Arts

Dance

  2. George Etheredge for The New York Times

    Lar Lubovitch: Confessions of a Former Go-Go Dancer

    Mr. Lubovitch, who’s been a choreographer for 50 years, talks about his work and learning from the best: Graham, Limón and the stage of a nightclub.

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    Empowerment, Martha Graham-Style

    A section of “Chronicle” (1936), Graham’s scorching, all-female response to fascism.

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    Haunted by the Familiar

    The choreographer and dancer Jack Ferver made this duet, part of his new show “Everything Is Imaginable,” for himself and his old friend Reid Bartelme.

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    Tape Heads and Bodies

    In “What will we be like when we get there,” Joanna Kotze and Netta Yerushalmy share the stage with a composer, who creates the score live, and an artist, who uses tape to paint the floor.

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    When Shakers Were Movers

    Watch an excerpt from Reggie Wilson’s latest dance, “ … they stood shaking while others began to shout,” inspired by black Shakers — specifically, the religious activist Mother Rebecca Cox Jackson.

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    A Playful, Diabolical Merce Solo

    Watch Bria Bacon of the Stephen Petronio Company dance part of a virtuosic, difficult solo from Merce Cunningham’s “Signals.”