L.A. at Home

Design, Architecture, Gardens,
Southern California Living

Pro Portfolio: Ojai Valley home built to fend off fire

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Every Monday, we post a recently built, remodeled or redecorated home with commentary from the designer. This week, we focus on a home built with fire safety in mind.

Project: New construction on 40 acres of chaparral.

Location: Upper Ojai Valley.

Architect: Davis Brown Architecture. Structural engineer: Alexander Pyper, (323) 256-4486. Civil engineer: Randy Toedter, (805) 671-9811.  Chaparral restoration: Margot Griswold, (213) 200-3099.

7 Architect's description: This site slopes gently upward toward the Topa Topa foothills and beyond to the bluffs. Oaks and walnuts dot the chaparral, and sycamores, cottonwoods and California bay trees line the streambeds.

The architects began with the image of a simple barn in a meadow but elaborated on the design in response to the ecosystem. Their primary concern was fire. Historically, wildfires sweep down the canyon every 30 years or so. The sometimes-extreme climate, with summer temperatures often above 100 and torrential rain in winter, also demanded architectural responses.

The house was designed to be entirely closed off to wind-driven flaming debris. All the glass is set back and can be closed off with steel barn doors. The structure of the house is wood–free; it is entirely framed with steel studs; steel sheet metal is bonded to the interior dry wall.

Extensive glass on the southern end provides passive radiant heat. Two solar hot-water panels are complemented by a 5-kilowatt thin-film photovoltaic array laid between the ribs of the metal roof. The house approaches net zero energy use.

The area immediately surrounding the structure has been cleared of flammable plants. An 8-foot-wide swath of ¾-inch crushed rock surrounds the house and helps to drain storm runoff from the roof to a seasonal stream. The pool is set in a broad gravel terrace that provides further drainage.

To see more, keep reading ... 

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Datebook: Events, exhibits, classes for the week ahead

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Home and garden events are listed below. Suggest your own via reader comments. Submissions must be fewer than 75 words and must be for one-time events with legitimate value to other readers. No store promotions and no frivolous links, please. L.A. at Home staff will determine which submissions will be made public.

July 19: The Will Geer Theatricum Botanicum  performs “The Merry Wives of Windsor” as part of Descanso Gardens’ Summer Family Series. Bring a picnic (usually not allowed in the gardens). 5:30 to 7 p.m. Included in garden admission of $3 to $8. Open until 8 p.m. Tuesdays through Thursdays through Aug. 25. 1418 Descanso Drive, La Cañada Flintridge. (818) 949-4200.

July 20: Scott Petersen’s documentary film “The Renaissance of Mata Ortiz” screens at USC. 7 p.m. A question and answer session with Peterson follows. Free. Mata Ortiz pottery will be for sale in the lobby. Ray Stark Family Theatre, George Lucas Building, SCA 108, 900 W. 34th St., Los Angeles.

July 23: The MAK Center for Art and Architecture and the John Lautner Foundation host a tour of Lautner-designed homes including the Harpel house (1956), Jacobsen house (1947), Schwimmer house (1982) and the Sheats/Goldstein house (1963/1989). 10 a.m. to 5 p.m. Self-driven, $90 to $100; optional shuttle is $75 more. Optional lunch, $18. (323) 651-1510.

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A 1970s California beach house made modern

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Rachel-Allen-beforeL.A. architect Rachel Allen helped clients transform a characterless 1977 stucco box in the coastal community of Carpinteria into a whimsical, family-friendly getaway.

When Amy Lippman and Rodman Flender bought the house, it was a dark and somber space with kitchsy porthole windows and a bad stucco job. But it was also 200 steps from a pristine stretch of Carpinteria State Beach.

Working with Allen, the homeowners remodeled in two phases over four years. Today it stands as a  modern California retreat for family and friends.Rachel-Allen-after

That's Flender, above, in a museum-white space lined with thrift store paintings. The house in Lippman's "before" photo, above right, contrasts with the house today, right. Below: Haskell's room has bunk beds that are a play on train sleeper compartments.

Article: Rachel Allen's beach house makeover

Photos: Beach house made modern

-- Lisa Boone

Rachel-Allen
Photo credits: Mariah Tauger/Los Angeles Times

RELATED:

Trip Haenisch beach house: refined yet relaxed

Homes of the Times: California design profiles in pictures

 


Trip Haenisch beach house: refined yet relaxed

Haenisch-master Trip-Haenisch Interior designer Trip Haenisch, who has done homes for Courteney Cox, Christina Aguilera and Cher, recently completed a contemporary architectural home in Malibu that took its cues from the sand, surf and sky.

The result is a family retreat that is at once colorful yet serene, refined yet relaxed. Our extended photo gallery includes the master suite with TV hidden at the foot of the bed, above, and the living area, below.

At right: A vintage Arthur Umanoff bar with a woven fiber panel stands by a hanging rattan chair from Reform Gallery in L.A. Wide-plank vertical paneling and simple blinds keep the room casual.

Photos: Trip Haenisch-designed Malibu beach house

-- David A. KeepsHaenish-living

Photos: Everett Fenton Gidley 

Rachel-Allen-guestroom RELATED:

The beach house: Stucco jumble made modern

The beach house: Rachel Ashwell's "Shabby Shack"

Trip Haenisch lends a hand to haridresser Chris McMillan

Homes of the Times: More California design in pictures


Irving Gill's Dodge House, a landmark in memory

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Dodge House by Irving Gill has long been considered a landmark of residential design -- to some, one of the most important American houses of the 20th century. If you have not heard of this groundbreaking piece of architecture before, perhaps that’s because the 1916 house no longer exists. It was demolished in 1970, cleared to make way for apartments, now condos, in the heart of West Hollywood.

Dodge House’s form -- horizontal boxes lacking roof overhangs, surface detail or other ornament -- was a revolutionary departure from the pitched roof and symmetrical facades that once were so common. The graceful arches, the ahead-of-its-time mahogany paneling, the stunningly beautiful sense of simplicity -- all are gone. What’s left is the ghost of Gill’s genius and a cautionary tale that forms the latest installment of our Landmark Houses series.

Landmark Houses: Irving Gill's Dodge House

Library of Congress catalog with Dodge House photos and drawings

Landmark Houses: The series

-- Jeffrey Head

Credit: Los Angeles Times


Frank Lloyd Wright's Ennis House sells to Ron Burkle for $4.5 million

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Frank Lloyd Wright’s Ennis House, the 1924 hilltop mansion that is one of the master’s most celebrated residential designs and one of Los Angeles’ most revered architectural landmarks, has sold to billionaire Ron Burkle for about $4.5 million, 70% less than its original asking price.

Ennis House Foundation chairwoman Marla Felber confirmed on Saturday the exact price: $4,458,084.58, which represents the organization’s balance on a construction loan taken out to repair L.A.’s most prestigious fixer.

Ennis-exterior-damageAt more than 6,000 square feet, Ennis House is the largest of Wright’s four “textile-block” houses in Southern California, so named because their patterned concrete blocks were knitted together to serve as structure and decoration, inside and out. The Maya-influenced design, which consists of more than 27,000 blocks, deteriorated over time, sustained serious damage in the 1994 Northridge earthquake and then partly collapsed during heavy rainfall in 2005.

The foundation spent about $6.5 million on structural and seismic repairs to the Los Feliz landmark, and remaining repairs will cost an estimated $6 million more.

Wright’s grandson, Eric Lloyd Wright, announced in June 2009 that the foundation was putting Ennis House up for sale with hopes that a private owner could better finish the job and act as the property’s steward.

The house languished on the market even as the initial $15-million asking price tumbled. By this January, when The Times published an article on Ennis House as part of a Landmark Houses series, the price had dropped to $7,495,000.

In a region where coastal mansions and hilltop estates exceed $10 million and the compound formerly owned by TV mogul Aaron Spelling recently went for $85 million, $4.5 million might seem low for a piece of Wright history. But Felber said the foundation had few options. Because the foundation’s top priority was responsible stewardship of Wright’s architecture, she said, the board of directors rejected larger offers from corporations. Felber would not divulge how large those offers were, where they came from or how many were rejected.

Preservationists have speculated whether a rich celebrity or house-collecting architecture aficionado would step forward and assume the responsibility for Ennis House, but Felber said the foundation had fielded “no serious offers.”

Felber confirmed that the Ennis House construction loan had been guaranteed by Burkle and that he had first right of refusal on any bid. But Felber disputed the notion that the foundation was the victim of a deal gone bad: $4.5 million paid for a property that has benefitted from $6.5 million in restoration work. She said that the first phase of restoration would not have happened without Burkle’s support and that no one else expressed a commitment to future repairs.

“He was the only one to step up,” she said.

The sale closed Friday. Burkle, who could not be reached for comment, is the founder of the investment firm Yucaipa Companies and a fundraiser for the Democratic Party. He lives full-time in London but also owns Greenacres, the 1920s Beverly Hills estate built for silent film star Harold Lloyd. He is on the board of the Frank Lloyd Wright Building Conservancy.

As a teen living in San Bernardino County, Burkle aspired to be an architect and traveled to see the Ennis House, a spokesman said. He left a note asking to be notified if the house ever were to open for touring; the owner later called young Burkle and invited him to see Wright's creation.

Felber said Burkle would provide at least 12 days of public access a year. Access has long been a question among design fans, given that neighbors have been intent on keeping out visitors. Specifics of the access plan will be determined between Burkle and the L.A. Conservancy, which holds an easement that also prevents "excessive" alteration of the landmark, inside or out.

The house was built for Charles and Mabel Ennis, proprietors of a men’s clothing store and admirers of Maya art and architecture.

When The Times surveyed historians, top architects and preservationists in 2008 for their picks for Southern California's best houses of all time, Ennis House finished No. 3. Only Rudolph Schindler’s groundbreaking Kings Road House in West Hollywood and Richard Neutra’s Kaufmann House in Palm Springs ranked higher.

In the recent Landmark Houses article, architecture critic and former Dwell magazine editor Karrie Jacobs recalled her first tour of Ennis House.

“Usually, in Wright houses, I feel a little claustrophobic, a little trapped in the man’s tightly choreographed conception of domestic life,” she said. “But during my one visit to Ennis, I felt as if I was in a different world, someplace I'd never been before — and maybe someplace Wright had never been before either.”

-- Craig Nakano

Corrected: One earlier version of this post misspelled Jacobs' first name as Kerrie.

Updated: This post has been expanded multiple times since its original publication.

Ennis-interior

Upper photo: The Ennis House, photographed in 2009. Credit: Kirk McKoy / Los Angeles Times

Middle photo: One of the "textile block" walls, photographed in 2005 after a major earthquake and winter storms had taken their toll. Credit: Genaro Molina / Los Angeles Times

Lower photo: An interior of the Frank Lloyd Wright landmark, which has been largely closed to visitors for years. Credit: Kirk McKoy / Los Angeles Times

RELATED: 

Ennis House photos

Ennis House history

Landmark Houses: The Times series


How to keep mom's caregiver happy? A Paris trip helps

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Choosing a caregiver for an elderly parent is hard, but sometimes monitoring and maintaining a good relationship with that caregiver is even harder. In the latest installment of "It's All Relative," Rosemary McClure's column on caring for and staying connected with an aging parent, she writes:

Megan Cowles’ friends envy her good luck. “Everyone wants my job,” she says. This summer, her employer is taking her to Paris, where she’ll see the Eiffel Tower, stroll along the Seine and eat buttery, melt-in-your-mouth croissants for breakfast.

Her wonder job? She’s a home-care worker. Her employer, a 76-year-old Orange County woman, is so grateful for her help that she’s taking her to Paris on a vacation.

Alas, not everyone can be so generous. But McClure does offer some other ways to keep everyone -- caregiver, parents and you -- happy. It's the second of two columns on the subject.

Part 1: How to choose a caregiver

Part 2: How to maintain a good working relationship

-- Craig Nakano

Illustration credit: Blair Thornley / For The Times

RELATED:

It's All Relative: the series


Function, style merge in emergency mobile homes at Little Tokyo Design Week

EDV3 The victims of Hurricane Katrina would have benefited from the mobile emergency housing unit on display during Little Tokyo Design Week. Called the EDV-01, the self-contained mobile home not only provides  shelter but generates its own electricity and water for two adults for an entire month.

The stainless steel container is 18 feet long, 6 feet wide and 6 feet tall. With the flip of a switch, a hydraulic pump raises the walls to form a second floor with fold-away beds and an office space. The ground floor contains a shower and bio-toilet, as well as a kitchen that cooks food with induction heating.

EDV4                                                           Equipped with a rooftop solar system and a fuel cell to generate power that's stored in lithium-ion batteries, the emergency house can also pluck enough moisture from the air to collect about 5 gallons of drinkable water per day.

"We are extremely proud to ... [show] how design can be used to create function in adverse emergency situations which can be utilized in an efficient and self-contained unit," said Hitoshi Abe, chair of Little Tokyo Design Week and director of the UCLA Paul I. and Hisako Terasaki Center for Japanese Studies and UCLA Department of Architecture and Urban Design.

Designed by the Japanese firm Daiwa House, the EDV-01 is making its U.S. debut during Little Tokyo Design Week. It's on display in the plaza of the Museum of Contemporary Art in downtown L.A. through Sunday.

-- Susan Carpenter

Photo: EDV-01. Credit: Daiwa House


The Deal: Summer sales roundup for home and garden

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While the rest of Los Angeles obsesses over "Carmageddon," we present a selection of home and garden sales, all online or at least east of the 405:

Alessi: The modern Italian housewares company is taking 20% off the Cactus, Mediterraneo, Michael Graves and Luis Clotet collections. That means the stainless steel Cactus fruit holder, originally $105, is now $85. The discount applies through July 31 online and at the Los Angeles store, 313 N. Robertson Blvd. (310) 276-7096.

Creato Finito: All John Saint-Denis vintage and new products are 40% to 50% off through July 27. The sale includes furniture, glassware, barware, throws and handmade pillows. Creato Finito Home, 601 N. La Brea Ave., Los Angeles. (323) 951-1200.

Design Within Reach: DWR's current sale features 15% to 50% off indoor and outdoor furniture and accessories, including Woolly Pocket planters, shown above. The sale runs through July 26 online and at the Los Angeles showroom, 8070 Beverly Blvd., Los Angeles. (323) 653-3923.

Gus Modern: The Gus Modern Essentials Collection, including sofas, sectionals, chairs and ottomans, will be discounted 20% through Aug. 14. Authorized sellers: www.gusmodern.com.

Gardener's Supply Company: Save up to 50% on more than 100 tools, pots and planters, raised beds, trellises, cushions and more through July 31. (888) 833-1412.

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Carmageddon: 10 summer garden projects for the freeway-averse this weekend

Garden We've given the week off to Emily Green, our sustainable-gardening writer whose column, The Dry Garden, usually appears here on Friday. In her place, we offer 10 ideas for spending a summer day in the garden. July may not be prime planting season, but it's a fine time to get some other projects done:

1. Give rock a role. Learn the art of using stone in the garden, be it a mammoth boulder or a stack of native granite. Also read Green's column about why gravel rocks: It keeps sun-baked soil cooler, hold weeds at bay and reduces the need for watering.

2. Prepare for hotter days ahead. We know they're coming, eventually. Expert advice on getting the garden prepared for the next heat wave.

3. Prune sages. If those spires of purple flowers on your Mexican sage have dried up, don't be shy. It's OK to prune the plant and other types of salvias in summer.

4. Clip poppies. Those who love California poppies strategically harvest seed and thin out deadwood. The result: More bursts of orange blooms next time around.

5. Save your tomato seeds. Learn how to save seeds as Green explains why summer is the best time to grow tomatoes, even though here in sunny L.A., it's possible to start them in the fall.

6. Don't plant a vertical garden. Resist the novelty. Here's why.

7. Kill your lawn. Consider the best ways to end the cycle of watering and mowing.

8. Replace your lawn. Advice on alternatives abounds. Green's recommended reading includes a book titled "Reimagining the California Lawn," which discusses meadows, succulent gardens and multicolored and textured groundcover treatments called "tapestry gardens."

9. Audit your lawn. If your family has lawn, uses it often and doesn't intend on giving it up, consider water-wise ways to manage it better.

10. Do nothing. Or at least work toward a garden that requires you to do less. The benefits of a less-manicured, more natural landscape include more time to stop, smell the roses and be thankful you're not on the freeways.

-- Craig Nakano

Photo: Kangaroo paw. Credit: Liz O. Baylen / Los Angeles Times




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