Theater Review
The Boy Who Lived, Casting a Humorous Spell
By DANIEL M. GOLD
“Potted Potter,” at the Little Shubert Theater, takes a humorous look at the seven Harry Potter books in 70 minutes.
A selection of Tony Award nominees, including Kelli O'Hara in "Nice Work if You Can Get It," perform songs and scenes from this year's shows. Watch full performances here.
“Potted Potter,” at the Little Shubert Theater, takes a humorous look at the seven Harry Potter books in 70 minutes.
Premium tickets topped out at $499 apiece for the last performances of the Tony-nominated revival of Arthur Miller's play.
Jaime Castañeda directs the premiere of Fernanda Coppel’s play about two young women growing up fast in Los Angeles while their fathers strain to recapture their own youth.
Nowhere are previews regarded as more crucial than at Off Broadway theater companies staging new plays and musicals.
Mayank Keshaviah’s new play, “Rangoon,” looks at an Indian immigrant father and his American-born children in the modern-day South.
Giancarlo Esposito is portraying a character with a lot of similarities to himself in “Storefront Church,” a new play written and directed by John Patrick Shanley at the Atlantic Theater.
In “Mr. Burns, a Post-Electric Play” the Civilians transform an episode of “The Simpsons” into something quite different at the Woolly Mammoth Theater Company in Washington.
54 Below, a new cabaret in the theater district, opens next week, aiming to be “Broadway’s living room.”
Long Island theaters and day camps offer a variety of programs for theatrically inclined children.
In “Amelia,” written by Alex Webb and performed on Governors Island, a woman journeys through the wartime South in search of her soldier husband.
An air of disorderly fabulousness pervades “Jukebox Jackie,” a show with Justin Vivian Bond at La MaMa that pays spirited tribute to Jackie Curtis, one of the gender adventurers who orbited Andy Warhol.
Complete coverage of this year's awards, including slide shows, the list of nominations and more.
Top-grossing Broadway shows for the week ending June 3.
Recommended shows from Ben Brantley, Charles Isherwood and other theater critics for The New York Times.
Recent show reviews from Ben Brantley, Charles Isherwood and other theater critics for The New York Times.
Mr. Hanley, an acclaimed playwright, went on to win two Emmys for his television scripts.
What better art than the theater, by its nature a collective experience, to consider the overlap between the individual and the communal?
A visit with James Earl Jones, who has garnered his latest Tony nomination at 81 for “Gore Vidal’s The Best Man.”
Danica Novgorodoff, a graphic novelist and illustrator, talks about her poster design for Derek Ahonen's play, which is being produced by the theater company the Amoralists.
Artists fear that proposed changes are in fact a way for a deeply pious government to deal a blow to the arts.
The legacy of vaudeville, burlesque and cabaret is celebrated in Spiegelworld’s new tent show “Empire.”
“Playing With Fire,” August Stindberg’s rarely performed comedy of manners, is transported to a wealthy African-American enclave in the 1920s.
Athol Fugard’s “My Children! My Africa!” is a tale of friendship, idealism and unintended consequences in the twilight of South African apartheid.
Taken from the text and copied in flowing Renaissance script, words pour down the back wall and across the stage floor in a performance of “The Tempest” at Hartford Stage.
“My Wonderful Day,” one of Alan Ayckbourn’s lesser-known but not-less-funny comedies, is the final production of the Two River Theater Company’s 2011-12 season.
A revival of “Cats,” by Andrew Lloyd Webber and T. S. Eliot, is at the Gateway Playhouse in Bellport.
In a happy spoof of what was once a serious piece of fiction, the moors of Devon, England, are a comedy location.
Many of these shows are currently in previews.
“As You Like It,” “Much Ado About Nothing” and “Richard III” are among the popular choices for this summer’s theater festivals.
Charles McGrath interviews the film and stage director Mike Nichols.
Charles Isherwood leads an online discussion about Arthur Miller’s classic play.
Interviews with performers, designers and others in the theater, on Broadway and off.