. 266-289
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  1. 14. Giving an edge to the beautiful line: Botticelli referenced in the works of contemporary artists to address issues of gender and global politics
  2. Gabriel Montua
  3. pp. 290-306
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  1. Index
  2. pp. 307-308
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  1. Back Cover
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