The Rock and Roll Hall of Fame inductions are all about musical history, but the producers of March's fete at the Waldorf Astoria might want to consider playing a current hit to greet the latest batch of inductees. “Raise your glass if you are wrong in all the right ways — all my underdogs,” Pink sings in the titular chorus of her No.1 song.

The rabble-rousing diva had no way of knowing that her trash anthem would apply so perfectly to those being honored by the Cleveland-based canonizing institution. But the strongest quality shared by 2011's chosen ones is that they're five dark horses, forming a winners' circle that looks different than any the Rock Hall has ever had.

That's not to say that Neil Diamond isn't a towering figure in genre-spanning postwar pop or that Darlene Love doesn't possess one of the signature voices of the girl-group era or that Tom Waits hasn't produced one of the most enduring recorded legacies of the rock era. I would never underestimate Alice Cooper's influence on several generations of theatrical rockers or marginalize New Orleans piano man Dr. John, who has turned on millions to the magic of the Crescent City under that name and as “Mac” Rebennack.

Add to this group one more significant performer, Leon Russell, whose reception of the Musical Excellence Award completes the comeback he's made with the graceful assistance of Elton John, and you have a selection that will mostly please pop aficionados but may also puzzle many. (Two worthy inductees in the nonperformer category were also announced: Elektra Records founder Jac Holzman and Specialty Records head honcho Art Rupe.)

 
 
Tom Waits, Neil Diamond, the Alice Cooper Band, Dr. John and Darlene Love will be welcomed into the Rock and Roll Hall of Fame next spring, the organization will announce Wednesday.

All five had been long eligible for induction under the hall’s criteria that acts wait at least 25 years after releasing their first recordings. In addition, Jac Holzman and Art Rupe, the founders of Elektra and Specialty Records labels, respectively, are entering the hall as co-recipients of the annual Ahmet Ertegun Award bestowed on influential record executives.

Demonstrating that when Elton John speaks, Rock Hall voters listen, Leon Russell has been selected as the honoree for the new Award for Musical Excellence, previously known as the Sideman category. John had been exceptionally vocal this year when promoting their duet album “The Union” in saying that his Oklahoma-based fellow pianist, singer and songwriter deserved to be in the Hall of Fame.

Of the nominees who were on the final ballot for induction, Bon Jovi, Donna Summer, Chic, Laura Nyro, the Beastie Boys, Donovan, the J. Geils Band, LL Cool J, Joe Tex and Chuck Willis were left to wait for another year to be voted in.

As much as Waits’ induction will be cheered by critics and fans who have long admired his idiosyncratic songs, which often deal with the denizens of seedy bars and low-rent hotels, this year’s choices won’t help mollify those who have criticized the hall for the scant attention it has given rap music since its earliest proponents first became eligible in the last few years.

Dr. John’s selection can be seen both as a vote of confidence in his richly regional gumbo of New Orleans R&B, jazz and rock as well as for his prominence in recent years as an outspoken champion of the Crescent City’s status as a wellspring of musical and cultural riches following the devastation to the region in the wake of Hurricane Katrina in 2005.

Mainstream rock fans are also likely to grouse about the snub of Bon Jovi, even though many music critics have been lukewarm to New Jersey’s catchy but cliché-ridden brand of Springsteen-lite pop-rock.

When cartoonish rock band KISS made the nominee list last year, many fans objected, saying that Cooper, a.k.a. Vincent Furnier, had established the template for outrageously theatrical hard rock and deserved to be voted in first.

The induction ceremony will be held in March in New York.

-- Randy Lewis

Photo of Tom Waits in concert at the Wiltern Theatre in Los Angeles in 1999. Credit: Los Angeles Times