The New Vanguard
Andrew Cyrille’s Late-Career Renaissance
With his two new albums, “The Declaration of Musical Independence” and “Proximity,” this jazz drummer displays his insight and ingenuity.
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With his two new albums, “The Declaration of Musical Independence” and “Proximity,” this jazz drummer displays his insight and ingenuity.
By NATE CHINEN
The festival’s closing marathon set featured Terrace Martin, the Marc Ribot Trio, Lisa Fischer and Liberty Ellman.
By NATE CHINEN
As Bob Dylan has said, his songs “didn’t get here by themselves.” Here’s a sampler of his influences, from Woody Guthrie to the Kinks, alongside the tracks he made famous.
By GUILBERT GATES
Ms. Chase, who started the International Contemporary Ensemble in 2001, said she wanted to spend more time performing with the music collective and playing solo.
By MICHAEL COOPER
Lincoln Center’s main fall offering began with “human requiem,” a theatrical performance by the Berlin Radio Choir.
By JAMES R. OESTREICH
The St. Paul Chamber Orchestra’s concert at the 92nd Street Y was a reminder that in certain quarters, participatory democracy is alive and well.
By CORINNA da FONSECA-WOLLHEIM
The New York Philharmonic performed works by the Finnish composer Kaija Saariaho inside the Park Avenue Armory’s cavernous drill hall.
By ANTHONY TOMMASINI
For this high-achieving couple, the quiet of the day makes it a great time to work on music for four or five hours.
By JOHN LELAND
The series, started by Alan Gilbert, has emerged as an important part of the city’s musical and intellectual life, presenting 21 world premieres.
By MICHAEL COOPER