Theater Review | 'Lucky Guy'
When ‘Boy Meets Girl’ Plays Second Fiddle
By ERIC GRODE
Nashville dreams and treacheries are at the heart of the new musical “Lucky Guy.”
“Knickerbocker,” a new play by Jonathan Marc Sherman, delves into a man’s angst over his impending fatherhood.
Nashville dreams and treacheries are at the heart of the new musical “Lucky Guy.”
Judy Rosenblatt, starring in this revival about Peggy Guggenheim, a rich woman who did what she wanted, has the most important quality for the solo role: attitude.
Inspiring bouts of irrational fear may be among the ancillary ambitions of “Sleep No More,” an immersive production from the London-based Punchdrunk company.
Carey Mulligan has embarked on an eight-week run in the Atlantic Theater Company’s production of “Through a Glass Darkly,” Jenny Worton’s stage adaptation of the 1961 Ingmar Bergman film.
The unlikely story of the Shaggs, whose fans included Kurt Cobain and Frank Zappa, hits the stage.
News, photos, analysis and more on the nominees for the 65th annual Tony Awards.
This week: David Ives’s “The School for Lies” and “A Minister’s Wife,” a musical version of “Candida.”
“Here at Home,” a new play by 31 Down in Brooklyn, ponders a world of war and soulless chain stores.
Daniel Beaty’s musical “Tearing Down the Walls” waxes nostaligic for Harlem and a Cro-Magnon view of the female of the species.
Tommy Smith and Reggie Watts’s “Radio Play” is performed in almost complete darkness at Performance Space 122, placing a higher premium on what is heard, as opposed to what is seen.
A revival of “Winter Wedding” at Theater for the New City spotlights the mad satire of Hanoch Levin.
Just months after the director Kate Whoriskey became artistic director of Intiman Theater, she learned it was broke. In April the theater’s board of trustees voted to close it and layoff the staff.
New productions in London tackle plays by Shakespeare and Tennessee Williams.
Woody Allen described his one-act play, “Honeymoon Motel,” which will open in October, as “a broad comedy, for laughs, no redeeming social value.”
Ms. Gems explored the temperament of impassioned, embattled artists and politically engaged women in works like “Piaf” and “Stanley.”
Local 802 is going after “Priscilla Queen of the Desert,” hoping to undercut the use of recordings in theater.
Mr. Wilson, a pivotal player in the Off Off Broadway movement, got his start at Caffe Cino in Greenwich Village.
With “Higher Ground,” a series of plays based on life in Kentucky coal country, Robert Gipe and colleagues have tried to help lift an area’s spirits.
Many of these shows are currently in previews.
A listing of summer theater in the United States and Canada.
An interactive tour through the Jacobs and the Broadway theaters and an expanded interactive look at the histories of each theater on Broadway.
Interviews with performers, designers and others in the theater, on Broadway and off.