Skip to main content
Hilton Als head shot - The New Yorker

Hilton Als

Hilton Als became a staff writer at The New Yorker in 1994 and a theatre critic in 2002. He began contributing to the magazine in 1989, writing pieces for The Talk of the Town. He won the Pulitzer Prize for criticism in 2017 for his New Yorker work.

Before coming to The New Yorker, Als was a staff writer for the Village Voice and an editor-at-large at Vibe. Als edited the catalogue for the 1994-95 Whitney Museum of American Art exhibition “Black Male: Representations of Masculinity in Contemporary American Art.” His first book, “The Women,” was published in 1996. His most recent book, “White Girls,” a finalist for the National Book Critics Circle Award and the winner of the Lambda Literary Award in 2014, discusses various narratives of race and gender.

In 1997, the New York Association of Black Journalists awarded Als first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for creative writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. In 2016, he received Lambda Literary’s Trustee Award for Excellence in Literature. In 2018, Als received the City College of New York’s Langston Hughes Medal.

In 2009, Als worked with the performer Justin Bond on “Cold Water,” an exhibition of paintings, drawings, and videos by performers, at La MaMa Gallery. In 2010, he co-curated “Self-Consciousness,” at the VeneKlasen/Werner gallery, in Berlin, and published “Justin Bond/Jackie Curtis.” In 2015, he collaborated with the artist Celia Paul to create “Desdemona for Celia by Hilton,” an exhibition for the Metropolitan Opera’s Gallery Met. “Alice Neel, Uptown,” which Als curated in 2017, was selected by three of Artforum’s critics as one of the ten best shows of the year. His accompanying book on the artist was also widely praised.

Als is a teaching professor at the University of California, Berkeley, an associate professor of writing at Columbia University’s School of the Arts, and has taught at Yale University, Columbia University, Wesleyan University, and Smith College. He lives in New York City.

The Warhol “Superstar” Candy Darling and the Fight to Be Seen

The sui-generis trans actress inspired works by Warhol, Lou Reed, and others, yet never broke through to the mainstream herself. A new book captures the brilliant persona she created.

Brightening the History of Harlem

Denise Murrell, in her exhibition on the Harlem Renaissance at the Met, captures the joy of her subject but not the complex humanism.

Betye Saar Reassembles the Lives of Black Women

The artist restores depth and interiority to the caricatures of racism.

Michelle Buteau’s Caring Comedy

Sentiment and a sense of community provide the framework for the comedian’s new standup show, “Full Heart, Tight Jeans.”

How Michael R. Jackson Remade the American Musical

“A Strange Loop,” a story about a Black, gay theatre nerd, was a surprise success. In his latest work, “White Girl in Danger,” Jackson reimagines the soap opera.

Senga Nengudi’s Journeys Through Air, Water, and Sand

In a show at Dia Beacon, the artist explores her poetics of the body and her philosophical belief in flow.
Postscript

Always Something There to Remind Me

Burt Bacharach’s complex, existential pop.

John Ahearn and Rigoberto Torres’s Portraits of the South Bronx

“Swagger and Tenderness,” at the Bronx Museum, brings back the beauty of a struggling community.

Robin Coste Lewis’s Family Album

The poet’s new book of photographs and verse is haunted by the dead who will not stay dead.

Two Views of New York, from Edward Hopper and a Historic Black Gallery

Museum shows capture the great realist painter’s vision of the city and, at Just Above Midtown, the work of artists of color from the seventies and eighties.

A Portrait of David Bowie as an Alienated Artist

The musician was a consummate showman, but “Moonage Daydream,” a new documentary, rarely shows him at play.

The Revelations of Thom Gunn’s Letters

The late poet’s letters are a primer not only on literature but on the man himself.

Aleshea Harris Stages Black Life

The playwright explores the myths of community, love, and violence.

The Metaphysical World of Apichatpong Weerasethakul’s Movies

The Thai director knows how to find the visually uncanny in the mundane.

Joan Didion and the Voice of America

She knew that her country was built on exclusion and shame.

Gayl Jones’s Novels of Oppression

In the author’s work, colonization and racial hatred turn mother against child, Black against white, man against woman.
Culture Desk

The Visual Maelstrom of Brett Goodroad

The artist maps nature and his own consciousness.

Love on the Run in Stephen Barker’s Photographs

A world of bodies at Club 82.

Alice Neel’s Portraits of Difference

A retrospective at the Met shows the artist’s deep feeling for all that she is not.

A New Hemingway Documentary Peeks Behind the Myth

Ken Burns and Lynn Novick’s film examines the burden of the author’s performance of himself.

The Warhol “Superstar” Candy Darling and the Fight to Be Seen

The sui-generis trans actress inspired works by Warhol, Lou Reed, and others, yet never broke through to the mainstream herself. A new book captures the brilliant persona she created.

Brightening the History of Harlem

Denise Murrell, in her exhibition on the Harlem Renaissance at the Met, captures the joy of her subject but not the complex humanism.

Betye Saar Reassembles the Lives of Black Women

The artist restores depth and interiority to the caricatures of racism.

Michelle Buteau’s Caring Comedy

Sentiment and a sense of community provide the framework for the comedian’s new standup show, “Full Heart, Tight Jeans.”

How Michael R. Jackson Remade the American Musical

“A Strange Loop,” a story about a Black, gay theatre nerd, was a surprise success. In his latest work, “White Girl in Danger,” Jackson reimagines the soap opera.

Senga Nengudi’s Journeys Through Air, Water, and Sand

In a show at Dia Beacon, the artist explores her poetics of the body and her philosophical belief in flow.
Postscript

Always Something There to Remind Me

Burt Bacharach’s complex, existential pop.

John Ahearn and Rigoberto Torres’s Portraits of the South Bronx

“Swagger and Tenderness,” at the Bronx Museum, brings back the beauty of a struggling community.

Robin Coste Lewis’s Family Album

The poet’s new book of photographs and verse is haunted by the dead who will not stay dead.

Two Views of New York, from Edward Hopper and a Historic Black Gallery

Museum shows capture the great realist painter’s vision of the city and, at Just Above Midtown, the work of artists of color from the seventies and eighties.

A Portrait of David Bowie as an Alienated Artist

The musician was a consummate showman, but “Moonage Daydream,” a new documentary, rarely shows him at play.

The Revelations of Thom Gunn’s Letters

The late poet’s letters are a primer not only on literature but on the man himself.

Aleshea Harris Stages Black Life

The playwright explores the myths of community, love, and violence.

The Metaphysical World of Apichatpong Weerasethakul’s Movies

The Thai director knows how to find the visually uncanny in the mundane.

Joan Didion and the Voice of America

She knew that her country was built on exclusion and shame.

Gayl Jones’s Novels of Oppression

In the author’s work, colonization and racial hatred turn mother against child, Black against white, man against woman.
Culture Desk

The Visual Maelstrom of Brett Goodroad

The artist maps nature and his own consciousness.

Love on the Run in Stephen Barker’s Photographs

A world of bodies at Club 82.

Alice Neel’s Portraits of Difference

A retrospective at the Met shows the artist’s deep feeling for all that she is not.

A New Hemingway Documentary Peeks Behind the Myth

Ken Burns and Lynn Novick’s film examines the burden of the author’s performance of himself.