Thursday, February 25, 2010

Theater

Theater Review | 'Whatever, Heaven Allows'

If Douglas Sirk and Milton Walked Into a Bar and Started Trading Yarns

From left, Eric Dyer, Maggie Hoffman, Mark Jaynes, Erin Douglass and Joseph Silovsky of Radiohole in “Whatever, Heaven Allows,” a  riff on two  classics.
Ari Mintz for The New York Times

From left, Eric Dyer, Maggie Hoffman, Mark Jaynes, Erin Douglass and Joseph Silovsky of Radiohole in “Whatever, Heaven Allows,” a riff on two classics.

The poet John Milton and the filmmaker Douglas Sirk are the main sources of inspiration for the latest act of cultural deconstruction from the rowdy theater company Radiohole.

Theater Review | 'Yank!'

Stealing Kisses Before ‘Don’t Ask, Don’t Tell’

A delightful first act gives way to a muddled Act II in “Yank!,” a musical about a gay romance during World War II.

Theater Review | 'The Boys in the Band'

Broken Hearts, Bleeding Psyches

The site-specific revival of “The Boys in the Band” brings to mind an epigram of Jean-Paul Sartre: “Hell is just other people.” Or to tweak it for the occasion: “Hell is just other homos.”

Theater Review | 'Romeo and Juliet'

In a Name, Unleashed and Intense

This production of “Romeo and Juliet” more consistently nails the big events while sometimes barreling through the finer points.

New Gay Theater Has More Love Than Politics

A new breed of theater is replacing the political messages of 1990s shows with more personal appeals for social progress.

Theater Review | 'Mr. & Mrs. Fitch'

In a Gilded World, Theirs Is but to Quip and Sigh

The formidable team of Jennifer Ehle and John Lithgow star in “Mr. & Mrs. Fitch,” a shrill new comedy by Douglas Carter Beane.

Sheen’s Circle, From Son to Father

Martin Sheen, who played the son in the 1964 production of “The Subject Was Roses,” is now playing the father in a revival in Los Angeles.

Multimedia
Love Stories

A look at modern gay plays, from “Angels in America” to a revival of “Boys in the Band.”

Walken's Way

Christopher Walken talks about his career on stage.

Repeating Modern Classics

Photos and reviews of revivals of "Ragtime," "A View From the Bridge" and "Present Laughter."

Theater Listings: Feb. 19 — 25

Selective listings from theater critics of The New York Times.

The New Season

Please, No More Mr. Bad Guy Roles! (But Creepy Is Fine)

After playing troubled men for so long, Christopher Walken has become a pro at finding a sunny side in the spookiest of souls.

To Be Topical in a Time Out of Joint

The theater critics for The New York Times looked at the spring season’s offerings and found a number of productions that addressed pressing issues.

Act I, Scene I: The Cellphone Must Not Go On

How to ask patrons to turn off anything that beeps or glows is often the subject of serious consideration.

Play It Again, Broadway, and Again

Familiar titles are being revived on and off Broadway more frequently.

Drama! Music! Financial Shenanigans!

After two sold-out runs in Britain, Lucy Prebble’s “Enron” is to begin previews on Broadway.

Spring and Summer Theater Listings

A select list of forthcoming shows. Dates are subject to change.

Top Grossing Broadway Shows

Week Ending Feb. 21
  1. Wicked, $1,602,783
  2. The Lion King, $1,454,918
  3. Billy Elliot, $1,190,501
  4. Jersey Boys, $1,145,386
  5. West Side Story, $1,087,016
  6. Mary Poppins, $933,852
  7. The Phantom of the Opera, $916,411
  8. A View From the Bridge, $880,386
  9. Mamma Mia!, $855,846
  10. In the Heights, $728,321
Source: The Broadway League

Opening Soon

Many of these shows are currently in previews.

Readers’ Favorites

The following shows have received ratings of at least four stars from Times readers.

BROADWAY OFF BROADWAY
From the Archive