Photo Booth

September 6, 2013

No Stamps Required

The photographer Henry Jacobson’s upcoming book, “Postcards Home,” is a collection of iPhone pictures from his travels around the world in the past three years. With the iPhone, Jacobson explains, “I found liberation from the limitations of the camera. I realized that the best work I was doing was not trying to replicate what I did with other cameras. I embraced the pixel, the soft quality. The pictures felt more like paintings, reminiscent of Expressionism and of the pictorialist photographers, even though they were shot on the fly, in the tradition of handheld, 35-mm. documentary photography.”

Below is a selection of from the book. Click on the red arrows arrows3.jpg for a full-screen view.

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  • PostcardsHome-A12.jpgPostcardsHome-A8.jpg
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September 5, 2013

Dress Code Continental

As the new school year commences, the uniform becomes a key component in many a student’s wardrobe. From pleats to plaid, collars to stockings, the photographers featured below have documented, or have been inspired by, school uniforms from around the world.

  • 1a. Schoolgirls_Azumakofuji_Fukushima.jpgMt. Azumakofuji, Fukushima, Japan, 2010. Photograph by Andri Pol.
  • 2a. New Catalogue.jpg“Big Ten Co-ed with Ski Mask No. 7,” 2003. Photograph by New Catalogue.
  • 3a. Thomas Hoepker.jpgKyoto, Japan, 1977. Photograph by Thomas Hoepker/Magnum.
  • 4a. Stuart Franklin.jpgNigeria, 2002. Photograph by Stuart Franklin/Magnum.
  • 5a. HG.jpgOutside the Kapali Çarşi, Istanbul, Turkey, 2006. Photograph by HG/Magnum.
  • 6a.Abbas.jpgIran, 2006. Photograph by Abbas/Magnum.
  • 7a. Maia Flore.jpg“Maia och Flore,” 2010. Photograph by Maia Flore.
  • 8a. Peter Marlow.jpgEngland, 1991. Photograph by Peter Marlow/Magnum.
  • 9a. Martin Parr.jpgThe Golden Temple, Kyoto, Japan, 1993. Photograph by Martin Parr/Magnum.
September 4, 2013

Emerging Photographer: Sara Cwynar

  • Cwynar-1aa.jpg“Contemporary Floral Arrangement 1 (Many Perennial can be used in arrangements such as this for winter decoration)”
  • Cwynar-2a.jpg“Color Bars (Darkroom Manual)”
  • Cwynar-3a.jpg“Gold—NYT April 22, 1979”
  • Cwynar-4.jpg“Corinthian Temple (Plastic Cups)”
  • Cwynar-5.jpg“Contemporary Floral Arrangement 3 (Flowers-Arrangements, #12,683 (1963))”
  • Cwynar-6.jpg“Our Natural World (Books 1)”
  • Cwynar-7.jpg“Continuous Pour”
  • Cwynar-8.jpg“Cut (from Picturing the Times of your Life)”
  • Cwynar-9.jpg“Toucan in Nature (Post-it notes)”
  • Cwynar-10.jpg“Man and Space (Books 1)”
  • Cwynar-11.jpg“Metals and Tanks (Darkroom Manual)”
  • Cwynar-12.jpg“Contemporary Floral Arrangement 2 (Color Changes and natural colors are combined effectively in this mass arrangement of contemporary style)”
  • Cwynar-13.jpg“Tree in Nature (Darkroom Manual)”
  • Cwynar-14.jpg“Acropolis (Plastic Cups)”

As part of our ongoing Emerging Photographers series, today we’re highlighting the work of Sara Cwynar, a Vancouver native who lives and works in Brooklyn. I have been following her work for a while, and was drawn in particular to the monochromatic “Color Studies” as well as the series “Accidental Archives”—both of which drew on a confluence of literature, kitsch, and photographic tropes, which she cites as inspirations. Most recently, Cwynar has been preparing for her solo show, opening this week, at the Cooper Cole Gallery in Toronto, where she will début a new collection of photographs called “Flat Death” (a reference to Roland Barthes). I caught up with Cwynar to find out more about the exhibition and her latest work.

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September 3, 2013

Renan Ozturk’s View from the Bugaboos

Last week, the climber and filmmaker Renan Ozturk took over The New Yorkers Instagram feed to share images from a recent expedition to the Bugaboos, a mountain range in British Columbia. Below is a selection of the images posted to Instagram, along with their captions from the feed, followed by a short interview with the photographer.

  • Ozturk-01.jpegA new adventure begins in the alpine wonderlands of the #Bugaboos mountains! This is filmmaker/photographer @renan_ozturk sharing images this week fresh from the field from our @thenorthface @camp4collective #unearthed film project. Stay tuned for a close look into the #expedition #climbing life.
  • Ozturk-02.jpegThis is the heli ride into the ‘east creek’ basin basecamp of the #bugaboos & our 1st look at the massive Howser towers, 3K ft tall monoliths of steep granite inspiration.
  • Ozturk-03.jpegPortrait of #bugaboo spire. First climbed in 1916 by Conrad Kain, it’s easy to see why this peak is the namesake of the range.
  • Ozturk-04.jpegHappy to be running 100% on @goalzero solar power for this expedition while shooting on the #redepic and backing up ~500 GB of data per day. #solarlife. Photograph by Jimmy Chin.
  • Ozturk-05.jpeg@conradclimber has been know for saying that ‘enlightenment isn’t found with a full stomach or on a soft pillow.’ Although 3am alpine starts are painful, there are always a few unforgettable sunrise moments.
  • Ozturk-06.jpegIt’s not about adrenaline and kicks for the world’s most accomplished free soloist @alexhonnold. It’s about knowing his abilities, calmly assessing risk and the love of rock climbing. Pictured here, 2K feet above the ground, Alex climbs a route he repeated days later without a rope. #SouthHowser #lostinthetowers #bugaboos. Photograph by Jimmy Chin.
  • Ozturk-07.jpegDuring our ascent of the South Howser we came across a climber who had fallen and broken his ankle. Although he was in stable condition and we offered to help with a human powered rescue he opted for a full on heli rescue from the side of the rock face. We called it in via our sat texter and watched from above as they long-lined him off the face. On some climbs there isn’t this possibility and the added self reliance gives you an even greater adventure. Photograph by Jimmy Chin.
  • Ozturk-08.jpegFreesoloing is the purest form of climbing, but one mistake and you die. @alexhonnold is one of a kind in his ability to freesolo big walls. To film and photograph our friends while they freesolo can be incredibly hard, technically and mentally. I know that while I’m filming Alex, I’m capturing something so rare and am very aware not to affect his headspace. We have shot/climbed together a lot and feel comfortable at this point, but the risk of him falling, and having to witness that, is always there. Rope on his back for the descent.
  • Ozturk-09.jpegBeing a professional athlete / artist, it’s hard to lead a low impact lifestyle. The #bugaboos is a often used as an example of ‘climate change,’ as the glaciers there are melting at a rapid pace that even I’ve witnessed during the span of my adventures there. The issues of climate change are complex; scary, confusing, yet motivating. Although it took a lot of fuel flying helis to get here, it makes us feel good that the entire production was solar powered. #solarlife.
  • Ozturk-10.jpegIt’s been a pleasure sharing our story here with #thenewyorkermag. Today is the last day of our posts. Thanks for following from the whole crew: @alexhonnold @conradclimber @jimmy_chin @robfrostmedia @renan_ozturk. Photograph by Conrad Anker.
  • Ozturk-11.jpegClimbing can be so much more than a sport. It’s a lifestyle, an inclusive community, and set of ethics for interacting with the mountains. Within the iconic climbing meccas around the globe I’m constantly blown away by the spirit of the tribe. It’s what drives us to continue to share it to best of our ability.
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August 30, 2013

May the Road Rise to Meet You

“For the past forty years, my father has travelled around America as a telephone-pole salesman,” Sara Macel writes in the afterword to her forthcoming book, “May the Road Rise to Meet You.” The book is a visual narrative of her father’s professional life, the life he lived separately from their shared family experience. Macel and her father, Dennis, retraced his steps and photographed places he may have passed along the way.

“The most surprising thing I think we both realized,”—she wrote, of working on the project with her father—“is how similar our jobs are, and how much we related to each other when we started talking about our careers. My dad and I didn’t have a lot of common ground when we lived under the same roof. But, as an adult, to go back and work on this project together gave us the chance to sit together in the car for long stretches of highway with no one but each other to talk to … I think it came as a pleasant surprise to both of us just how much a photographer and a telephone salesman have in common.”

Macel’s work will be exhibited at the Daylight Project Space, in Hillsborough, N.C., from August 30th through October 20th. The book launch will take place as part of Photoville, a pop-up photo exhibit, starting September 19th, in Brooklyn Bridge Park. Click on the red arrows arrows3.jpg for a full-screen view.

  • Macel-Road0001.jpg“In the Company Car in 1981, Spring, Texas.”
  • Macel-Road0002.jpg“Recognition Lifts the Human Spirit," Spring, Texas.”
  • Macel-Road0003.jpg“Boots, Seaford, New York.”
  • Macel-Road0004.jpg“Where He Waits for Me, George Bush Intercontinental Airport, Houston, Texas.”
  • Macel-Road0005.jpg“Dennis Anthony Macel, Hitchcock, Texas.”
  • Macel-Road0006.jpg“House of Pies, Houston, Texas.”
  • Macel-Road0007.jpg“The Towering Figure, Huntsville, Texas.”
  • Macel-Road0008.jpg“Room 126, Sayville Motor Lodge, Sayville, New York.”
  • Macel-Road0009.jpg“After the Rain, Houston, Texas.”
  • Macel-Road0010.jpg“Morning Meeting with Plant Manager, Jasper, Texas.“
  • Macel-Road0011.jpg“Westbank Motel Revisited, Idaho Falls, Idaho.”
  • Macel-Road0012.jpg“Surveying, Tomball, Texas.”
  • Macel-Road0013.jpg“Motel Notes, Hilton Hotel, Omaha, Nebraska.”

Photographs by Sara Macel.

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