Art Review
Like Living, Only More So
By ROBERTA SMITH
Ryan Trecartin’s “Any Ever” is a game-changing exhibition of videos and installation art that teeters giddily at the intersection of art, reality television and social networking.
The New York Philharmonic presents a colorful production of Janacek’s “Cunning Little Vixen” at Avery Fisher Hall.
Ryan Trecartin’s “Any Ever” is a game-changing exhibition of videos and installation art that teeters giddily at the intersection of art, reality television and social networking.
Mater the tow truck, voiced by Larry the Cable Guy, is front and center in Pixar’s new four-wheeled adventure.
Everything is in a spotlight in this show of 30 sculptures, which rethinks and reshapes the old one-tribe-one-style concept.
The Broadway revival of Larry Kramer’s 1985 play “The Normal Heart” draws varied reactions from gay people too young to remember the era in which it is set.
“Rhett & Link: Commercial Kings” and “Young, Broke & Beautiful,” both with premieres on IFC on Friday, take an interest in people and places most would overlook.
In “Turtle,” the loggerhead, a threatened species, embarks on a quarter-century life voyage, a trip that covers thousands of miles and is fraught with life-and-death dangers.
The Morgan Library & Museum makes a greater investment in drawing, and a Renoir at the Frick gets a closer look.
Ruth Pennebaker and Robert Leleux stroll New York City, savoring some flavors of Texas.
This week: Ben Sisario and Bruce Headlam on the Pandora IPO and what it says about the state of digital music; Rob Kenner on Vybz Kartel, the man and the brand; and new CDs from Barry Manilow; Battles; and Ledisi. Jeremy Egner is your host.
Get a selection of the listings on your iPhone with The Scoop, The Times’s guide to what to eat, see and do in New York.
Art | Classical & Opera | Dance | Jazz | Movies | Rock & Pop | Theater | Children’s Events | Spare Times
Jon Pareles on storing and accessing music ethereally, and a conversation with Booker T. Jones, the Memphis soul keyboardist.
“Planet Pit,” the sixth album by the Cuban-American rapper Pitbull, completes his long transformation from crunk-era curio to dance-rap star.
Michael Kimmelman looks at Velázquez’s “View of the Garden of the Villa Medici,” at the Prado, and is transported in time.
An interactive look at 43 girls waiting in line for an open casting call for the coming Broadway revival of “Annie.”
Several works from the deluge of contemporary art at the Biennale stuck with a critic from The Times. Add your own impressions in six words.
The critics' take on girls in action movies, Maria Bello's tough dramas, Michael Fassbender on his rise from bit player to leading man and more.