The more than 350,000 photographs in the Artstor Digital Library are not only there for the study of art—they also tell stories of our past. One of the best examples is that of Robert Capa’s breathtaking photographs of Omaha Beach on D-day in German-occupied France on June 6, 1944.
That day Western Allied forces landed on the beaches of Normandy in France and began the effort to liberate Europe from Nazi Germany. The invasion was originally planned for May 1stbut was delayed due to bad weather. Finally, on June 6th, 156,000 Allied troops stormed the beaches – losing between 2,400 and 4,000 lives – and Robert Capa was there to capture it on camera.
Condé Nast is providing nearly 10,000 additional images to the Artstor Digital Library, bringing their total contribution to approximately 33,000. The release encompasses images from the Condé Nast Archive of Photography, selections from the Fairchild Photo Service, and signature cartoons from The New Yorker. Highlights of the new release include striking and innovative images from Vogue photographers Clifford Coffin and Louise Dahl-Wolfe, and ravishing food stills by Romulo Yanes.
The Condé Nast Archive is a leading repository of photography, featuring fashion, celebrity, and lifestyle shots from publications such as Glamour, Vanity Fair, and Vogue, dating from the 1890s to the present. The glamour and star power of fashion is represented in the commercial work of Edward Steichen and Horst P. Horst, through to contemporary takes from the runways of international style capitals, including the work of Patrick Demarchelier. The Fairchild Photo Service, comprised of more than three million photos gathered over six decades, is the fashion world’s preeminent image gallery. The New Yorker‘s cartoons are legendary for their incisive wit and for shedding light on the lives and foibles of the city’s dwellers from the Depression through to the era of “fake news.” The magazine’s cartoonists include renowned figures like Peter Arno, Roz Chast, Otto Soglow, William Steig, James Thurber, and Gahan Wilson. (more…)
Magnum Photos and Artstor are now sharing more than 35,000 additional images in the Digital Library, bringing our total to approximately 116,000* of the world’s most recognized photographs. The new release spans the globe from Alaska to the Amazon and Oman to the Arctic Circle.
Among the highlights are black and white shots of daily life in Europe by Raymond Depardon; Middle Eastern tensions and traditions observed by Abbas; elegant staged portraits from Marilyn to Einstein by Philippe Halsman; Martine Franck’s images of both ordinary people and luminaries; a vibrant sequence in India by Alessandra Sanguinetti; and Thomas Hoepker’s striking painterly landscapes. The collection also documents present-day concerns with photographs from geopolitical hotspots like Fukushima, Donetsk, and Aleppo. (more…)
Panos Pictures is contributing 1,511 additional photographs of contemporary global issues to the Artstor Digital Library, increasing our holdings from their archive to more than 33,000 images. Recent materials document some of the most significant events and forces of the last decade: the refugee crisis as it plays out in camps in Greece, Kurdistan, and Myanmar; the effects of Ebola; and the worldwide implications of climate change and drought.
Panos Pictures was founded as a photo agency in 1986 by the current director Adrian Evans (it was originally linked to Panos London, an organization that promoted the freedom of the media and proliferation of information and debate in developing countries). In 2011, the 25th anniversary of the agency, Evans expressed its ethic: “We believe in the photography of ideas. Not content with merely witnessing, Panos photographers seek out stories that matter with the aim of interpreting rather than simply recording. We are not afraid to take a position on current events or contemporary issues and offer perspectives that challenge commonly held assumptions.” The name Panos, a classical Greek term meaning beacon, defines the mission. For more than three decades Panos Pictures has worked with the commercial and nonprofit sectors, to campaign and to communicate with new and diverse audiences through a range of media including exhibitions, multimedia, books and video, and long-term documentary projects. (more…)
Black iceberg. 1909. Image provided by Cornell University.
Cornell’s Historic Glacial Images of Alaska and Greenland archive is a magnificent photographic assemblage of Arctic expeditions undertaken by Cornell faculty in the late 19th and early 20th centuries. The majority of photographs document sweeping views of glaciers, their boundaries, and coordinates. Others portray explorers crossing the Arctic terrain by boat, foot, sled, and train, revealing the human effort involved in traversing the Arctic for scientific purposes. These expeditions sought to research the development and behavior of glaciers from a scientific perspective during a period in history when public interest in the Arctic surged. Today, the images in this archive have become a locus for interdisciplinary research.
Artstor’s Megan O’Hearn sat down with Cornell faculty members Matthew Pritchard, associate professor of geophysics, and Aaron Sachs, associate professor of history, to learn about their collaborative approaches to understanding and illustrating the process and impact of global warming using this incredible archive.
Meg O’Hearn: Can you give us a quick history of Cornell’s Historic Glacial Images of Alaska and Greenland archive?
Matthew Pritchard: The photographs are part of the Cornell archives and are particularly related to two Cornell faculty members. One is Ralph Stockman Tarr, who became a faculty member starting in 1892, and the other is one of his students who eventually became a faculty member, Oscar Von Engeln. The collection is an assemblage from different expeditions made by various Cornell faculty and students between 1896 and 1911. All those photographs were in the archives with the rest of the documents from these two people, but we weren’t aware of them until an Emeritus faculty in our department was cleaning his office and brought us a box of glass plates that had not been included in that collection.
Thomas Hope: Regency Designer, Installation view; 2008. Image and original data contributed by Bard Graduate Center Gallery
Artstor and Bard Graduate Center have released approximately 2,600 exhibition installation photographs in the Artstor Digital Library.
Bard Graduate Center is an academic unit of Bard College that offers advanced degrees in decorative arts, design history, and material culture. Founded in 1993 in New York City, it is comprised of its MA and PhD programs, Gallery, and acclaimed Research Institute. Located in a six story townhouse half a block from Central Park, the Gallery is an intimate environment for viewing loan exhibitions curated by the Center’s faculty, staff, students, or specialized curatorial consultants, frequently in collaboration with renowned institutions such as the Metropolitan Museum of Art, Victoria and Albert Museum, and the New-York Historical Society.
To celebrate the recent addition of nearly 500 images from SFMOMA’s permanent collection to the Artstor Digital Library, Nancy Minty, Artstor’s collections editor, examines more than 80 years of a pioneering institution.
Since 2009, the San Francisco Museum of Modern Art has partnered with Artstor to bring highlights of its collection to our community. The full collection of SFMOMA includes approximately 30,000 works of painting, sculpture, photography, architecture and design, and media arts. It represents artists from the early 20th century onwards, spanning Henri Matisse and Meret Oppenheim in the first decades, through Louise Bourgeois, Dorothea Lange, and Richard Diebenkorn at the century’s midpoint, and on to Sol Lewitt, Robert Rauschenberg, Richard Serra in its later years. Most recently, iconoclasts like Doris Salcedo, Marilyn Minter, and Ai Weiwei have led the collection into the new century (more…)