‘American Hustle,’ ‘Her,’ ‘Inside Llewyn Davis’ - more wistful than comedic
By splitting nominations between drama and comedy, the Golden Globes make some interesting distinctions
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Emma Thompson delivers a tart tour de force as ‘Mary Poppins’ author P.L. Travers in ‘Saving Mr. Banks.’
By splitting nominations between drama and comedy, the Golden Globes make some interesting distinctions
‘Go For Sisters’ may succumb to contrivance, but benefits from strong chemistry between its two actresses.
The world-conquering pop star gets freaky and funky on her fabulous new collection.
Notable recordings from the world of pop music.
Four things that jumped out about the telecast announcing the nominees for the Jan. 26 awards.
TV critic Hank Stuever picks his favorite shows: “Breaking Bad,” “Orange Is the New Black” and more.
TV REVIEW | Props to NBC for the ambition, but stiff acting zaps the beloved musical of its ebullience.
Post TV critic Hank Stuever discusses the good, bad and so-bad-its-good of TV.
You can say it in three words: curiosity, courage, generosity. Or you can say it in one word: Ripley.
The exhibition is part of a year-long cultural program organized by the Italian government.
Drawing by Martín Ramírez, one of the most famous self-taught artists of the 20th century, was found in 2009.
The new opera by a musical theater composer, written with children in mind, has an adroit, polished sound.
As WNO prepares to premiere a new work by Jeanine Tesori, some thoughts on children’s opera.
Deborah Rutter, coming to Washington after long career in arts administration, has loyal admirers.
The actor and animal rights supporter will narrate documentaries about, among other things, bear-hunting.
Actor will host the Emmy Awards for the second time this year after hosting the Tonys for the fourth time
TV COLUMN | “New Evidence” “documentary” follows last year’s “Mermaids: The Body Found.”
The familiar fairy tale is subtitled ‘A Gothic Romance’ and is more dance theater than ballet.
REVIEW | The Suzanne Farrell Ballet, as always, is so close, but ultimately frustrating.
Susan Marshall’s interesting new work, at the Terrace Theater, ends up seeming self-important, overworked.
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