Tsuji Kako, Super Bowl, Art Wager, Seattle Art Museum, Frederic Remington
Authors in new book claim Phillips’ Van Gogh is fogery; Museum dispustes it.
A National Gallery exhibition opening May 11 will show how the two artists influenced each other’s work.
President Obama disses Art History majors
A judge said it was beyond his authority to let creditors create a board to value museum holdings.
The artist, whose “Dinner Party” once caused uptight Washington to send its regrets, returns to D.C.
Chicago and the need for women artists to known the history of women artists.
Charles Marville photo exhibit shows the transformation of 19th-century Paris. It wasn’t always pretty.
Firms will present plans to make the problematic but significant MLK building a “knock-your-socks-off” site.
“Extreme Measures,” his show at the New Museum, gives a much-needed shot in the arm to real masculinity.
George Zimmerman’s painting of an American flag for sale on EBay.
Portland Museum of Art to display most expensive painting sold at auction -- a triptych by Francis Bacon.
You can say it in three words: curiosity, courage, generosity. Or you can say it in one word: Ripley.
Key players line up to support Franklin School as ‘Kunsthalle’ arts space.
The exhibition is part of a year-long cultural program organized by the Italian government.
From English comedian Catherine Tate to SNL’s Chris Christie sketch, translation, or rather mistranslation, is inherently fraught with potential humor.
Are snowflakes really beautiful? Or is it our natural inclination to find beauty where there is only randomness and disorder?
Philip Kennicott is the Pulitzer Prize-winning Art and Architecture Critic of The Washington Post. He has been on staff at the Post since 1999, first as Classical Music Critic, then as Culture Critic. In 2011 he combined art and architecture into a beat that is focused on everything visual in the nation’s capital.
» Philip's citation on pulitzer.org