At the Met Opera, a Note So High, It’s Never Been Sung Before
It’s an A above high C — the equivalent of a pole vault to the sun. Few performers can hit it, but it’s a requirement in “The Exterminating Angel.”
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It’s an A above high C — the equivalent of a pole vault to the sun. Few performers can hit it, but it’s a requirement in “The Exterminating Angel.”
By ZACHARY WOOLFE
A year after filing for bankruptcy, a beloved cultural institution returns to Lincoln Center.
By ALEXIS SOLOSKI
Mr. Hallberg, the American Ballet Theater principal and paragon of classical style, has a new memoir about life, dancing and returning from an injury.
By ROSLYN SULCAS
When Ms. Adlon of FX’s “Better Things” first got her period, she was starved for information. Now she tries to give her daughters way too much.
By PAMELA ADLON
As he marks the 40th anniversary of his band’s influential album, Richard Hell is more focused on writing, both his own and that of the literary figures he admires.
By BRETT SOKOL
The Emirates’ aim: to promote the capital as a tolerant global city, and its flagship museum, opening this week, as a bridge between civilizations.
By DOREEN CARVAJAL
Germany’s new television thriller, set during the chaotic, vibrant democracy that preceded the Nazi years, is poised to be an international hit.
By SIOBHÁN DOWLING
Three choreographers tackle the question of “what is ballet?” Only Twyla Tharp seems to know the answer.
By ALASTAIR MACAULAY
The organization, which awards the Primetime Emmys, says widespread examples of the Hollywood producer’s behavior toward women are “deeply disturbing.”
By AUSTIN RAMZY