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If you're a regular visitor you'll notice a few changes; more contributors, improved layout, a new politics section and subscription! But don't panic you can still read up to 10 articles a month for free, we're just asking those of you who particularly enjoy our content to pay the small sum of £2.99 for 4 weeks access, just 11 pence a day.

We think that's tremendous value, value that will only be enhanced as we add sections and features to the site, bringing you more and more quality journalism by Scots and for Scots. Our ambition is simple: to provide the best and most comprehensive digital experience for anyone interested in what's happening in Scotland.

We've got lots of plans in the pipeline but I'd be delighted to hear what you think we should be doing. Email me at HeraldScotlandCustomerService@heraldandtimes.co.uk.

Regards,
Mark Smith
Herald & Times Group Digital Director

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Arts & Ents

  • AS King Tut's January challenge to bring the best in underground Scottish music to Glasgow across 15 nights passes its mid-point, it's time to take stock of what we have learned.

  • HAS there been a more enthralling and enlightening musical experience offered in any medium in recent times than that unveiled on Friday by pianist Joanna MacGregor at the launch of Radio 3's Women In The Shadows, a four-concert series to be staged in the Royal Conservatoire?

  • CONTRARY to TS Eliot's famous pronouncement, the "cruellest month" is in fact January.

  • AS listeners to Radio 3's Hear And Now strand on Saturday night will know, those among an initially very full house who found the music of New York's John Zorn too challenging to return after the interval missed the better part of the evening.

  • SOME years ago I reviewed a CD recording by a young German conductor, David Afkham, and wasn't particularly impressed.

  • l Solo artist and frontman of American Music Club, Mark Eitzel, makes a welcome return to Scotland on February 27 for an appearance at Oran Mor in Glasgow.

  • Wizards Vs Aliens: Series One (PG)

  • The film version of the world's longest-running musical was never going to be low-key.

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