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Archive for the ‘Discovery’ Category

In in the vast, global virtual museum of the Artstor Digital Library, women are rising to the top. Our recent use statistics reveal that portraits and likenesses of the fairer sex (your interpretation…) dominate. The subject of women prevailed among the top 20 hits, with, you guessed it, Leonardo’s Mona Lisa, c. 1505, his serene queen, as number one (more than 12,000 views), followed closely by the Venus of Willendorf, c. 30,000-25,000 B.C.E., and Manet’s Olympia, 1863, each a distinctive icon of a particular era.

Among our fine and plentiful selections from the Berlin State Museums (Staatliche Museen zu Berlin), Warhol’s silkscreens of Marilyn, 1967, arguably the modern Mona Lisa, topped the charts, prevailing over favorites by Pieter Bruegel I, Caspar David Friedrich, Jan van Eyck and Hans Holbein the Younger. At MoMA, another version, the Gold Marilyn Monroe, 1962, figured among the top ten, and its shimmering ground recalls so many Byzantine and early Italian Madonnas, like Giotto’s Ognissanti Madonna, c. 1310, one of the most frequented images across all of our collections.

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Jean-Michel Basquiat; Gastruck; 1984; Exhibited at Pace Gallery, Spring 2010. Image and original data provided by Larry Qualls; © 2014 The Estate of Jean-Michel Basquiat / ADAGP, Paris / Artists Rights Society, New York

Jean-Michel Basquiat; Gastruck; 1984; Exhibited at Pace Gallery, Spring 2010. Image and original data provided by Larry Qualls; © 2014 The Estate of Jean-Michel Basquiat / ADAGP, Paris / Artists Rights Society, New York

The Larry Qualls Archive of Contemporary Art surveys almost three decades of work exhibited in the New York area from 1988-2012. In this post, we consider the personalities and forces that dominated the art world in the 1980s. See also the 1990s and the 2000s

Quall’s collection opens during the hurly-burly of the 1980s, the era of Reaganomics and Wall Street’s “greed is good,” and the rise of AIDS. It was also a time when the booming stock market transformed street artists into superstars.  

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Donkey-Elephant Display Base, ca. 1956

Donkey-Elephant Display Base, ca. 1956. Cornell University Library, Rare & Manuscript Collections, Susan H. Douglas Political Americana Collection

Take a deep breath, the presidential debates are finally over. But brace yourselves, we still have a couple of weeks of campaigning left until the actual elections. Why the negative tone? Well, the Washington Post reported that “59 percent of Americans are sick and tired of the election”–and that was way back in July! And we’re not just sick and tired, we’re also stressed: in a more recent poll by the American Psychological Association, 52 percent of American adults said the upcoming election is a significant source of stress.

Can we interest you in a tour of more innocent days from Cornell University’s Political Americana Collection in Shared Shelf Commons? Days in which campaigns featured such lighthearted items as songs like “Grant is the Man,” promoting Ulysses S. Grant, or “Let’s O-K, I-K-E,” about Dwight “Ike” Eisenhower.

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Hablot Knight Browne, The London Stereoscopic Company; The Ghost in the stereoscope; 1856 - 1859. Image and original data provided by Rijksmuseum: https://www.rijksmuseum.nl

Hablot Knight Browne, The London Stereoscopic Company. The Ghost in the stereoscope, 1856 – 1859. Image and original data provided by Rijksmuseum: http://www.rijksmuseum.nl

In 1862, amateur photographer William H. Mumler of Boston took a self-portrait in his studio, unaware of a ghostly apparition lurking directly behind him. It wasn’t until he viewed the resulting image of a pellucid arm draped casually across his shoulder that he realized the camera must have exposed the lingering spirit of his deceased cousin. With this eerie, novel image, Mumler, a jewelry engraver by trade, became the first of many photographers to claim having photographed a spirit. Photographs like Mumler’s provided timely evidence that spirits of the deceased freely interacted with the world of the living–a discovery he would milk for profit within the framework of the Spiritualist movement.

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The Christian festival of Michaelmas, also known as the Feast of Saint Michael the Archangel, is celebrated in many parts of the world on September 29.

Michaelmas celebrates the story of Saint Michael defeating Satan, which is often depicted in the motif of Saint George and the Dragon, Saint George being the Archangel Michael’s earthly counterpart. The earliest depictions of this story go all the way back to the 10th century. The images of Saint George fighting the dragon in the Artstor Digital Library span centuries. (more…)

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We invited Stanton Belford, Ph.D., assistant professor of biology at Martin Methodist College, to tell us about his three Marine Biology collections in Shared Shelf Commons: Red Sea, Trinidad, and Key Largo.

Bearded fireworm

Bearded fireworm (Hermodice carunculata). From the Martin Methodist College Marine Biology Collection: Trinidad

Before describing the marine biology digital collections, I would like to mention I first became interested in marine science thanks to my high school teacher, who allowed us to experience informal science education with the reefs as our classroom. Here I saw a kaleidoscope of colors bursting through the ocean’s blue: corals, fishes, invertebrates, all hidden underwater, just waiting for my eager eyes to discover them.

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 Southworth & Hawes, Early Operation Using Ether for Anesthesia, late spring 1847. Image and original data provided by The J. Paul Getty Museum

Southworth & Hawes, Early Operation Using Ether for Anesthesia, late spring 1847. Image and original data provided by The J. Paul Getty Museum

In 1846, dentist William T. G. Morton assembled a group of doctors in the operating theater at Massachusetts General Hospital, a sky-lit dome located on the hospital’s top floor. As the doctors watched from the dome’s stadium seating, Morton waved a sponge soaked in a mysterious substance called Letheon inches from his patient’s face. The patient quickly lost consciousness and remained completely still as a surgeon removed a tumor from his neck. Upon waking, the patient declared to his astonished audience that he had felt no pain. This surgery marked the first time the effective and safe use of anesthesia was demonstrated publicly, ending centuries of agonizing pain during surgery. It would also quickly spiral into a dramatic controversy surrounding Letheon’s discovery.

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