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'Reel Truth' gets to the bottom off indies

June 28, 2009|By Hugh Hart
  • new yorker
    Credit: Liz Hafalia / The Chronicle 2008 (Boyle), Shiho Fukada / Associated Press 2006 (Kopple)

Director wises up to indie filmmaking with 'The Reel Truth'

New Yorker Reed Martin burned through $30,000 of his own money trying to make a short film and learned the hard way how difficult it is to steer even a modest project to successful completion. "Every step of the way," he says, "everything that could have gone wrong did go wrong."

Chastened, Martin became curious about other filmmakers' horror stories. He interviewed Danny Boyle, Christine Vachon, Doug Liman, Barbara Kopple, Alexander Payne, Darren Aronofsky and Werner Herzog along with dozens of indie film execs. He says he asked everyone two questions: " 'What's the worst advice you ever got?' and 'What do you wish somebody had told you that would have saved you a lot of trouble?' "

Martin compiled the nuggets of wisdom in his new book, "The Reel Truth." Among a raft of legal, technical, interpersonal and financial obstacles detailed in the book, Martin says, "the most egregious roadblock that filmmakers run into is the wrong producer, who can oftentimes be a charlatan with made-up production credits."

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Citing Kimberly Peirce's hard-luck story, Martin says, "When she made the short-film version of 'Boys Don't Cry' called 'Take It Like a Man,' Kimberly ran into somebody who frivolously spent her life savings of $18,000 that she'd saved for years working as a night-shift paralegal in New York."

Martin peppers "Reel Truth's" tales of woe with inspirational stories about tough-minded auteurs who refuse to give up. He says, "The country is filled with talented storytellers who could have become the household names ... but never got their shot because they made some small mistake."

Call of the wild in 'Ice Age' sequel

"Ice Age: Dawn of the Dinosaurs" producers didn't need prep time with star Ray Romano and his castmates, who got plenty of practice talking like dinosaurs during the two previous "Ice Age" movies. The big challenge for this sequel came in finding grunts and groans well suited to the sequel's prehistoric creatures.

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