André Beato is an incredibly talented typographer from Portugal that I came across lately. The thing that strikes me most about his work is the fact that he creates unique minimalistic compositions while maintaining interesting & intricate typographic forms. The balance that he has found in creating his projects is quite inspiring. Check out the rest of his site and don’t forget to download the great iPhone wallpaper that he made to support Japan relief efforts.

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Timbuktu is the first iPad based magazine specifically designed for children. The magazine combines imagination and technology to engage youngsters in news and stories centered around interesting topics. With a bold and brave graphic style and clear and focused interaction design, Timbuktu is on the cutting edge of educating kids in a fun and informative way.

Art Director Olimpia Zagnoli, whose work we’ve featured previously on the site, chats with us today about her latest project, giving us insight to her new role as well as some juicy tidbits about the magazine.

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Jordan Gray is a designer and illustrator living in Missouri. Currently he’s an art director at Berstein-Rein, and on the side creates some real gems, like the album packaging shown above and below. As a designer, Jordan posseses the illustration skills for the a project like this to succeed – the composition, illustration style, palettes and concept all fit together so nicely.

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Jeremy Pettis is a Milwaukee, Wisconsin-based designer who creates some really amazing throwback typographical treatments. You may be familiar with his “26 Types Of Animals” project, in which he creates unique bespoke treatments through an alphabetical list of animal types. Jeremy’s website is dedicated mostly to that project, but you can find more real gems of work by digging through his flickr.

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If you’re unable to visit the Wim Crouwel retrospective at London’s Design Museum, you can still pick up the exhibition catalog. Designed and published by Unit Editions the catalog contains Crouwel’s posters, documents, manuals - even his stamps and personal photographs -  presented in the raw, bare-concrete setting of the Crouwel archive. Also included is an interview with Wim conducted by Tony Brook, the exhibition’s curator and the book’s co-editor.

Available now at Unit Editions.

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Maria Corte is a Spanish illustrator with a flair for bright colors, textural accents, and engaging compositions. This illustration, created for the project “100 Cities for Peace,” demonstrates her knack for communicating essential details in an interesting way. She has a diverse collection of work, ranging from editorial and children illustrations for print to vibrant paintings and moving images.

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Some of the work from Lamosca is pretty familiar, but I became reacquainted with them through a weave of who-did-what for a recent IBM campaign. One of the things they handle quite nicely is the combination of layout and illustration. Their colorful and bold illustrations give the work an immediate pop, but it’s paired nicely with legible, insightful layout. It’s nice when those two can live together in harmony.

Their work feels consistent and jives as a whole, without feeling bored, tired or expected. Among their standout work is their info graphics — which have a quirky, colorful liveliness that isn’t often seen in that area of design.

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2011: Living in the Future was originally published in 1972, but has now been brought back to print upon realization of the book’s accuracy, inaccuracy, and irony. Geoffrey Hoyle, a science fiction author, future visionary, and product of his astronomer father, wrote the original text, predicting such glorious technologies as “vision desks,” “vision phones,” and personal automated breakfast factories. There is also talk of people only working 3 days a week, with a traffic-free commute. Playfully illustrated with wonderful projections of our modern-day utopia by Alasdair Anderson, this quick read would be great for both the coffee table and story time with the kids, so they can think about what those crazy people in the 70s were like.

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To Japan by Christopher Gray

Designers for Japan is a collective of imagemakers from around the world who were spurred on by the catastrophe of March 11th to do something, anything to help and to express our love for our friends and colleagues in Japan. Thanks to Print-Process & Creative Review, prints are for sale at £30 for A2, £60 for A1 with all proceeds after print, paper and postage going to the The Red Cross / Shelterbox. In addition, there are plans for an upcoming charity auction. If you would like to contribute or help in anyway, please contact them at info@designersforjapan.com.

You can purchase prints here.

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Jessica Walsh is one of those people that, as a designer, is everywhere at once. Since her work encompasses such a wide array of styles that you’ve probably seen something that she has created without knowing that she did it, which is probably what makes Jessica such an excellent Art Director. She has a great way of putting a fresh spin on each project that comes her way, and I’m excited to see what she produces in the future as an artist & at her latest postion with Sagmeister, Inc.

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