Pamela Drucker Mann was named chief revenue and marketing officer of Condé Nast in September 2017. In this role, Drucker Mann oversees all ad sales and consumer revenue efforts for the company in addition to all consumer and industry marketing.

Drucker Mann was appointed chief marketing officer for Condé Nast in January 2017.  Prior to that role, Drucker Mann served as chief revenue officer and publisher of The Food Innovation Group (FIG).  In 2014, Drucker Mann added Epicurious to her Bon Appétit portfolio and shortly thereafter formed The Food Innovation Group to jointly sell the industry’s leading food content brands together, creating meaningful audience scale for the company’s advertising partners.  In October 2015, Drucker Mann created the FIG Video Network, which catapulted to the #1 food video platform within the lifestyles-food category.  The Food Innovation Group is now comprised of six brands: Bon Appétit: Where Food + Culture Meet; Epicurious: The Ultimate Food Resource; Healthyish: Good Food, Good Health, Good Vibes; City Guides: The Best in Food Travel from the BA Editors; The Farm: Innovative Content Straight from the Source; The FIG Influencers Network: Recipes for Real Life by over 1,000+ bloggers. Drucker Mann joined Bon Appétit in January 2011 as publisher and vice president.  Under her leadership, sales results and market innovations have earned the brand a position for five consecutive years on The Advertising Age A-List and five years on the Adweek Hot List.  She is an Advertising Age Media Maven, the 2015 Advertising Age Publishing Executive of the Year, an Adweek First Mover, a 2016 Folio Top Women in Media in the Entrepreneur category and a member of Adweek’s inaugural 30 Most Influential People in Food. Sources: comScore August 2011 vs. December 2016 (Unduplicated reach of Food Innovation Group Influencers Network + Spoon University in 2016), MRI Fall 2016 vs. Fall 2011, Shareablee December 2016 v Internal Reporting August 2011

Susan Plagemann is the chief business officer of The Style Division, which includes Vogue, GQ, GQ Style, Glamour, Allure and Iris. She oversees consumer revenue for this collection of brands, and leads all fashion and beauty sales for the company.

Plagemann previously served as chief revenue officer and publisher of Vogue since January 2010 and her outstanding track record in building media brands has been pivotal to the development of Vogue. Under Plagemann’s leadership, Vogue has received numerous industry accolades including ASME’s 2015 Magazine of the Year Award and 2013 General Excellence Award. Plagemann was recognized with Condé Nast’s General Record Profit Award in 2014 and the previous year, she received Condé Nast’s first-ever Three-Year Plan Award for building record levels of profitability and growth from 2010 to 2012. In 2012 Plagemann was named along with Vogue’s editor-in-chief, Anna Wintour, as No. 9 on Adweek’s Top 50, and she won both Condé Nast’s Publisher of the Year and the Outstanding Business Performance Award in 2011. From 2004 to 2009, Plagemann was vice president and publisher of Marie Claire, where she helped to re-establish the brand. She held the same role at Lifetime magazine from 2003 to 2004 and was publisher of Cosmopolitan from 1999 to 2003. She was the advertising manager of Esquire in 1995 and was subsequently named associate publisher, advertising. Plagemann began her career at Mademoiselle, where she held a variety of positions.

Chris Mitchell is the chief business officer of The Culture Division, which includes Vanity Fair, The New Yorker, Wired, Teen Vogue, Pitchfork, Ars Technica and Them. In addition to overseeing this division of brands, he manages revenue for the auto, technology, finance, luxury, spirits and entertainment categories across Condé Nast.

Mitchell most recently served as publisher and chief revenue officer of Vanity Fair, a role he held since September 2014. In 2016, he was named Condé Nast’s CRO of the Year for exceeding the company’s aggressive digital growth goals by growing Vanity Fair’s digital advertising revenue by 71% and video revenue by 41% over the previous year.

Mitchell was previously vice president and publisher of GQ, which he drove to record revenue levels in 2013. Since 2001, Mitchell also has served as vice president and publisher of Condé Nast Traveler, Wired and Details, and associate publisher of The New Yorker.

Outside of Condé Nast, Mitchell launched and served as publisher of One, an independent digital and print media company. He also was advertising director of Wired prior to its purchase by Condé Nast in 1998.

Mitchell received an M.A. in publishing from New York University and a B.A. in English from the University of California, Berkeley.

Eric Gillin is the chief business officer of The Lifestyle Division, which includes Bon Appétit, Epicurious, AD, Condé Nast Traveler and Self. He oversees consumer revenue for this collection of brands, and manages category sales in CPG, travel, home, golf and health for the company.

Gillin was previously digital general manager of AD, Condé Nast Traveler and the Food Innovation Group (FIG), which includes Bon Appétit and Epicurious. Since Gillin joined Condé Nast in 2012, he also served as the executive director of Epicurious, overseeing digital and content strategy, and as the head of product for FIG, running digital product strategy across both Epicurious and Bon Appétit. In February 2015, Gillin relaunched the Epicurious brand and website; less than a year later, Epicurious traffic had more than doubled, driven by a thousand-fold increase in video and a three-fold increase in social media traffic. Under his leadership, revenue also reached an all-time high, with video revenue quintupling from 2015 to 2016. Gillin also helped establish the new Healthyish vertical in January 2017. Prior to joining Condé Nast, Gillin was a digital jack-of-all trades at Hearst, where he ran content strategy and developed products for a wide portfolio of brands, winning the Hearst Innovation Award in 2010. He was Esquire’s first full-time web editor and ultimately became the first director of the Hearst Men’s Network. Additionally, he relaunched Good Housekeeping, Cosmopolitan and developed apps for House Beautiful, Marie Claire and Country Living. Prior to his six years at Hearst, he was the entertainment editor for Maxim magazine.