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Film
Moscars: A film festival by medical students
A four-day film festival will screen short films by emerging filmmakers as well as films that have gained international recognition
'Social Network' big winner at Golden Globes
Social Network, Black Swan, The King's Speech, The Fighter and Toy Story 3 win at the Golden Globes
Edison films at the Bibliotheca Alexandrina
A series of short films by the motion picture pioneer is taking place at Alexandria library
Next James Bond film scheduled for November 2012
James Bond is finally getting back into action
Award-winning documentaries at the CFCC
The French Cultural Centre (CFCC) is holding a series of documentary films
"Social Network" sweeps national film critics' awards
"The Social Network" is named best movie of 2010 by the National Society of Film Critics
Filming ends for Almodovar, Banderas collaboration
Oscar-winning director Pedro Almodovar has finished filming his first collaboration in decades with fellow Spaniard and Hollywood actor Antonio Banderas, his producer said on Friday
Recognition for Phil Ochs in powerful documentary
"Phil Ochs: There But for Fortune" is a poignant portrait of an uncompromising artist who believed in the power of music as a tool for social and political change
Fair Game: Power, politics and domestic drama
Egyptian actors Khaled Al Nabawy and Hanaa Abdel Fattah star alongside Naomi Watts and Sean Penn in Doug Liman’s Fair Game  
Celebrities commend ‘Day of Anger’ protests
Many celebrities joined citizens in the protests that took place on 25 January. They are pleased by the outcome even though some have been arrested and others beaten
Geld Hay: A raw and penetrative look at child labour
Geld Hay (Living Skin) is a gripping 52-minute documentary that follows the child labourers working in the tanneries
The frustrations of Egyptian filmmakers
Ahram Online explores the limitations that alternative filmmakers face
How Egyptian cinema fails to shed light on Egypt’s copts
Few films in recent times have incorporated Egypt's copts. A closer look at the representation of Christians in Egyptian films finds them wanting

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El Watar: A feast for the senses, nothing more
El Watar only proves that artistic standards are not enough to uphold the quality of a film if it’s devoid of essence

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