Recent chapters in this series (18 titles)

• ‘Canterbury Music’ and Music in Canterbury
• ‘Free Range: A Canterbury Scene’
• Biographical Interviews and Reflections: Ethnographic Conversations from within the Canterbury Sound
• Blue Gems and Colliding Moons: Furthering the Canterbury Underground
• Canterbury’s Paths through the States
• Contemporary Pocket Music Scene within Canterbury: An Ethnographic Study on D.I.Y. Student Bands
• From a Fan’s Point of View: Biographical Encounters with the Canterbury Sound
• From Canterbury to Kamijima: A Musical Journey
• Humour and Gender of the ‘Mischievous Imaginary’ within the Canterbury Sound of Soft Machine, Gong and Caravan¹
• Introduction and Leitmotifs
• Locating Robert Wyatt: The Canterbury Sound and ‘Quintessential Englishness’
• Researching and Documenting the Scene – Online and Offline
• Songs from the Bottom of a Well or Morpheus in the Underworld: Some Thoughts on the Music and Lyrics of Kevin Ayers^*
• The Canterbury Scenius
• The Canterbury Sound – From the Beginning
• The Canterbury Sound as Local, Trans-local and Virtual Scene
• The Sinclair Spectrum and Pathways of Artistic Influence
• The Story of Facelift – A Fanzine Exploring the Canterbury Scene and Beyond in the Pre-internet Age – And Its Role in Knitting Together an International Community of Fans