Arab Media & Society

 Dr Sahar Khamis goes back to Kafr Masoud in the Nile Delta after ten years and notes the effects of exposure to satellite television channels, the Internet and mobile phones, with particular attention to how they have changed the lives and perceptions of rural women.

 Heba Elsayed argues that young members of Cairo's lower middle classes, because of their ability to negotiate for themselves a heterogeneous cosmopolitanism dependent upon local repertoires yet also drawing on global discourses, are more deserving of the cosmopolitan label than their upper-class counterparts.

 Omar Foda looks at the video hagiographies of three Coptic saints and finds that this little-studied genre draws heavily on the tropes of the Egyptian musalsal, including very colloquial Arabic language and exclusive use of melodrama in the presentation of emotions

 Mokhtar Elareshi and Barrie Gunter present the findings of a survey on the television news viewing habits of Libyan students. The survey confirms that pan-Arab television stations are their favorite choice, displacing the local alternatives.

 Leah Caldwell examines coverage of 'development' by the privately owned Syrian daily al-Watan and finds that it is always discussed in a tightly controlled framework where a handful of participants are allowed to participate and determine exactly what or who needs to be developed.

 Gianluca Iazzolina traces developments in Palestinian media from the partisan-dominated 1990s to the more diverse forms of the 21^st century. He concludes that information technologies are helping to bridge the gap between Israeli and Palestinian civil societies, allowing them to mirror each other in their most human dimension.

 Rami Khater discusses the implications of automated translation based on cloud computing and warns that the subaltern’s narrative and voice could be removed from the interpretation of all human history if our collective knowledge passes through the filters of these trained algorithms.

Courtney C. Radsch argues on the basis of the Kareem Amer case that although cyberactivists and rights organizations are capable of sustained campaigns in defense of freedom of expression, some governments at least are almost impervious to the pressure, even at the cost of significant damage to their international image.

 Leah Caldwell examines Western coverage of the Syrian music and art scene, focusing on the case of dabke musician Omar Souleyman, and says some of the coverage perpetuates the idea that without a Western seal of authenticity on a particular art form, its cultural value is significantly diminished.

Rami Khater sees the first signs that the United States and its allies might use their dominance of the Internet as a weapon against their enemies in the Middle East and argues that countries in the region would do well to develop indigenous Internet platforms.