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A collection of essential quotations from the renowned fashion designer, DJ, and stylist

Abloh-isms is a collection of essential quotations from American fashion designer, DJ, and stylist Virgil Abloh, who has established himself as a major creative figure in the worlds of pop culture and art. Abloh began his career as Kanye West’s creative director before founding the luxury streetwear label Off-White and becoming artistic director for Louis Vuitton, making Abloh the first American of African descent to hold that title at a French fashion house. Defying categorization, Abloh’s work has been the subject of solo exhibitions at museums and galleries, most notably in a major retrospective at the Museum of Contemporary Art Chicago. Gathered from interviews and other sources, this selection of compelling and memorable quotations from the designer reveals his thoughts on a wide range of subjects, including creativity, passion, innovation, race, and what it means to be an artist of his generation. Lively and thought-provoking, these quotes reflect Abloh’s unique perspective as a trailblazer in his fields.

Select quotations from the book:

  • “I believe that coincidence is key, but coincidence is energies coming towards each other. You have to be moving to meet it.”
  • “Life is collaboration. Where I think art can be sort of misguided is that it propagates this idea of itself as a solo love affair—one person, one idea, no one else involved.”
  • “Black influence has created a new ecosystem, which can grow and support different types of life that we couldn’t before.”
  • “Like it or not, irrelevance is death.”

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Introduction
  2. Larry Warsh
  3. pp. vii-xiv
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  1. Abloh-isms
  1. Early Years
  2. pp. 1-8
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  1. Influences and Inspirations
  2. pp. 9-24
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  1. Streetwear, Fashion, and Design
  2. pp. 25-52
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  1. Point of View
  2. pp. 53-64
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  1. Methods
  2. pp. 65-86
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  1. Making an Impact
  2. pp. 87-102
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  1. Art and Creativity
  2. pp. 103-122
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  1. Sources
  2. pp. 123-130
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  1. Chronology
  2. pp. 131-137
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  1. Acknowledgments
  2. pp. 138-144
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