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summary
Christina McPhee’s ‘commonplace book’ draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art — all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her ‘open-work’ practice. Christina McPhee’s images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war. This ‘commonplace book’ develops a view of recent work in collaged paintings, drawings, photomontage and video installation, around themes of environmental transformation and ‘post-natural’ community.

Table of Contents

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  1. Cover
  2. open access
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  1. Title Page, Frontispieces
  2. pp. 1-12
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  1. Contents
  2. pp. 13-46
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  1. Conversation
  2. Judith Rodenbeck + Christina McPhee
  3. pp. 47-66
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  1. Studio Visit
  2. Phil King
  3. pp. 67-74
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  1. Carbon Immediate
  2. Frazer Ward
  3. pp. 75-82
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  1. Mineral Belief
  2. Ina Bloom
  3. pp. 83-106
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  1. Interview: The Political Aesthetics of Natured
  2. Donata Marletta + Christina McPhee
  3. pp. 107-124
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  1. Tesserae of Venus
  2. Melissa Potter + Christina McPhee
  3. pp. 125-136
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  1. Murmurations: On Glyphs, Shards and Teorema
  2. Eszter Timár
  3. pp. 137-144
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  1. Pattern Discognition
  2. James MacDevitt
  3. pp. 145-153
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  1. Contributors
  2. pp. 154-155
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  1. Acknowledgments
  2. pp. 156-157
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  1. Biography
  2. pp. 158-159
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  1. Colophon
  2. pp. 160-168
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