Critic’s Notebook
Stalking Heritage Far From Home
By EDWARD ROTHSTEIN
About 80 Maya artifacts are on view in Los Angeles, home to many Guatemalans, to drum up support for a national heritage museum.
Philippe Vergne said his first priority in rebuilding the Museum of Contemporary Art in Los Angeles is to find a chief curator.
About 80 Maya artifacts are on view in Los Angeles, home to many Guatemalans, to drum up support for a national heritage museum.
Mikhail Baryshnikov is opening a fund-raising effort to give artists a space to work in Manhattan, through fellowships named for Merce Cunningham and John Cage.
The resourceful American Folk Art Museum continues to explore new ways of using its collection.
Most every aspect of the art world has been affected by high-priced galleries and collectors with deep pockets.
Chryssa, a Greek-born sculptor, began incorporating neon into her constructions in America in the 1960s, in time mastering the technical difficulties of the medium.
More than 90 models, sketches and images on display at the Yale School of Architecture in New Haven show how Ming Cho Lee sets up new worlds for actors.
Since the architects Ricardo Scofidio and Elizabeth Diller recommended razing the site of the former American Folk Art Museum designed by another well-known pair, the friendship of the two couples has come under stress.
Tobias Frere-Jones, in a lawsuit filed late, accused Jonathan Hoefler of luring him to the company in 1999 with the false promise that they would be 50-50 partners.
“An Opening of the Field” focuses on the San Francisco poet Robert Duncan and his life partner, the artist Jess, and the assorted band of offbeat artists and writers who found a common link in their friendship.
“Brooklyn Abolitionists/In Pursuit of Freedom,” at the Brooklyn Historical Society, spotlights extraordinary figures in the history of slavery and abolition in New York, and James W. C. Pennington, a preacher and abolitionist.
Andy Warhol’s 1964 film “Empire” is seven hours of the Empire State Building doing nothing. What’s it like to watch the whole thing?
“Piero della Francesca: Personal Encounters,” at the Metropolitan Museum, puts together Piero’s four devotional paintings in his 30-year career.
The Morgan Library & Museum’s first show of Spanish drawings covers four centuries with just 25 objects.
“Hooray for Hollywood!” celebrates the life and artistic eye of Holly Solomon, an art dealer with an outsize personality who often became the subject of artists’ portraits.
The Frick Collection has decided to keep its three Vermeers hanging side by side to capitalize on interest in a record-breaking show of Dutch paintings that closes there on Sunday.
Are they Bostonians or New Yorkers? Cherished chairs from colonial days go on display at the Bernard & S. Dean Levy gallery in New York, but their history is anything but clear.
Artists explore gang violence and the politics of immigration on the Mexican border.
The Museum of Fine Arts, Boston, presents an ambitious and revealing exhibition.
In China’s growing art market, now the second largest in the world, outsize auction results often overshadow false sales data and forged art.
Never mind the record auction prices for art: there are overlooked pockets of the art world still within the realm of affordability to collectors. With news about galleries, museum exhibitions, previews and more.
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