|
The Adventures of Jonathan Dennis: Bicultural Film Archiving Practice in Aotearoa New Zealand
|
2016
|
|
Alternative Projections: Experimental Film in Los Angeles, 1945-1980
|
2015
|
|
American Cinematographers in the Great War, 1914-1918
|
2016
|
|
Animated Worlds
|
2006
|
|
Animation: Art and Industry
|
2012
|
|
Animation Behind the Iron Curtain
|
2020
|
|
Art in Motion, Revised Edition: Animation Aesthetics
|
2014
|
|
Beasts of the Deep: Sea Creatures and Popular Culture
|
2018
|
|
Beasts of the Forest: Denizens of the Dark Woods
|
2019
|
|
Beyond the Screen: Institutions, Networks, and Publics of Early Cinema
|
2016
|
|
The Call of the Heart: John M. Stahl and Hollywood Melodrama
|
2018
|
|
Chronology of the Birth of Cinema 1833–1896
|
2022
|
|
Cinema as a Worldbuilding Machine in the Digital Era: Essay on Multiverse Films and TV Series
|
2022
|
|
Communications Media, Globalization, and Empire
|
2016
|
|
The Disney Fetish
|
2015
|
|
Early Cinema and the "National"
|
2016
|
|
Early Cinema Today, KINtop 1: The Art of Programming and Live Performance
|
2012
|
|
Estonian Animation: Between Genius and Utter Illiteracy
|
2006
|
|
Experimental Film and Video: An Anthology
|
2015
|
|
Expressionism and Film
|
2016
|
|
Film 1900: Technology, Perception, Culture
|
2015
|
|
Fort Lee: The Film Town (1904-2004)
|
2004
|
|
Garsington Revisited: The Legend of Lady Ottoline Morrell Brought Up-to-Date
|
2017
|
|
Haunted by Vertigo: Hitchcock's Masterpiece Then and Now
|
2021
|
|
John Coates: The Man Who Built the Snowman
|
2012
|
|
Jumping the Color Line: Vernacular Jazz Dance in American Film, 1929–1945
|
2021
|
|
The Kinetoscope: A British History
|
2017
|
|
London's Arts Labs and the 60s Avant-Garde
|
2020
|
|
Making a Splash: Mermaids (and Mer-Men) in 20th and 21st Century Audiovisual Media
|
2017
|
|
The Man Who Made Movies: W.K.L. Dickson
|
2008
|
|
Mary Ellen Bute: Pioneer Animator
|
2020
|
|
The Matter of Vision: Affective Neurobiology & Cinema
|
2015
|
|
A Million Pictures: Magic Lantern Slides in the History of Learning
|
2020
|
|
Moving Images: From Edison to the Webcam
|
2016
|
|
Networks of Entertainment: Early Film Distribution 1895–1915
|
2007
|
|
Nordisk Films Kompagni 1906-1924, Volume 5: The Rise and Fall of the Polar Bear
|
2017
|
|
Performing New Media, 1890-1915
|
2015
|
|
Pictures of Poverty: The Works of George R. Sims and Their Screen Adaptations
|
2021
|
|
Power Misses II: Cinema, Asian and Modern
|
2020
|
|
A Reader In Animation Studies
|
1997
|
|
Reel Change: A History of British Cinema from the Projection Box
|
2022
|
|
Scaled for Success: The Internationalisation of the Mermaid
|
2018
|
|
Screen Culture and the Social Question, 1880-1914, KINtop 3
|
2016
|
|
Screening the Stage: Case Studies of Film Adaptations of Stage Plays and Musicals in the Classical Hollywood Era, 1914-1956
|
2017
|
|
Silver Screen to Digital: A Brief History of Film Technology
|
2019
|
|
Stan Brakhage the realm buster
|
2018
|
|
Tex Avery: A Unique Legacy
|
2006
|
|
The Tortoise in Asia
|
2015
|
|
Widening the Horizon: Exoticism in Post-War Popular Music
|
1999
|