The National Catholic Review

Television

  • April 13, 2015

    Thomas Cromwell may have been a conniving, loathsome character in Robert Bolt’s “A Man for All Seasons,” but the advisor to King Henry VIII was granted redemption by Hilary Mantel in her novels Wolf Hall and Bringing Up the Bodies. (A third novel, The Mirror and the Light, is in the works.) Cromwell is the unlikely hero of these stories, his famous Hans Holbein portrait fully brought to life. Now Cromwell has received perhaps the...

  • March 30, 2015

    Surfing through today’s popular television series—“Game of Thrones,” “Boardwalk Empire,” “The Walking Dead,” “Sons of Anarchy”—one is met with a litany of ridiculously masculine men. It is as if the goal of every critically acclaimed series is to make Ernest Hemingway and Norman Mailer look like wimps. Call the Midwife is a welcome deviation from this trend. Now in its fourth season on PBS, “Call the Midwife” is first and foremost a series about women...

  • If you are wondering how many seconds pass before The Italian Americans, PBS's two-part series premiering Feb. 17, mentions The Godfather, here's a spoiler: precisely zero. Surprisingly, the documentary opens cold with Marlon Brando rasping the familiar line, “I'll make him an offer he can't refuse.”

  • November 3, 2014

    Fifteen years after the premiere of “The West Wing,” there are more television shows about politics than ever before, with “Scandal” among the biggest hits on broadcast television and a half-dozen others in production on various platforms. But the trend is not likely to boost interest in this fall’s real-life elections.

  • September 22, 2014

    This month Friends turns 20. When I was that age, 20 years ago, I lay on the hardwood floor of my first apartment on Chicago’s North Side with my own group of friends and cynically watched NBC’s newest collection of beautiful people trying to be funny. As we made sarcastic comments to one another about how improbable it was that the characters were able to pay rent on such a large apartment while working as a line cook and a waitress in New York City, we...

  • September 15, 2014

    When HBO first announced that it had greenlit a television series about the Rapture, one would have been forgiven for assuming we were in for yet another twist on Hollywood’s seemingly endless obsession with the post-apocalyptic. Given the popularity of recent “scripturally inspired” projects like “Noah” or “The Bible,” some sort of high-profile, supposedly Christian pseudo-science fiction was inevitable. If anything, the only surprise was that it had taken...

  • May 19, 2014

    Last summer, Netflix released Orange Is the New Black, the based-on-real-events story of an upper-crust white woman sentenced to 15 months in a women’s correctional facility for her involvement years before in a drug-running operation. The show was created by Jenji Kohan, whose previous half hour dramedy “Weeds,” about a suburban mom who sells pot, began a cottage industry of shows about anti-heroines for Showtime, including “Nurse Jackie,” “United...

  • March 31, 2014

    I can’t tell whether I was actually sick the week season two of Netflix’s House of Cards dropped, or if I was glued to the couch because I just couldn’t stop watching. Based on a series of novels by Michael Dobbs, later turned into a three-season show on the BBC in the 1990s, the American version of “House of Cards” charts the Richard III-like course of Frank Underwood (Kevin Spacey), the Democratic majority whip in the House of Representatives, and...

  • Late on Sunday nights when I was a kid I used to sneak downstairs to our family TV room, where more often than not my father was asleep in his chair, the news or sitcom reruns droning on. I would do my best to slip the remote control from off his chair, turn down the volume and switch the channel. It was never easy—like fathers everywhere, he had a preternatural ability to awaken from even the deepest of slumbers when the remote left his immediate proximity or a show came on that did not...

  • November 11, 2013

    Homeland entered its third season showered with awards and critical acclaim. The Showtime series is considered iconic of contemporary, post-9/11 America. It is replete with terrorist cells, drone strikes, wounded veterans and covert surveillance of civilians. Yet this icon unsettles rather than soothes because it raises the same question as Shakespeare’s “King Lear”: when the world turns to tempest, who is crazy and who is sane? That query is...