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Alan Menken was born July 22nd, 1949 at French Hospital in New York City, to young aspiring actress/playwright, Judy Menken and boogie-woogie piano-playing dentist, Norman Menken, DDS. He grew up in a home, filled with music and theater (and comedy and drama) in New Rochelle, New York, along with his sisters, Faye and Leah. As of this writing, his parents still live happily in that house. All members of the Menken family continue to grow and prosper. Alan considers himself very blessed in this respect.
Too bad he’d never be able to make a living doing that. What could he do? That stress became a peptic ulcer in Junior High School, which Alan didn’t fully cure until those magical, psychedelic, wonderful hippie years of 1967 thru 1971, which just happened to coincide with the period he attended New York University’s College of Arts and Sciences, where Alan drifted from Pre-Med to Anthropology major to Philosophy major to finally graduating with a degree in Musicology. Most importantly, he escaped to the piano practice room every chance he got and wrote songs and a Musical for the Hall of Fame Players; SEPARATE WAYS (featuring that musical theater classic – “Thank God for Marijuana”.)
Upon graduating from NYU, he took a collection of his songs and wrote a rock-ballet for The Downtown Ballet Company, called CHILDREN OF THE WORLD. The work itself has mercifully faded into the distant past, but one aspect of that experience became the best moment in his life; meeting a beautiful ballet dancer named Janis Roswick. As of November 26th, 2013, they are together 42 years and married for 41.
Then came LITTLE SHOP OF HORRORS, the musical that put Ashman and Menken on the map as in-demand, up-and-coming musical theater writers. Based on the Roger Corman B-movie classic, it opened at the WPA Theater in the spring of ’82, to great reviews, lines around the block and countless offers from producers. It moved to the Orpheum Theater on 2nd Ave and St. Marks Place, where it ran for over 5 years and set the box-office record for highest grossing Off-Broadway show of all time. Productions followed in Los Angeles and London, along with national tours and all the rest. Most exciting was a movie deal, which opened doors to Hollywood.
When Howard Ashman called Alan about coming to work at Disney, the headline for Alan was the fact that they were re-uniting. (Howard had been collaborating with Marvin Hamlisch on a stage musical of SMILE for years; wearing the book writer, lyricist and director hats). The project was THE LITTLE MERMAID and the opportunity was amazing; to create an animated musical that could sit on the shelf alongside SNOW WHITE and CINDERELLA. They began work in New York and then shifted to working in Los Angeles, as Ashman was also wearing the Executive Producer’s hat.
A flood of other opportunities opened up for Alan Menken, as the high profile successes of the Disney projects brought him attention and acclaim. He wrote music and lyrics for “The Measure of a Man”, the end-credits song for ROCKY V; sung by Elton John. He and Jack collaborated on “My Christmas Tree” from HOME ALONE 2. Madison Square Garden approached him about writing a musical of A CHRISTMAS CAROL to be performed annually at their 6000-seat theater. For that project he worked with Lynn Ahrens (RAGTIME, SEUSSICAL) as lyricist and co-book writer. Mike Ockrent (ME AND MY GIRL, CRAZY FOR YOU) and Susan Stroman (THE PRODUCERS, CONTACT) directed and choreographed.
During their work together on ALADDIN and the BEAUTY Broadway show, Alan and Tim Rice began discussing writing a project together. When approached by the Jerusalem 3000 Committee about writing a work about King David, the timing was perfect. Menken and Rice traveled to Israel to meet with liturgical scholars and high government officials. It was a time of peace and hopefulness among both Jews and Palestinians but before the work was completed, Israeli Prime Minister Yitzhak Rabin was assassinated and the short-lived political calm in Israel was shattered. Instead of performing the work at the Sultan’s Pool, just outside the walled city of Jerusalem, it had its premiere at the New Amsterdam Theater on 42nd Street, on Broadway. Menken and Rice continue to rework KING DAVID and it continues to be performed.
The stage adaptation of THE LITTLE MERMAID opened on Broadway in 2007, with added new songs written by Menken and lyricist Glenn Slater who were nominated for Tony Awards for Best Original Score. The show has subsequently had successful productions around the world including Europe, Russia and Japan.
Alan Menken broke a new milestone when he became the first songwriter in 13 years to have 3 new shows running concurrently on Broadway with SISTER ACT, LEAP OF FAITH and NEWSIES.