Scuffle Over On-Demand Movies Portends Battles to Come
By MICHAEL CIEPLY
The difficulties facing the movie industry are likely to become tougher as it enters a digital future that is only beginning to unfold.
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The co-chief film critics of The Times answer reader questions on cultural differences in movies, character actresses and independent film, and Joel Coen chimes in on the issue of cats.
Last year the director Werner Herzog was allowed to film in the Chauvet cave in southeastern France, where archaeologists have found wall paintings 32,000 years old.
The difficulties facing the movie industry are likely to become tougher as it enters a digital future that is only beginning to unfold.
“Rio,” an animated 3-D film from 20th Century Fox, was No. 1 at the North American movie box office for the second weekend in a row.
Mark Ruffalo and Christopher Thornton met as acting students 20 years ago. Now, after a decade-long struggle, their first film together, “Sympathy for Delicious,” is being released.
In “The Arbor,” the filmmaker Clio Barnard revisits the hard-knock life and tough-minded work of the playwright Andrea Dunbar, who died at age 29 in 1990.
Mr. Ohga was the principal architect of Sony’s move beyond its stronghold of sleek consumer electronics gear and into music and movies.
Theresa Harris, a black actress whose usual role was as a servant, is one of the inspirations for a new play by Lynn Nottage.
For anyone interested in how the movies came to be what they are, “Gaumont Treasures, Vol. 2, 1908-1916,” released by Kino International, is essential viewing.
“I was extremely naive for someone who considers herself a very smart, savvy, cynical New York broad.”
Twenty years ago, two female-focused movies looked like they’d change the world. Only one actually did.
The latest movie in Tyler Perry’s “Madea” franchise goes lighter on the humor, heavier on the melodrama.
“Incendies,” Denis Villeneuve’s film based on a play by Wajdi Mouawad, is a family quest narrative that takes place in Quebec and an unnamed country resembling Lebanon.
A filmmaker dissects the world of product placement and advertising by making a documentary financed entirely by product placement and advertising.
A film loosely based on a bloody and chaotic period of Chinese history.
Francis Lawrence directs Reese Witherspoon and Robert Pattinson in “Water for Elephants,” a film adaptation of Sara Gruen’s novel about a Depression-era traveling circus.
The 1952 Japanese film “Children of Hiroshima” by Kaneto Shindo makes its United States debut as part of a retrospective devoted to Mr. Shindo at the Brooklyn Academy of Music.
“Beautiful Darling,” James Rasin’s documentary about the transsexual Warhol “superstar” Candy Darling, is also a meditation on the worship of movie stars.
“Legend of the Fist: The Return of Chen Zhen” mines again that kung fu mother lode “Fist of Fury,” this time for an adventure set in Shanghai after World War I.
In “Stake Land,” Jim Mickle brings on the vampires and fundamentalists in a postapocalyptic world.
“The Bang Bang Club” is based on a true story of photojournalists in South Africa.
The director Dennis Lee discusses his film "Jesus Henry Christ," about a child prodigy on the search for his biological father.
Lee Hirsch, the director of "The Bully Project," discusses his film about the issue of bullying in schools.
Jon Gnarr is the subject of the documentary "Gnarr," about his career transition from actor and comedian to the mayor of Reykjavik, Iceland.
A look at the films in the Cinemania section of the Tribeca Film Festival.
Stephen Holden narrates a look at some of the selections in the Tribeca Film Festival.
Denis Villeneuve, the director of "Incendies," discusses his family drama.
A. O. Scott discusses the satire of the 1999 animated film "South Park: Bigger, Longer, Uncut."
The director Carlos Saldanha discusses setting the animated film "Rio" in his hometown.
The director Joe Wright narrates a scene from the action thriller "Hanna," starring Saoirse Ronan.
Duncan Jones, the director of the action thriller "Source Code," narrates a look at the film's train sequences.
In this series, directors discuss ideas and techniques behind moments in their films.
This guide includes links to the original reviews from the archives of The New York Times.
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$44.7 M |