Critic’s Notebook
Louisville Dreaming: Characters Exploring Boundaries
By CHARLES ISHERWOOD
The Humana Festival of New American Plays presented works whose characters are searching for new experiences.
A new production of “Company” has resorted to a grab bag of strategies, shortcuts and cheats to get its far-flung cast of A-list performers quickly up to speed.
“Marie and Bruce,” Wallace Shawn’s 1979 portrait of marital misery, has been revived at the Acorn Theater.
“The Umbrella Plays” offers a series of vignettes about relationships.
The Humana Festival of New American Plays presented works whose characters are searching for new experiences.
Kathleen Turner, 56, returns to Broadway to play a nun and add to a list of tough-purring lionesses.
Qui Nguyen’s new play is an ambitious entertainment about modern identity wrapped inside an exploitation drama about what used to be called the “inscrutable Orient.”
The Actors Theater Company revives “Three Men on a Horse,” the Depression-era comedy by John Cecil Holm and George Abbott.
“Tomorrow Morning,” a musical by Laurence Mark Wythe, follows two Los Angeles couples on an eventful night before an important morning.
A closer look at the costumes Susan Hilferty designed for the character of the Queen of Hearts in the Broadway musical “Wonderland.”
Duke took a step toward embracing its most infamous graduate, Richard M. Nixon, by performing a play.
A selected guide to theater performances in New York.
Robin Williams performs an excerpt from Rajiv Joseph's new Broadway play, "Bengal Tiger at the Baghdad Zoo."
“The Fox on the Fairway,” by Ken Ludwig, is a farce about country-club life during a golf tournament.
In George Bernard Shaw’s domestic comedy, written 15 years after Ibsen’s feminist shocker “A Doll’s House,” love, practicality and social equality in Victorian times are explored.
“Bengal Tiger at the Baghdad Zoo” is a powerful new drama by Rajiv Joseph, in which Robin Williams embodies the creature who becomes the play’s questioning conscience.
A sense of disorientation unites audience and protagonist in “The Other Place.”
“Cool Blues” is based on the last days of the jazz great Charlie Parker at the Fifth Avenue home of a faithful supporter and friend.
In “Wittenberg,” Dr. Faustus and Martin Luther have fun batting about Hamlet, their student.
An explicit opening scene in “Sex on Sunday” promises a trip to the dark side of sexuality. But Chisa Hutchinson, the writer, can’t decide whether she wants to titillate or educate.
You root for Daniel Radcliffe, who stars in the revival of Frank Loesser’s “How to Succeed in Business Without Really Trying,” though Rob Ashford’s production is charm free.
Tate Donovan’s turn in “Good People” has brought him back to New York and to his Irish-American roots.
Celebrating a Broadway musical as a sign that their faith has finally made the big time, Mormons are traveling from across the nation to see “The Book of Mormon.”
How much is too much to reveal in a review?
Harvey Fierstein joins the cast of “La Cage aux Folles” at the Longacre Theater.
Many of these shows are currently in previews.
An interactive tour through the Jacobs and the Broadway theaters and an expanded interactive look at the histories of each theater on Broadway.
Interviews with performers, designers and others in the theater, on Broadway and off.